A vivid, unforgettable story of an unlikely sisterhood—an emotionally powerful and haunting tale of friendship that illuminates the plight of women in a traditional culture—from the author of the bestselling The Pearl That Broke Its Shell and When the Moon Is Low. For two decades, Zeba was a loving wife, a patient mother, and a peaceful villager. But her quiet life is shattered when her husband, Kamal, is found brutally murdered with a hatchet in the courtyard of their home. Nearly catatonic with shock, Zeba is unable to account for her whereabouts at the time of his death. Her children swear their mother could not have committed such a heinous act. Kamal’s family is sure she did, and demands justice. Barely escaping a vengeful mob, Zeba is arrested and jailed. As Zeba awaits trial, she meets a group of women whose own misfortunes have also led them to these bleak cells: thirty-year-old Nafisa, imprisoned to protect her from an honor killing; twenty-five-year-old Latifa, who ran away from home with her teenage sister but now stays in the prison because it is safe shelter; and nineteen-year-old Mezhgan, pregnant and unmarried, waiting for her lover’s family to ask for her hand in marriage. Is Zeba a cold-blooded killer, these young women wonder, or has she been imprisoned, as they have been, for breaking some social rule? For these women, the prison is both a haven and a punishment. Removed from the harsh and unforgiving world outside, they form a lively and indelible sisterhood. Into this closed world comes Yusuf, Zeba’s Afghan-born, American-raised lawyer, whose commitment to human rights and desire to help his motherland have brought him back. With the fate of this seemingly ordinary housewife in his hands, Yusuf discovers that, like Afghanistan itself, his client may not be at all what he imagines. A moving look at the lives of modern Afghan women, A House Without Windows is astonishing, frightening, and triumphant.
A moving ghost story that explores the overcoming of loss, and how to move on Thomasine has spent months living in her great-great-aunt's dusty, dark house with her father, and her aunt, uncle and cousins. While her father's siblings bicker about how much the house must be worth, her distant, elderly aunt is upstairs, dying, and her father has disappeared inside himself, still mourning the death of Thomasine's little brother. But one day, her youngest cousin makes a discovery: a wardrobe, filled with all the mirrors missing from the big house. And through the mirrors, a different world - one in which you can find not what you most wish for, but perhaps what you most need... A beautiful tale of love, grief and growing up, A House Without Mirrors is an unforgettable adventure into families and the power of love.
Afghan-American Nadia Hashimi's literary debut novel is a searing tale of powerlessness, fate, and the freedom to control one's own fate that combines the cultural flavor and emotional resonance of the works of Khaled Hosseini, Jhumpa Lahiri, and Lisa See. In Kabul, 2007, with a drug-addicted father and no brothers, Rahima and her sisters can only sporadically attend school, and can rarely leave the house. Their only hope lies in the ancient custom of bacha posh, which allows young Rahima to dress and be treated as a boy until she is of marriageable age. As a son, she can attend school, go to the market, and chaperone her older sisters. But Rahima is not the first in her family to adopt this unusual custom. A century earlier, her great-great grandmother, Shekiba, left orphaned by an epidemic, saved herself and built a new life the same way. Crisscrossing in time, The Pearl the Broke Its Shell interweaves the tales of these two women separated by a century who share similar destinies. But what will happen once Rahima is of marriageable age? Will Shekiba always live as a man? And if Rahima cannot adapt to life as a bride, how will she survive?
The best-selling coming-of-age classic, acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world. The House on Mango Street is the remarkable story of Esperanza Cordero, a young Latina girl growing up in Chicago, inventing for herself who and what she will become. Told in a series of vignettes—sometimes heartbreaking, sometimes deeply joyous—Sandra Cisneros’ masterpiece is a classic story of childhood and self-discovery. Few other books in our time have touched so many readers.
Mahmoud's passion for his wife Fereiba, a schoolteacher, is greater than any love she's ever known. But their happy, middle-class world—a life of education, work, and comfort—implodes when their country is engulfed in war, and the Taliban rises to power. Mahmoud, a civil engineer, becomes a target of the new fundamentalist regime and is murdered. Forced to flee Kabul with her three children, Fereiba has one hope to survive: she must find a way to cross Europe and reach her sister's family in England. With forged papers and help from kind strangers they meet along the way, Fereiba make a dangerous crossing into Iran under cover of darkness. Exhausted and brokenhearted but undefeated, Fereiba manages to smuggle them as far as Greece. But in a busy market square, their fate takes a frightening turn when her teenage son, Saleem, becomes separated from the rest of the family. Faced with an impossible choice, Fereiba pushes on with her daughter and baby, while Saleem falls into the shadowy underground network of undocumented Afghans who haunt the streets of Europe's capitals. Across the continent Fereiba and Saleem struggle to reunite, and ultimately find a place where they can begin to reconstruct their lives.
This #ownvoices novel by bestselling author Nadia Hashimi tells the affecting story of an Afghan-American boy who believes his mother has been deported. For fans of Inside Out and Back Again and Counting by 7s. Jason has just learned that his Afghan mother has been living illegally in the United States since his father was killed in Afghanistan. Although Jason was born in the US, it’s hard to feel American now when he’s terrified that his mother will be discovered—and that they will be separated. When he sees his mother being escorted from her workplace by two officers, Jason feels completely alone. He boards a train with the hope of finding his aunt in New York City, but as soon as he arrives in Penn Station, the bustling city makes him wonder if he’s overestimated what he can do. After an accident lands him in the hospital, Jason finds an unlikely ally in a fellow patient. Max, a whip-smart girl who wants nothing more than to explore the world on her own terms, joins Jason in planning a daring escape out of the hospital and into the skyscraper jungle—even though they both know that no matter how big New York City is, they won’t be able to run forever.
BREAKING NEWS: Amanda Lindhout’s lead kidnapper, Ali Omar Ader, has been caught. Amanda Lindhout wrote about her fifteen month abduction in Somalia in A House in the Sky. It is the New York Times bestselling memoir of a woman whose curiosity led her to the world’s most remote places and then into captivity: “Exquisitely told…A young woman’s harrowing coming-of-age story and an extraordinary narrative of forgiveness and spiritual triumph” (The New York Times Book Review). As a child, Amanda Lindhout escaped a violent household by paging through issues of National Geographic and imagining herself visiting its exotic locales. At the age of nineteen, working as a cocktail waitress, she began saving her tips so she could travel the globe. Aspiring to understand the world and live a significant life, she backpacked through Latin America, Laos, Bangladesh, and India, and emboldened by each adventure, went on to Sudan, Syria, and Pakistan. In war-ridden Afghanistan and Iraq she carved out a fledgling career as a television reporter. And then, in August 2008, she traveled to Somalia—“the most dangerous place on earth.” On her fourth day, she was abducted by a group of masked men along a dusty road. Held hostage for 460 days, Amanda survives on memory—every lush detail of the world she experienced in her life before captivity—and on strategy, fortitude, and hope. When she is most desperate, she visits a house in the sky, high above the woman kept in chains, in the dark. Vivid and suspenseful, as artfully written as the finest novel, A House in the Sky is “a searingly unsentimental account. Ultimately it is compassion—for her naïve younger self, for her kidnappers—that becomes the key to Lindhout’s survival” (O, The Oprah Magazine).
This new work of fiction by one of Australia’s most highly regarded authors focuses on the importance of trust, and the possibility of betrayal, in storytelling as in life. It tests the relationship established between author and reader, and on occasions of intimacy, between child and parent, boyfriend and girlfriend, husband and wife. Murnane’s fiction is woven from images, and the feelings associated with them, and the images that flit through A Million Windows like butterflies – the reflections of the setting sun like spots of golden oil, the houses of two or perhaps three storeys, the procession of dark-haired females, the clearing in the forest, the colours indigo and silver-grey, the death of a young woman who had leaped into a well – build to an emotional crescendo that is all the more powerful for the intricacy of their patterning.
Corban Addison's debut novel, A Walk Across the Sun, made waves when it was first published, called "pulse-revving with a serious message," by O, the Oprah magazine. John Grisham said, "Addison has written a novel that is beautiful in its story and also important in its message. A Walk Across The Sun deserves a wide audience." A trained lawyer committed to the cause of advancing international human rights and abolishing modern slavery, Addison has written a novel that enlightens while it entertains; A Walk Across the Sun brings together three of Addison's great passions--storytelling, human rights, and the world's many cultures. Ahalya Ghai and her younger sister Sita are as close as sisters can be. But when a tsunami rips through their coastal village, their home is swept away, and the sisters are the sole survivors of their family. Destitute, their only hope is to find refuge at a convent many miles away. A driver agrees to take them. But the moment they get into that car their fate is sealed. The two sisters--confused, alone, totally reliant on each other--are sold. On the other side of the world, Washington lawyer Thomas Clarke is struggling to cope after the death of his baby daughter and the collapse of his marriage. He takes a sabbatical from his high-pressure job and accepts a position with the Bombay branch of an international anti-trafficking group. Thomas is now on a desperate path to try and save not only himself and his marriage, but also the lives of the two sisters. From the Trade Paperback edition.
Set in the conformist 1950s and reaching back to span two world wars, Ellen Baker’ s superb novel is the story of a newlywed who falls in love with a grand abandoned house and begins to unravel dark secrets woven through the generations of a family. Like Whitney Otto’s How to Make an American Quilt in its intimate portrayal of women’ s lives, and reminiscent of novels by Elizabeth Berg and Anne Tyler, Keeping the House is a rich tapestry of a novel that introduces a wonderful new fiction writer. When Dolly Magnuson moves to Pine Rapids, Wisconsin, in 1950, she discovers all too soon that making marriage work is harder than it looks in the pages of the Ladies’ Home Journal. Dolly tries to adapt to her new life by keeping the house, supporting her husband’s career, and fretting about dinner menus. She even gives up her dream of flying an airplane, trying instead to fit in at the stuffy Ladies Aid quilting circle. Soon, though, her loneliness and restless imagination are seized by the vacant house on the hill. As Dolly’s life and marriage become increasingly difficult, she begins to lose herself in piecing together the story of three generations of Mickelson men and women: Wilma Mickelson, who came to Pine Rapids as a new bride in 1896 and fell in love with a man who was not her husband; her oldest son, Jack, who fought as a Marine in the trenches of World War I; and Jack’s son, JJ, a troubled veteran of World War II, who returns home to discover Dolly in his grandparents’ house. As the crisis in Dolly’s marriage escalates, she not only escapes into JJ’s stories of his family’s past but finds in them parallels to her own life. As Keeping the House moves back and forth in time, it eloquently explores themes of wartime heroism and passionate love, of the struggles of men’s struggles with fatherhood and war and of women’s conflicts with issues of conformity, identity, forbidden dreams, and love. Beautifully written and atmospheric, Keeping the House illuminates the courage it takes to shape and reshape a life, and the difficulty of ever knowing the truth about another person’s desires. Keeping the House is an unforgettable novel about small-town life and big matters of the heart.
“A rich, haunting, immersive story of cultures at the crossroads—deeply moving. A heart-smashingly good read, the kind of novel you’ll want to share with your book club.” —Jamie Ford, New York Times bestselling author of Love and Other Consolation Prizes and Hotel on the Corner of Bitter and Sweet “Highly recommended, especially for fans of Khaled Hosseini.” —Library Journal, starred review For fans of A Thousand Splendid Suns comes a stirring novel set in Afghanistan about two women—an American aid worker and her local interpreter—who form an unexpected friendship despite their utterly different life experiences and the ever-increasing violence that surrounds them in Kabul. In 2001, Kabul is suddenly a place of possibility as people fling off years of repressive Taliban rule. This hopeful chaos brings together American aid worker Liv Stoellner and Farida Basra, an educated Pakistani woman still adjusting to her arranged marriage to Gul, the son of an Afghan strongman whose family spent years of exile in Pakistan before returning to Kabul. Both Liv and her husband take positions at an NGO that helps Afghan women recover from the Taliban years. They see the move as a reboot—Martin for his moribund academic career, Liv for their marriage. But for Farida and Gul, the move to Kabul is fraught, severing all ties with Farida’s family and her former world, and forcing Gul to confront a chapter in his life he’d desperately tried to erase. The two women, brought together by Farida’s work as an interpreter, form a nascent friendship based on their growing mutual love for Afghanistan, though Liv remains unaware that Farida is reporting information about the Americans’ activities to Gul’s family, who have ties to the black market. As the bond between Farida and Liv deepens, war-scarred Kabul acts in different ways upon them, as well as their husbands. Silent Hearts is an absorbing, complex portrayal of two very different but equally resilient women caught in the conflict of a war that will test them in ways they never imagined.
'I am making up "To the Lighthouse" - the sea is to be heard all through it' Inspired by the lost bliss of her childhood summers in Cornwall, Virginia Woolf produced one of the masterworks of English literature in To the Lighthouse. It concerns the Ramsay family and their summer guests on the Isle of Skye before and after the First World War. As children play and adults paint, talk, muse and explore, relationships shift and mutate. A captivating fusion of elegy, autobiography, socio-political critique and visionary thrust, it is the most accomplished of all Woolf's novels. On completing it, she thought she had exorcised the ghosts of her imposing parents, but she had also brought form to a book every bit as vivid and intense as the work of Lily Briscoe, the indomitable artist at the centre of the novel. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
My disease is as rare as it is famous. It's a form of Severe Combined Immunodeficiency, but basically, I'm allergic to the world. I don't leave my house, have not left my house in fifteen years. The only people I ever see are my mom and my nurse, Carla. But then one day, a moving truck arrives. New next door neighbors. I look out the window, and I see him. He's tall, lean and wearing all black--black t-shirt, black jeans, black sneakers and a black knit cap that covers his hair completely. He catches me looking and stares at me. I stare right back. His name is Olly. I want to learn everything about him, and I do. I learn that he is funny and fierce. I learn that his eyes are Atlantic Ocean-blue and that his vice is stealing silverware. I learn that when I talk to him, my whole world opens up, and I feel myself starting to change--starting to want things. To want out of my bubble. To want everything, everything the world has to offer. Maybe we can't predict the future, but we can predict some things. For example, I am certainly going to fall in love with Olly. It's almost certainly going to be a disaster.
Immerse yourself in a painstakingly recreated depiction of Scottish rural life at the turn of the twentieth century. Regarded as a groundbreaking literary work upon its publication, The House With the Green Shutters takes an unflinching look at the growing conflict between socioeconomic classes during the period, rather than idealizing rustic living, as many writers of the era chose to do.
Winner of the Edgar Award The #1 New York Times Bestseller Publishers Weekly and USA Today Bestseller Millions of Copies Sold Quentin Jacobsen has spent a lifetime loving the magnificent Margo Roth Spiegelman from afar. So when she cracks open a window and climbs back into his life—summoning him for an ingenious campaign of revenge—he follows. When their all-nighter ends and a new day breaks, Margo has disappeared. But Q soon learns that there are clues—and they’re for him. Embarking on an exhilarating adventure to find her, the closer Q gets, the less he sees the girl he thought he knew. #1 Bestselling author of The Fault in Our Stars John Green crafts a brilliantly funny and moving coming-of-age journey about true friendship and true love. From the Hardcover edition.
This instant New York Times bestseller, in the tradition of The Girl on the Train, The Silent Wife and Gone Girl, is an enthralling psychological thriller that spins one woman's seemingly good fortune and another woman's mysterious fate through a kaleidoscope of duplicity, death and deception. Please make a list of every possession you consider essential to your life. The request seems odd, even intrusive--and for the two women who answer, the consequences are devastating. EMMA Reeling from a traumatic break-in, Emma wants a new place to live. But none of the apartments she sees are affordable or feel safe. Until One Folgate Street. The house is an architectural masterpiece: a minimalist design of pale stone, plate glass and soaring ceilings. But there are rules. The enigmatic architect who designed the house retains full control: no books, no throw pillows, no photos or clutter or personal effects of any kind. The space is intended to transform its occupant--and it does. JANE After a personal tragedy, Jane needs a fresh start. When she finds One Folgate Street she is instantly drawn to the space--and to its aloof but seductive creator. Moving in, Jane soon learns about the untimely death of the home's previous tenant, a woman similar to Jane in age and appearance. As Jane tries to untangle truth from lies, she unwittingly follows the same patterns, makes the same choices, crosses paths with the same people and experiences the same terror, as the girl before.
After hard luck and heartbreak, Sunny finally finds a place to call home—in the middle of an Afghanistan war zone. There, the thirty-eight-year-old serves up her American hospitality to the expats who patronize her coffee shop, including a British journalist, a “danger pay” consultant, and a wealthy and well-connected woman. True to her name, Sunny also bonds with people whose language and landscape are unfamiliar to most Westerners, but whose hearts and souls are very much like our own: the maternal Halajan, who vividly recalls the days before the Taliban and now must hide a modern romance from her ultratraditional son; and Yazmina, a young Afghan villager with a secret that could put everyone’s life in jeopardy. In this gorgeous first novel, New York Times bestselling author Deborah Rodriguez paints a stirring portrait of a faraway place where—even in the fog of political and social conflict—friendship, passion, and hope still exist. Originally published as A Cup of Friendship Look for special features inside. Join the Circle for author chats and more. RandomHouseReadersCircle.com
The #1 New York Times-bestselling author of The Kite Runner, A Thousand Splendid Suns, and And the Mountains Echoed responds to the heartbreak of the current refugee crisis with this deeply moving, beautifully illustrated short work of fiction for people of all ages, all over the world. On a moonlit beach, a father cradles his sleeping son as they wait for dawn to break and a boat to arrive. He speaks to his boy of the long summers of his childhood, recalling his grandfather's house in Syria, the stirring of olive trees in the breeze, the bleating of his grandmother's goat, the clanking of the cooking pots. And he remembers, too, the bustling city of Homs, with its crowded lanes, its mosque and grand souk, in the days before the sky spat bombs and they had to flee. When the sun rises, they and those around them will gather their possessions and embark on a perilous sea journey in search of a new home. Khaled Hosseini will donate author proceeds from this book to UNHCR, the UN Refugee Agency, and to The Khaled Hosseini Foundation to help fund life-saving relief efforts to help refugees around the globe. To learn more about UNHCR, please visit: unhcr.org/Khaled-hosseini To learn more about The Khaled Hosseini Foundation, please visit: khaledhosseinifoundation.org
This early work by Earl Derr Biggers was originally published in 1925 and we are now republishing it with a brand new introductory biography. "The House Without a Key " is the first of the Charlie Chan mysteries written by Biggers. The novel, which takes place in 1920s Hawaii, spends time acquainting the reader with the look and feel of the islands of that era from the standpoint of both white and non-white inhabitants, and describes social class structures and customs which have largely vanished in the 21st century.Earl Derr Biggers was born on 26th August 1884 in Warren, Ohio, USA. Biggers received his further education at Harvard University, where he developed a reputation as a literary rebel, preferring the popular modern authors, such as Rudyard Kipling and Richard Harding Davis to the established figures of classical literature. Following in their footsteps upon graduating, he himself began a career as a popular writer, penning humorous articles and reviews for the Boston Traveler. While on holiday in Hawaii, Biggers heard tales of a real-life Chinese detective operating in Honolulu, named Chang Apana. This inspired him to create his most enduring legacy in the character of super-sleuth Charlie Chan. The first Chan story “The House Without a Key” (1925) was published as a serialised story in the Saturday Evening Post and then released as a novel in the same year. Biggers went on to write five more Chan novels and all were licensed for movie adaptations by Fox Films. These films were hugely popular with several different actors taking the lead role of Chan. They were even a success in China where the appeal of a character from the country being the hero instead of the villain appealed to film-goers. Eventually, over 40 films were produced featuring the character. Biggers only saw the early on-screen successes of Charlie Chan due to his death at the age of only 48 from a heart attack in April 1933.
Hill House adalah rumah terpencil yang ganjil nan angker. Ukiran dan lukisan di dalamnya seolah-olah mengamatimu ke mana pun kau pergi, pintu-pintu selalu tertutup sendiri, dan kau selalu merasakan dingin yang menggigit meski duduk di dekat perapian. Setiap malam, terdengar suara langkah kaki di koridor, dan ketukan-ketukan kasar di pintu, padahal ketika diperiksa, tidak ada siapa-siapa. Tidak ada orang waras yang sudi tinggal di sana… Namun rumor-rumor seram Hill House malah menarik perhatian Dr. Montague, seorang akademisi yang ingin melakukan penelitian tentang aktifitas-aktifitas supernatural. Dia pun mengundang tiga orang asisten, Eleanor, Theodora, dan Luke, untuk tinggal di Hill House selama musim panas. Awalnya gangguan-gangguan makhluk halus yang mereka alami masih bisa ditolerir, tapi ketika Eleanor mulai mendengar suara-suara tanpa wujud yang membisikkan namanya, dan coretan cat merah di dinding yang memintanya pulang, keadaan mulai di luar kendali. Dr. Montague harus bertindak cepat jika tidak ingin jatuh korban nyawa. The Haunting of Hill House dianggap sebagai salah satu kisah horor terbaik abad ke-20. Novel ini telah dua kali diadaptasi menjadi film layar lebar, yakni tahun 1963 dan 1999. Versi tahun 1999 dibintangi oleh Liam Neeson, Catherine Zeta-Jones, Owen Wilson, dan Lili Taylor.
In a future where the Population Police enforce the law limiting a family to only two children, Luke, an illegal third child, has lived all his twelve years in isolation and fear on his family's farm in this start to the Shadow Children series from Margaret Peterson Haddix. Luke has never been to school. He's never had a birthday party, or gone to a friend's house for an overnight. In fact, Luke has never had a friend. Luke is one of the shadow children, a third child forbidden by the Population Police. He's lived his entire life in hiding, and now, with a new housing development replacing the woods next to his family's farm, he is no longer even allowed to go outside. Then, one day Luke sees a girl's face in the window of a house where he knows two other children already live. Finally, he's met a shadow child like himself. Jen is willing to risk everything to come out of the shadows -- does Luke dare to become involved in her dangerous plan? Can he afford not to?
From the bestselling author of Charlie and the Chocolate Factory and The BFG! Mr. and Mrs. Twit are the smelliest, nastiest, ugliest people in the world. They hate everything—except playing mean jokes on each other, catching innocent birds to put in their Bird Pies, and making their caged monkeys, the Muggle-Wumps, stand on their heads all day. But the Muggle-Wumps have had enough. They don't just want out, they want revenge.
The moving was over and done. Professor St. Peter was alone in the dismantled house where he had lived ever since his marriage, where he had worked out his career and brought up his two daughters. It was almost as ugly as it is possible for a house to be; square, three stories in height, painted the colour of ashes—the front porch just too narrow for comfort, with a slanting floor and sagging steps. As he walked slowly about the empty, echoing rooms on that bright September morning, the Professor regarded thoughtfully the needless inconveniences he had put up with for so long; the stairs that were too steep, the halls that were too cramped, the awkward oak mantles with thick round posts crowned by bumptious wooden balls, over greentiled fire-places. Certain wobbly stair treads, certain creaky boards in the upstairs hall, had made him wince many times a day for twenty-odd years—and they still creaked and wobbled. He had a deft hand with tools, he could easily have fixed them, but there were always so many things to fix, and there was not time enough to go round. He went into the kitchen, where he had carpentered under a succession of cooks, went up to the bathroom on the second floor, where there was only a painted tin tub; the taps were so old that no plumber could ever screw them tight enough to stop the drip, the window could only be coaxed up and down by wriggling, and the doors of the linen closet didn't fit. He had sympa-thized with his daughters' dissatisfaction, though he could never quite agree with them that the bath should be the most attractive room in the house. He had spent the happiest years of his youth in a house at Versailles where it distinctly was not, and he had known many charming people who had no bath at all. However, as his wife said: "If your country has contributed one thing, at least, to civilization, why not have it?" Many a night, after blowing out his study lamp, he had leaped into that tub, clad in his pyjamas, to give it another coat of some one of the many paints that were advertised to behave like porcelain, and didn't.
A classic tale by Newbery Medalist Kate DiCamillo, America’s beloved storyteller. Once, in a house on Egypt Street, there lived a china rabbit named Edward Tulane. The rabbit was very pleased with himself, and for good reason: he was owned by a girl named Abilene, who adored him completely. And then, one day, he was lost. . . . Kate DiCamillo takes us on an extraordinary journey, from the depths of the ocean to the net of a fisherman, from the bedside of an ailing child to the bustling streets of Memphis. Along the way, we are shown a miracle – that even a heart of the most breakable kind can learn to love, to lose, and to love again. Featuring illustrations and a refreshed cover by Bagram Ibatoulline, as well as an excerpt of Kate DiCamillo's newest novel, Raymie Nightingale.
Somer’s life is everything sheimagined it would be—she’snewly married and has startedher career as a physician in SanFrancisco—until she makes the devastatingdiscovery she never will beable to have children. The same year in India, a poormother makes the heartbreakingchoice to save her newborn daughter’slife by giving her away. It is adecision that will haunt Kavita forthe rest of her life, and cause aripple effect that travels across theworld and back again. Asha, adopted out of a Mumbaiorphanage, is the child that bindsthe destinies of these two women. Wefollow both families, invisibly connecteduntil Asha’s journey of self-discoveryleads her back to India. Compulsively readable anddeeply touching, Secret Daughter isa story of the unforeseen ways inwhich our choices and families affectour lives, and the indelible power oflove in all its many forms.
A haunting gothic tale by master mysery writer John Bellairs--soon to be a major motion picture starring Cate Blanchett and Jack Black! "The House With a Clock in Its Walls will cast its spell for a long time."--The New York Times Book Review When Lewis Barnavelt, an orphan. comes to stay with his uncle Jonathan, he expects to meet an ordinary person. But he is wrong. Uncle Jonathan and his next-door neighbor, Mrs. Zimmermann, are both magicians! Lewis is thrilled. At first, watchng magic is enough. Then Lewis experiments with magic himself and unknowingly resurrects the former owner of the house: a woman named Serenna Izard. It seems that Serenna and her husband built a timepiece into the walls--a clock that could obliterate humankind. And only the Barnavelts can stop it!
Perfect for fans of Rita Williams-Garcia, Thanhha Lai, and Rebecca Stead, internationally bestselling author Nadia Hashimi’s first novel for young readers is a coming-of-age journey set in modern-day Afghanistan that explores life as a bacha posh—a preteen girl dressed as a boy. Obayda’s family is in need of some good fortune, and her aunt has an idea to bring the family luck—dress Obayda, the youngest of four sisters, as a boy, a bacha posh. Life in this in-between place is confusing, but once Obayda meets another bacha posh, everything changes. Their transformation won’t last forever, though—unless the two best friends can figure out a way to make it stick and make their newfound freedoms endure. Nadia Hashimi’s first novel for adults, The Pearl That Broke Its Shell, was a bestseller that shares a bacha posh character with One Half from the East.
On the 100th anniversary of the Russian Revolution, the epic story of an enormous apartment building where Communist true believers lived before their destruction The House of Government is unlike any other book about the Russian Revolution and the Soviet experiment. Written in the tradition of Tolstoy's War and Peace, Grossman’s Life and Fate, and Solzhenitsyn’s The Gulag Archipelago, Yuri Slezkine’s gripping narrative tells the true story of the residents of an enormous Moscow apartment building where top Communist officials and their families lived before they were destroyed in Stalin’s purges. A vivid account of the personal and public lives of Bolshevik true believers, the book begins with their conversion to Communism and ends with their children’s loss of faith and the fall of the Soviet Union. Completed in 1931, the House of Government, later known as the House on the Embankment, was located across the Moscow River from the Kremlin. The largest residential building in Europe, it combined 505 furnished apartments with public spaces that included everything from a movie theater and a library to a tennis court and a shooting range. Slezkine tells the chilling story of how the building’s residents lived in their apartments and ruled the Soviet state until some eight hundred of them were evicted from the House and led, one by one, to prison or their deaths. Drawing on letters, diaries, and interviews, and featuring hundreds of rare photographs, The House of Government weaves together biography, literary criticism, architectural history, and fascinating new theories of revolutions, millennial prophecies, and reigns of terror. The result is an unforgettable human saga of a building that, like the Soviet Union itself, became a haunted house, forever disturbed by the ghosts of the disappeared.
Winner of the PEN/Faulkner Award For Fiction National Book Award and Los Angeles Times Book Prize Finalist A New York Times Notable Book A gorgeous novel by the celebrated author of When the Emperor Was Divine that tells the story of a group of young women brought from Japan to San Francisco as “picture brides” nearly a century ago. In eight unforgettable sections, The Buddha in the Attic traces the extraordinary lives of these women, from their arduous journeys by boat, to their arrival in San Francisco and their tremulous first nights as new wives; from their experiences raising children who would later reject their culture and language, to the deracinating arrival of war. Once again, Julie Otsuka has written a spellbinding novel about identity and loyalty, and what it means to be an American in uncertain times.
From the #1 New York Times bestselling author of Small Great Things and the modern classics My Sister’s Keeper, The Storyteller, and more, comes a “complex, compassionate, and smart” (The Washington Post) novel about a family torn apart by a murder accusation. When your son can’t look you in the eye…does that mean he’s guilty? Jacob Hunt is a teen with Asperger’s syndrome. He’s hopeless at reading social cues or expressing himself well to others, though he is brilliant in many ways. He has a special focus on one subject—forensic analysis. A police scanner in his room clues him in to crime scenes, and he’s always showing up and telling the cops what to do. And he’s usually right. But when Jacob’s small hometown is rocked by a terrible murder, law enforcement comes to him. Jacob’s behaviors are hallmark Asperger’s, but they look a lot like guilt to the local police. Suddenly the Hunt family, who only want to fit in, are thrust directly in the spotlight. For Jacob’s mother, it’s a brutal reminder of the intolerance and misunderstanding that always threaten her family. For his brother, it’s another indication why nothing is normal because of Jacob. And for the frightened small town, the soul-searing question looms: Did Jacob commit murder? House Rules is “a provocative story in which [Picoult] explores the pain of trying to comprehend the people we love—and reminds us that the truth often travels in disguise” (People).
Merricat Blackwood lives on the family estate with her sister Constance and her uncle Julian. Not long ago there were seven Blackwoods—until a fatal dose of arsenic found its way into the sugar bowl one terrible night. Acquitted of the murders, Constance has returned home, where Merricat protects her from the curiousity and hostility of the villagers. Their days pass in happy isolation until cousin Charles appears. Only Merricat can see the danger, and she must act swiftly to keep Constance from his grasp.
The House on Cold Hill is a chilling and suspenseful ghost story from the multi-million copy bestselling author of Dead Simple, Peter James. Moving from the heart of the city of Brighton and Hove to the Sussex countryside is a big undertaking for born townies, Ollie Harcourt, his wife, Caro, and their twelve-year-old daughter, Jade. But when they view Cold Hill House – a huge, dilapidated, Georgian mansion – they are filled with excitement. Despite the financial strain of the move, Ollie has dreamed of living in the country since he was a child, and with its acres of land, he sees Cold Hill House as a paradise for his animal-loving daughter, a base for his web-design business and a terrific long-term investment. Caro is less certain, and Jade is grumpy about being removed from all her friends. But within days of moving in, it soon becomes apparent that the Harcourt family aren't the only residents in the house. At first it is only a friend of Jade, talking to her on Facetime, who sees a spectral woman standing behind her. Then there are more sightings of her, as well as increasingly disturbing occurrences in the house. Two weeks after moving in, Caro, out in the garden, is startled to see faces staring out of an upstairs window of the house. The window of a room which holds the secret to the house's dark history . . . a room which does not appear to exist . . .
Here is a book as joyous and painful, as mysterious and memorable, as childhood itself. I Know Why the Caged Bird Sings captures the longing of lonely children, the brute insult of bigotry, and the wonder of words that can make the world right. Maya Angelou’s debut memoir is a modern American classic beloved worldwide. Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local “powhitetrash.” At eight years old and back at her mother’s side in St. Louis, Maya is attacked by a man many times her age—and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors (“I met and fell in love with William Shakespeare”) will allow her to be free instead of imprisoned. Poetic and powerful, I Know Why the Caged Bird Sings will touch hearts and change minds for as long as people read. “I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity.”—James Baldwin From the Paperback edition.
Forget everything you thought you knew about how to motivate people—at work, at school, at home. It's wrong. As Daniel H. Pink (author of To Sell Is Human: The Surprising Truth About Motivating Others) explains in his paradigm-shattering book Drive, the secret to high performance and satisfaction in today's world is the deeply human need to direct our own lives, to learn and create new things, and to do better by ourselves and our world. Drawing on four decades of scientific research on human motivation, Pink exposes the mismatch between what science knows and what business does—and how that affects every aspect of our lives. He demonstrates that while the old-fashioned carrot-and-stick approach worked successfully in the 20th century, it's precisely the wrong way to motivate people for today's challenges. In Drive, he reveals the three elements of true motivation: *Autonomy—the desire to direct our own lives *Mastery—the urge to get better and better at something that matters *Purpose—the yearning to do what we do in the service of something larger than ourselves Along the way, he takes us to companies that are enlisting new approaches to motivation and introduces us to the scientists and entrepreneurs who are pointing a bold way forward. Drive is bursting with big ideas—the rare book that will change how you think and transform how you live.
The Room on the Roof is a timeless coming-of-age novel that will resonate with a whole new generation of readers. Written by renowned author Ruskin Bond when he was just seventeen, it is the story of Rusty, a teenage Anglo-Indian boy who is orphaned and has to live with his English guardian in the stifling European quarter of Dehra Dun. Unhappy with the strict ways of his guardian, Rusty runs away from home to live with his Indian friends into the dream-bright world of the bazaar, Hindu festivals and all manner of Indian life. Rusty is enthralled, and is lost forever to the prim proprieties of the claustrophic European community.
Dispatches from the new front lines of parenthood When the two-time National Book Award finalist Melissa Fay Greene confided to friends that she and her husband planned to adopt a four-year-old boy from Bulgaria to add to their four children at home, the news threatened to place her, she writes, "among the greats: the Kennedys, the McCaughey septuplets, the von Trapp family singers, and perhaps even Mrs. Feodor Vassilyev, who, according to the Guinness Book of World Records, gave birth to sixty-nine children in eighteenth-century Russia." Greene is best known for her books on the civil rights movement and the African HIV/AIDS pandemic. She's been praised for her "historian's urge for accuracy," her "sociologist's sense of social nuance," and her "writerly passion for the beauty of language." But Melissa and her husband have also pursued a more private vocation: parenthood. "We so loved raising our four children by birth, we didn't want to stop. When the clock started to run down on the home team, we brought in ringers." When the number of children hit nine, Greene took a break from reporting. She trained her journalist's eye upon events at home. Fisseha was riding a bike down the basement stairs; out on the porch, a squirrel was sitting on Jesse's head; vulgar posters had erupted on bedroom walls; the insult niftam (the Amharic word for "snot") had led to fistfights; and four non-native-English-speaking teenage boys were researching, on Mom's computer, the subject of "saxing." "At first I thought one of our trombone players was considering a change of instrument," writes Greene. "Then I remembered: they can't spell." Using the tools of her trade, she uncovered the true subject of the "saxing" investigation, inspiring the chapter "Everything You Always Wanted to Know About Sex, but Couldn't Spell." A celebration of parenthood; an ingathering of children, through birth and out of loss and bereavement; a relishing of moments hilarious and enlightening—No Biking in the House Without a Helmet is a loving portrait of a unique twenty first-century family as it wobbles between disaster and joy.
Reissued with a new introduction by Adam Nevill and including a Reading Group Guide, House of Windows is a masterpiece haunted house story by rising star in Horror John Langan. “Think Henry James and Joyce Carol Oates with just a few paragraphs of Joe Lansdale...” —Tor.com “John Langan is a writer of superb literary horror. Both House of Windows and The Fisherman are dark and unsettling contemporary masterpieces.” —Peter Straub, New York Times bestselling author For the last few years, Veronica Croydon has been at the center of scandal, first as the younger woman for whom her famous professor left his wife, and then as his apparent widow. When a writer staying at the same vacation home as Veronica has the chance to hear her story, he jumps at it. What follows takes him to the dark heart of a father's troubled relationship with his only son, in a story that stretches from a college town in the Hudson Valley to the battlefields on Afghanistan, from post-9/11 America to the height of Victorian England. It is a story that leads inexorably to the Belvedere House, the home Veronica shares with her husband, within whose walls a father's terrible words to his son echo and gain in awful force. House of Windows is a tense, frightening exploration of a marriage under strain from forces both psychological and supernatural, and it is a meditation on the ways loss haunts every one of us. “House of Windows is a haunted house story of the highest order.” —Strange Horizons Reading Group Guide Inside
"The Murders in the Rue Morgue" is a short story by Edgar Allan Poe published in "Graham's Magazine" in 1841. It has been recognized as the first modern detective story; Poe referred to it as one of his "tales of ratiocination". Two works that share some similarities predate Poe's stories, including "Das Fräulein von Scuderi" (1819) by E. T. A. Hoffmann and "Zadig" (1747) by Voltaire. C. Auguste Dupin is a man in Paris who solves the mystery of the brutal murder of two women. Numerous witnesses heard a suspect, though no one agrees on what language was spoken. At the murder scene, Dupin finds a hair that does not appear to be human. As the first fictional detective, Poe's Dupin displays many traits which became literary conventions in subsequent fictional detectives, including Sherlock Holmes and Hercule Poirot. Many later characters, for example, follow Poe's model of the brilliant detective, his personal friend who serves as narrator, and the final revelation being presented before the reasoning that leads up to it. Dupin himself reappears in "The Mystery of Marie Rogêt" and "The Purloined Letter".
Author of the bestselling Secret Daughter, Shilpi Somaya Gowda’s The Golden Son is about a young Indian doctor who leaves his village for a residency in the US. But he grapples with the expectation that as the oldest son, he is expected to inherit the mantle of arbiter for all village disputes. And he finds himself torn between a beautiful American girl and his old childhood friend.
Which is more dangerous, a gun or a swimming pool? What do schoolteachers and sumo wrestlers have in common? Why do drug dealers still live with their moms? How much do parents really matter? How did the legalization of abortion affect the rate of violent crime? These may not sound like typical questions for an economist to ask. But Steven D. Levitt is not a typical economist. He is a much-heralded scholar who studies the riddles of everyday life—from cheating and crime to sports and child-rearing—and whose conclusions turn conventional wisdom on its head. Freakonomics is a groundbreaking collaboration between Levitt and Stephen J. Dubner, an award-winning author and journalist. They usually begin with a mountain of data and a simple question. Some of these questions concern life-and-death issues; others have an admittedly freakish quality. Thus the new field of study contained in this book: Freakonomics. Through forceful storytelling and wry insight, Levitt and Dubner show that economics is, at root, the study of incentives—how people get what they want, or need, especially when other people want or need the same thing. In Freakonomics, they explore the hidden side of . . . well, everything. The inner workings of a crack gang. The truth about real-estate agents. The myths of campaign finance. The telltale marks of a cheating schoolteacher. The secrets of the Ku Klux Klan. What unites all these stories is a belief that the modern world, despite a great deal of complexity and downright deceit, is not impenetrable, is not unknowable, and—if the right questions are asked—is even more intriguing than we think. All it takes is a new way of looking. Freakonomics establishes this unconventional premise: If morality represents how we would like the world to work, then economics represents how it actually does work. It is true that readers of this book will be armed with enough riddles and stories to last a thousand cocktail parties. But Freakonomics can provide more than that. It will literally redefine the way we view the modern world. Bonus material added to the revised and expanded 2006 edition The original New York Times Magazine article about Steven D. Levitt by Stephen J. Dubner, which led to the creation of this book. Seven “Freakonomics” columns written for the New York Times Magazine, published between August 2005 and April 2006. Selected entries from the Freakonomics blog, posted between April 2005 and May 2006 at http://www.freakonomics.com/blog/.