Artist Cat Seto, founder of the acclaimed Ferme à Papier brand, introduces you to the City of Light as never before in this distinctive volume—both a visual feast and celebration of the artistic process—filled with lavish illustrations and descriptive meditations that capture the quotidian pleasures of France’s capital city and how they have inspired creativity. In Impressions of Paris, Cat Seto takes you on a dazzling and enlightening tour of Paris, from familiar sights to hidden surprises, to reveal this legendary city as never before. Combining informative and entertaining vignettes, stories, and notes with stunning full-color illustrations, she draws parallels between the city and the art it inspires. Organized around four main principles of art—color, pattern, perspective, and rhythm—Impressions of Paris is a celebration of the artistic spark in the city’s mundane yet marvelous details: the pistachio and cassis palette triggered by the ice cream case at Berthillon; how a rainy stroll through an open air market transforms into a smudgy gouache (pronounced gwash) pattern; the lovely ubiquity of the iconic French stripe, the Breton. Pretty and inventive, surprising and stimulating, Impressions of Paris captures the beauty and charms of this stunning city and extols its power to stimulate the creative imagination—inviting artists and art appreciators to intimately experience a painter’s process.
Author and award-winning scholar-professor Fred Kleiner continues to set the standard for art history textbooks, combining impeccable and authoritative scholarship with an engaging approach that discusses the most significant artworks and monuments in their full historical and cultural contexts. The most widely read and respected history of art and architecture in the English language for over 85 years, the 15th edition of GARDNER’S ART THROUGH THE AGES: A GLOBAL HISTORY includes nearly 200 new images, new pedagogical box features, images that have been upgraded for clarity and color-fidelity, revised and improved maps and architectural reconstructions, and more. More than 40 reviewers -- both generalists and specialists -- contributed to the accuracy and readability of this edition. GARDNER’s has built its stellar reputation on up-to-date and extensive scholarship, reproductions of unsurpassed quality, the consistent voice of a single storyteller, and more online resources and help for students and instructors than any other art survey text. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
Contemporary Art and Digital Culture analyses the impact of the internet and digital technologies upon art today. Art over the last fifteen years has been deeply inflected by the rise of the internet as a mass cultural and socio-political medium, while also responding to urgent economic and political events, from the financial crisis of 2008 to the ongoing conflicts in the Middle East. This book looks at how contemporary art addresses digitality, circulation, privacy, and globalisation, and suggests how feminism and gender binaries have been shifted by new mediations of identity. It situates current artistic practice both in canonical art history and in technological predecessors such as cybernetics and net.art, and takes stock of how the art-world infrastructure has reacted to the internet’s promises of democratisation. An invaluable resource for undergraduate and postgraduate students of contemporary art – especially those studying history of art and art practice and theory – as well as those working in film, media, curation, or art education. Melissa Gronlund is a writer and lecturer on contemporary art, specialising in the moving image. From 2007–2015, she was co-editor of the journal Afterall, and her writing has appeared there and in Artforum, e-flux journal, frieze, the NewYorker.com, and many other places.
'A wicked and detestable place, though wonderfully attractive': Charles Dickens's conflicted feelings about Paris typify the fascination and repulsion with which a host of mid-nineteenth-century British writers viewed their nearest foreign capital. Variously perceived as the showcase for sophisticated, cosmopolitan talent, the home of revolution, a stronghold of Roman Catholicism, and a shrine to irreligious hedonism, Paris was also a city where writers were respected and journalism flourished. This historically-grounded account of the ways in which Paris touched the careers and work of both major and minor Victorian writers considers both their actual experiences of an urban environment, distinctively different from anything Britain offered, and the extent to which this became absorbed and expressed within the Victorian imaginary. Casting a wide literary net, the first part of this book explores these writers' reaction to the swiftly changing politics and topography of Paris, before considering the nature of their social interactions with the Parisians, through networks provided by institutions such as the British Embassy and the salons. The second part of the book examines the significance of Paris for mid-nineteenth-century Anglophone journalists., paying particular attention to the ways in which the young Thackeray's exposure to Parisian print culture shaped him as both writer and artist. The final part focuses on fictional representations of Paris, revealing the frequency with which they relied upon previous literary sources, and how the surprisingly narrow palette of subgenres, structures and characters they employed contributed to the characteristic, and sometimes contradictory, prejudices of a swiftly-growing British readership.
Written by locals, Fodor's travel guides have been offering expert advice for all tastes and budgets for 80 years. Paris is just the beginning: France's memorable sights--from sprawling Versailles to lofty Mont-St-Michel--have made it mainland Europe's most popular destination. This edition delivers can't-miss trips for the more than 2 million America's who trave to France annually, whether they're beginners or veterans. This travel guide includes: · Dozens of full-color maps · Hundreds of hotel and restaurant recommendations, with Fodor's Choice designating our top picks · Multiple itineraries to explore the top attractions and what’s off the beaten path · Major sights such as Louvre, Chartres, Monet's Garden, Versailles, Lyon, Chenonceau, Mont-St-Michel, Strasbourg, Beaune, Eze, St-Tropez, and Aix-en-Provence · Coverage of Paris; Ile-de-France; The Loire Valley; Normandy; Brittany; Champagne Country; Alsace-Lorraine; Burgundy; Lyon and the Alps; Provence; The French Riviera; Monaco; Corsica; The Midi-Pyrenees and Languedoc-Roussillon; The Basque Country, Gascony and Hautes-Pyrenees; Bordeaux and the Wine Country; The Dordogne Planning to focus on just part of France? Check out Fodor's travel guides to Paris and Provence & the French Riviera.
The fascinating new book by the author of Brunelleschi’s Dome and Michelangelo and the Pope’s Ceiling: a saga of artistic rivalry and cultural upheaval in the decade leading to the birth of Impressionism. If there were two men who were absolutely central to artistic life in France in the second half of the nineteenth century, they were Edouard Manet and Ernest Meissonier. While the former has been labelled the “Father of Impressionism” and is today a household name, the latter has sunk into obscurity. It is difficult now to believe that in 1864, when this story begins, it was Meissonier who was considered the greatest French artist alive and who received astronomical sums for his work, while Manet was derided for his messy paintings of ordinary people and had great difficulty getting any of his work accepted at the all-important annual Paris Salon. Manet and Meissonier were the Mozart and Salieri of their day, one a dangerous challenge to the establishment, the other beloved by rulers and the public alike for his painstakingly meticulous oil paintings of historical subjects. Out of the fascinating story of their parallel careers, Ross King creates a lens through which to view the political tensions that dogged Louis-Napoleon during the Second Empire, his ignominious downfall, and the bloody Paris Commune of 1871. At the same time, King paints a wonderfully detailed and vivid portrait of life in an era of radical social change: on the streets of Paris, at the new seaside resorts of Boulogne and Trouville, and at the race courses and picnic spots where the new bourgeoisie relaxed. When Manet painted Dejeuner sur l’herbe or Olympia, he shocked not only with his casual brushstrokes (described by some as applied by a ‘floor mop’) but with his subject matter: top-hatted white-collar workers (and their mistresses) were not considered suitable subjects for ‘Art’. Ross King shows how, benign as they might seem today, these paintings changed the course of history. The struggle between Meissonier and Manet to see their paintings achieve pride of place at the Salon was not just about artistic competitiveness, it was about how to see the world. Full of fantastic tidbits of information (such as the use of carrier pigeons and hot-air balloons during the siege of Paris), and a colourful cast of characters that includes Baudelaire, Courbet, and Zola, with walk-on parts for Monet, Renoir, Degas, and Cezanne, The Judgment of Paris casts new light on the birth of Impressionism and takes us to the heart of a time in which the modern French identity was being forged. From the Hardcover edition.
A national bestseller, DESIGN BASICS presents art fundamentals concepts in full two- to four-page spreads, making the text easy for students to refer to while they work and giving instructors the utmost flexibility in organizing the course. The authors provide diverse, two-dimensional visual examples from many periods, peoples, and cultures for all elements and principles of design. This updated edition features an exciting array of stunning new examples of painting, graphic design, architecture, and new media to help students recognize the language of design in everyday life. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
“If John Berger’s Ways of Seeing is a classic of art criticism, looking at the ‘what’ of art, then David Salle’s How to See is the artist’s reply, a brilliant series of reflections on how artists think when they make their work. The ‘how’ of art has perhaps never been better explored.” —Salman Rushdie How does art work? How does it move us, inform us, challenge us? Internationally renowned painter David Salle’s incisive essay collection illuminates these questions by exploring the work of influential twentieth-century artists. Engaging with a wide range of Salle’s friends and contemporaries—from painters to conceptual artists such as Jeff Koons, John Baldessari, Roy Lichtenstein, and Alex Katz, among others—How to See explores not only the multilayered personalities of the artists themselves but also the distinctive character of their oeuvres. Salle writes with humor and verve, replacing the jargon of art theory with precise and evocative descriptions that help the reader develop a personal and intuitive engagement with art. The result: a master class on how to see with an artist’s eye.
An Italian village on a hilltop near the Adriatic coast, a decaying palazzo facing the sea, and in the basement, cobwebbed and dusty, lit by a single bulb, an archive unknown to scholars. Here, a young graduate student from Rome, Francesca Cappelletti, makes a discovery that inspires a search for a work of art of incalculable value, a painting lost for almost two centuries. The artist was Caravaggio, a master of the Italian Baroque. He was a genius, a revolutionary painter, and a man beset by personal demons. Four hundred years ago, he drank and brawled in the taverns and streets of Rome, moving from one rooming house to another, constantly in and out of jail, all the while painting works of transcendent emotional and visual power. He rose from obscurity to fame and wealth, but success didn’t alter his violent temperament. His rage finally led him to commit murder, forcing him to flee Rome a hunted man. He died young, alone, and under strange circumstances. Caravaggio scholars estimate that between sixty and eighty of his works are in existence today. Many others–no one knows the precise number–have been lost to time. Somewhere, surely, a masterpiece lies forgotten in a storeroom, or in a small parish church, or hanging above a fireplace, mistaken for a mere copy. Prizewinning author Jonathan Harr embarks on an spellbinding journey to discover the long-lost painting known as The Taking of Christ–its mysterious fate and the circumstances of its disappearance have captivated Caravaggio devotees for years. After Francesca Cappelletti stumbles across a clue in that dusty archive, she tracks the painting across a continent and hundreds of years of history. But it is not until she meets Sergio Benedetti, an art restorer working in Ireland, that she finally manages to assemble all the pieces of the puzzle. Told with consummate skill by the writer of the bestselling, award-winning A Civil Action, The Lost Painting is a remarkable synthesis of history and detective story. The fascinating details of Caravaggio’s strange, turbulent career and the astonishing beauty of his work come to life in these pages. Harr’s account is not unlike a Caravaggio painting: vivid, deftly wrought, and enthralling. ". . . Jonathan Harr has gone to the trouble of writing what will probably be a bestseller . . . rich and wonderful. . .in truth, the book reads better than a thriller because, unlike a lot of best-selling nonfiction authors who write in a more or less novelistic vein (Harr's previous book, A Civil Action, was made into a John Travolta movie), Harr doesn't plump up hi tale. He almost never foreshadows, doesn't implausibly reconstruct entire conversations and rarely throws in litanies of clearly conjectured or imagined details just for color's sake. . .if you're a sucker for Rome, and for dusk. . .[you'll] enjoy Harr's more clearly reported details about life in the city, as when--one of my favorite moments in the whole book--Francesca and another young colleague try to calm their nerves before a crucial meeting with a forbidding professor by eating gelato. And who wouldn't in Italy? The pleasures of travelogue here are incidental but not inconsiderable." --The New York Times Book Review "Jonathan Harr has taken the story of the lost painting, and woven from it a deeply moving narrative about history, art and taste--and about the greed, envy, covetousness and professional jealousy of people who fall prey to obsession. It is as perfect a work of narrative nonfiction as you could ever hope to read." --The Economist From the Hardcover edition.
Acclaimed historian Ross King paints the most nuanced, riveting and humane portrait yet of Claude Monet, arguably the most famous artist of the 20th century. We have all seen—live, in photographs, on postcards—some of Claude Monet's legendary water lily paintings. They are in museums all over the world, and are among the most admired paintings of our time. Yet nobody knows the extraordinarily dramatic story behind their creation. Telling that story is the brilliant historian, Ross King—and in the process, he presents a compelling and original portrait of perhaps the most beloved artist in history. As World War I exploded within hearing distance of his house at Giverny, Monet was facing his own personal crucible. In 1911, his adored wife, Alice, had died, plunging him into deep mourning at age 71. A year later he began going blind. Then, his eldest son, Jean, fell ill and died of syphilis, and his other son was sent to the front to fight for France. Within months, a violent storm destroyed much of the garden that had been his inspiration for some 20 years. At the same time, his reputation was under attack, as a new generation of artists, led by Pablo Picasso and Henri Matisse, were dazzling the art world and expressing disgust with Impressionism. Against all this, fighting his own self-doubt, depression and age, Monet found the wherewithal to construct a massive new studio, 70 feet long and 50 feet high, to accommodate the gigantic canvases that would, he hoped, revive him. Using letters, memoirs and other sources not employed by other biographers, and focusing on this remarkable period in the artist's life, Ross King reveals a more complex, more human, more intimate Claude Monet than has ever been portrayed, and firmly places his water lily project among the greatest achievements in the history of art. From the Hardcover edition.
If Adam Gopniks Paris to the Moon described daily life in contemporary Paris, this book describes daily life in Paris throughout its history: a history of the city from the point of view of the Parisians themselves. Paris captures everyones imaginations: Its a backdrop for Prousts fictional pederast, Robert Doisneaus photographic kiss, and Edith Piafs serenaded soldier-lovers; a home as much to romance and love poems as to prostitution and opium dens. The many pieces of the city coexist, each one as real as the next. Whats more, the conflicted identity of the city is visible everywhere-between cobblestones, in bars, on the mÃ©tro. In this lively and lucid volume, Andrew Hussey brings to life the urchins and artists whove left their marks on the city, filling in the gaps of a history that affected the disenfranchised as much as the nobility. Paris: The Secret History ranges across centuries, movements, and cultural and political beliefs, from Napoleons overcrowded cemeteries to Balzacs nocturnal flight from his debts. For Hussey, Paris is a city whose long and conflicted history continues to thrive and change. The books is a picaresque journey through royal palaces, brothels, and sidewalk cafÃ©s, uncovering the rich, exotic, and often lurid history of the worlds most beloved city.
WESTERN CIVILIZATION: IDEAS, POLITICS, AND SOCIETY, Eleventh Edition, maintains a firm grounding in political history, while covering intellectual history (particularly the significance of ideas and contributions) to greater and deeper extent than any other text for the course. Known for its accessible writing style, this text appeals to students and instructors alike for its brevity, clarity, and careful selection of content-including material on religion and philosophy. Updated with more recent scholarship, the eleventh edition retains many popular features, including comparative timelines, full-color art essays, and profile and primary source excerpts in each chapter. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
The New York Times Best Seller! Now with an excerpt of Michelle's new book, I'll See You in Paris! Bienvenue à Paris! When April Vogt's boss tells her about an apartment in the ninth arrondissement that has been discovered after being shuttered for the past seventy years, the Sotheby's continental furniture specialist does not hear the words "dust" or "rats" or "decrepit." She hears Paris. She hears escape. Once in France, April quickly learns the apartment is not merely some rich hoarder's repository. Beneath the cobwebs and stale perfumed air is a goldmine, and not because of the actual gold (or painted ostrich eggs or mounted rhinoceros horns or bronze bathtub). First, there's a portrait by one of the masters of the Belle Epoque, Giovanni Boldini. And then there are letters and journals written by the very woman in the painting, Marthe de Florian. These documents reveal that she was more than a renowned courtesan with enviable decolletage. Suddenly April's quest is no longer about the bureaux plats and Louis-style armchairs that will fetch millions at auction. It's about discovering the story behind this charismatic woman. It's about discovering two women, actually. With the help of a salty (and annoyingly sexy) Parisian solicitor and the courtesan's private diaries, April tries to uncover the many secrets buried in the apartment. As she digs into Marthe's life, April can't help but take a deeper look into her own. Having left behind in the States a cheating husband, a family crisis about to erupt, and a career she's been using as the crutch to simply get by, she feels compelled to sort out her own life too. When the things she left bubbling back home begin to boil over, and Parisian delicacies beyond flaky pâtisseries tempt her better judgment, April knows that both she and Marthe deserve happy finales. Whether accompanied by croissants or champagne, this delectable debut novel depicts the Paris of the Belle Epoque and the present day with vibrant and stunning allure. Based on historical events, Michelle Gable's A Paris Apartment will entertain and inspire, as readers embrace the struggles and successes of two very unforgettable women.
Though they were often ridiculed or ignored by their contemporaries, today astonishing sums are paid for their paintings. Their dazzling works are familiar to even the most casual art lovers—but how well does the world know the Impressionists as people? Sue Roe's colorful, lively, poignant, and superbly researched biography, The Private Lives of the Impressionists, follows an extraordinary group of artists into their Paris studios, down the rural lanes of Montmartre, and into the rowdy riverside bars of a city undergoing monumental change. Vivid and unforgettable, it casts a brilliant, revealing light on this unparalleled society of genius colleagues who lived and worked together for twenty years and transformed the art world forever with their breathtaking depictions of ordinary life.
Winner of the 2016 Marfield Prize In 1902, Rainer Maria Rilke—then a struggling poet in Germany—went to Paris to research and write a short book about the sculptor Auguste Rodin. The two were almost polar opposites: Rilke in his twenties, delicate and unknown; Rodin in his sixties, carnal and revered. Yet they fell into an instantaneous friendship. Transporting readers to early twentieth-century Paris, Rachel Corbett’s You Must Change Your Life is a vibrant portrait of Rilke and Rodin and their circle, revealing how deeply Rodin’s ideas about art and creativity influenced Rilke’s classic Letters to a Young Poet.
The Surrealist, Cairo-based Art and Liberty Group, (jama’at al-famm wal hurriyyah – Art et Liberté) was founded on December 22nd 1938 with the publication of its manifesto Long Live Degenerate Art. Rejecting the convergence of art and nationalism, and the academic style endorsed by the Egyptian state and bourgeois moral conventions, its members aligned themselves with a complex, international and evolving Surrealist movement spanning cities such as Paris, London, Mexico City, New York, Beirut and Tokyo.
Facts101 is your complete guide to Arts and Culture, Combined. In this book, you will learn topics such as Classical and Hellenistic Greece, Roman Civilization, Judaism, Early Christianity, and Byzantine Civilizations, and Islamic Civilization plus much more. With key features such as key terms, people and places, Facts101 gives you all the information you need to prepare for your next exam. Our practice tests are specific to the textbook and we have designed tools to make the most of your limited study time.
*Shortlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay* Selected as a Book of the Year 2016 by the Financial Times, Guardian, New Statesman, Observer, The Millions and Emerald Street 'Flâneuse [flanne-euhze], noun, from the French. Feminine form of flâneur [flanne-euhr], an idler, a dawdling observer, usually found in cities. That is an imaginary definition.' If the word flâneur conjures up visions of Baudelaire, boulevards and bohemia – then what exactly is a flâneuse? In this gloriously provocative and celebratory book, Lauren Elkin defines her as ‘a determined resourceful woman keenly attuned to the creative potential of the city, and the liberating possibilities of a good walk’. Part cultural meander, part memoir, Flâneuse traces the relationship between the city and creativity through a journey that begins in New York and moves us to Paris, via Venice, Tokyo and London, exploring along the way the paths taken by the flâneuses who have lived and walked in those cities. From nineteenth-century novelist George Sand to artist Sophie Calle, from war correspondent Martha Gellhorn to film-maker Agnes Varda, Flâneuse considers what is at stake when a certain kind of light-footed woman encounters the city and changes her life, one step at a time.
I first read Mikhail Bulgakov's The Master and Margarita on a balcony of the Hotel Metropole in Saigon on three summer evenings in 1971. The tropical air was heavy and full of the smells of cordite and motorcycle exhaust and rotting fish and wood-fire stoves, and the horizon flared ambiguously, perhaps from heat lightning, perhaps from bombs. Later each night, as was my custom, I would wander out into the steamy back alleys of the city, where no one ever seemed to sleep, and crouch in doorways with the people and listen to the stories of their culture and their ancestors and their ongoing lives. Bulgakov taught me to hear something in those stories that I had not yet clearly heard. One could call it, in terms that would soon thereafter gain wide currency, "magical realism". The deadpan mix of the fantastic and the realistic was at the heart of the Vietnamese mythos. It is at the heart of the present zeitgeist. And it was not invented by Gabriel Garcia Marquez, as wonderful as his One Hundred Years of Solitude is. Garcia Marquez's landmark work of magical realism was predated by nearly three decades by Bulgakov's brilliant masterpiece of a novel. That summer in Saigon a vodka-swilling, talking black cat, a coven of beautiful naked witches, Pontius Pilate, and a whole cast of benighted writers of Stalinist Moscow and Satan himself all took up permanent residence in my creative unconscious. Their presence, perhaps more than anything else from the realm of literature, has helped shape the work I am most proud of. I'm often asked for a list of favorite authors. Here is my advice. Read Bulgakov. Look around you at the new century. He will show you things you need to see.
First published in 1984. The late nineteenth and early twentieth centuries represent not only era of rapidly changing artistic methods but a crucial evolution in art criticism. This book gathers together a wide-range of the criticism that greeted the work of the Impressionists artists in the English Press. The selected examples of praise and antagonism reflect the sentiments expressed in the comments of prominent newspaper and periodical critics. The selection shows the importance of Impressionist art to English art criticism and wide comprehension of the formal qualities in painting. It also demonstrates how forward-looking critics created new criteria for the discussion of modern painting.
Luc Sante's Low Life is a portrait of America's greatest city, the riotous and anarchic breeding ground of modernity. This is not the familiar saga of mansions, avenues, and robber barons, but the messy, turbulent, often murderous story of the city's slums; the teeming streets--scene of innumerable cons and crimes whose cramped and overcrowded housing is still a prominent feature of the cityscape. Low Life voyages through Manhattan from four different directions. Part One examines the actual topography of Manhattan from 1840 to 1919; Part Two, the era's opportunities for vice and entertainment--theaters and saloons, opium and cocaine dens, gambling and prostitution; Part Three investigates the forces of law and order which did and didn't work to contain the illegalities; Part Four counterposes the city's tides of revolt and idealism against the city as it actually was. Low Life provides an arresting and entertaining view of what New York was actually like in its salad days. But it's more than simpy a book about New York. It's one of the most provocative books about urban life ever written--an evocation of the mythology of the quintessential modern metropolis, which has much to say not only about New York's past but about the present and future of all cities.
In Breaking van Gogh, James Grundvig investigates the history and authenticity of van Gogh’s iconic Wheat Field with Cypresses, currently on display at the Metropolitan Museum of Art in New York. Relying on a vast array of techniques from the study of the painter’s biography and personal correspondence to the examination of the painting’s style and technical characteristics, Grundvig proves that ?the most expensive purchase” housed in the Met is a fake. The Wheat Field with Cypresses is traditionally considered to date to the time of van Gogh’s stay in the Saint-Rémy mental asylum, where the artist produced many of his masterpieces. After his suicide, these paintings languished for a decade, until his sister-in-law took them to a family friend for restoration. The restorer had other ideas. In the course of his investigation, Grundvig traces the incredible story of this piece from the artist’s brushstrokes in sunlit southern France to a forger’s den in Paris, the art collections of a prominent Jewish banking family and a Nazi-sympathizing Swiss arms dealer, and finally the walls of the Met. The riveting narrative weaves its way through the turbulent history of twentieth-century Europe, as the painting’s fate is intimately bound with some of its major players.
First published in 1996, The Eyes of the Skin has become a classic of architectural theory. It asks the far-reaching question why, when there are five senses, has one single sense – sight – become so predominant in architectural culture and design? With the ascendancy of the digital and the all-pervasive use of the image electronically, it is a subject that has become all the more pressing and topical since the first edition’s publication in the mid-1990s. Juhani Pallasmaa argues that the suppression of the other four sensory realms has led to the overall impoverishment of our built environment, often diminishing the emphasis on the spatial experience of a building and architecture’s ability to inspire, engage and be wholly life enhancing. For every student studying Pallasmaa’s classic text for the first time, The Eyes of the Skin is a revelation. It compellingly provides a totally fresh insight into architectural culture. This third edition meets readers’ desire for a further understanding of the context of Pallasmaa’s thinking by providing a new essay by architectural author and educator Peter MacKeith. This text combines both a biographical portrait of Pallasmaa and an outline of his architectural thinking, its origins and its relationship to the wider context of Nordic and European thought, past and present. The focus of the essay is on the fundamental humanity, insight and sensitivity of Pallasmaa’s approach to architecture, bringing him closer to the reader. This is illustrated by Pallasmaa’s sketches and photographs of his own work. The new edition also provides a foreword by the internationally renowned architect Steven Holl and a revised introduction by Pallasmaa himself.
While imprisoned, Wilde wrote this long letter of recrimination to his lover, Lord Alfred Douglas. It offers fascinating insights into Wilde's life in prison and the background and psychology of a notorious affair.
A trip through Paris as it will never be again-dark and dank and poor and slapdash and truly bohemian Paris, the City of Light, the city of fine dining and seductive couture and intellectual hauteur, was until fairly recently always accompanied by its shadow: the city of the poor, the outcast, the criminal, the eccentric, the willfully nonconforming. In The Other Paris, Luc Sante gives us a panoramic view of that second metropolis, which has nearly vanished but whose traces are in the bricks and stones of the contemporary city, in the culture of France itself, and, by extension, throughout the world.Drawing on testimony from a great range of witnesses-from Balzac and Hugo to assorted boulevardiers, rabble-rousers, and tramps-Sante, whose thorough research is matched only by the vividness of his narration, takes the reader on a whirlwind tour. Richly illustrated with more than three hundred images, The Other Paris scuttles through the knotted streets of pre-Haussmann Paris, through the improvised accommodations of the original bohemians, through the whorehouses and dance halls and hobo shelters of the old city. A lively survey of labor conditions, prostitution, drinking, crime, and popular entertainment, and of the reporters, réaliste singers, pamphleteers, and poets who chronicled their evolution, The Other Paris is a book meant to upend the story of the French capital, to reclaim the city from the bons vivants and the speculators, and to hold a light to the works and lives of those expunged from its center by the forces of profit.
Chios Classics brings literature's greatest works back to life for new generations. All our books contain a linked table of contents. George Orwell was one of the most famous authors of the 20th century. Orwell’s classics such as Nineteen Eighty-Four and Animal Farm are still widely read throughout the world. Orwell’s works regarding social injustice and totalitarianism remain influential.
A new translation of Sade's most notorious, shocking and influential novel. This horrible but hugely important text has influenced countless individuals throughout history: Flaubert and Baudelaire both read Sade; the surrealists were obsessed with him; film-makers like Pasolini saw parallels with twentieth-century history in his writings; and feminists such as Andrea Dworkin and Angela Carter clashed over him. This new translation brings Sade's provocative novel into Penguin Classics for the first time, and will reignite the debate around this most controversial of writers.
Developed to meet the demand for a low-cost, high-quality history book, this economically priced version of WORLD HISTORY, 8th Edition, offers readers the complete narrative with only the most essential features, photos, and maps. All volumes feature a paperback, two-color format that appeals to those seeking a comprehensive, trade-sized history text. Noted teachers and scholars William J. Duiker and Jackson J. Spielvogel present a balanced, highly readable overview of world history that explores common challenges and experiences of the human past, and identifies key patterns over time. Thorough coverage of political, economic, social, religious, intellectual, cultural, and military history is integrated into a chronological framework to help students gain an appreciation and understanding of the distinctive character and development of individual cultures in society. This approach helps students link events together in a broad comparative and global framework, and consequently see the contemporary world in a more meaningful historical context. CENGAGE ADVANTAGE BOOKS: WORLD HISTORY includes over 100 maps and excerpts of over 100 primary sources that enliven the past while introducing students to the source material of historical scholarship. Available in the following split options: CENGAGE ADVANTAGE BOOKS: WORLD HISTORY, 8th Edition (Chapters 1−30); Volume I: To 1800 (Chapters 1−18); Volume II: Since 1500 (Chapters 14−30). Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
Best source of information and illustrations for private houses in Eastern cities during the early 1880s. Rare photographs of mansions belonging to Vanderbilt, Morgan, Grant, and many others. Extensive, informative new text.
A masterpiece of modern fiction, James Joyce’s semiautobiographical first novel follows Stephen Dedalus, a sensitive and creative youth who rebels against his family, his education, and his country by committing himself to the artist’s life. “I will not serve,” vows Dedalus, “that in which I no longer believe…and I will try to express myself in some mode of life or art as freely as I can.” Likening himself to God, Dedalus notes that the artist “remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.” Joyce’s rendering of the impressions of childhood broke ground in the use of language. “He took on the almost infinite English language,” Jorge Luis Borges said once. “He wrote in a language invented by himself....Joyce brought a new music to English.” A bold literary experiment, this classic has had a huge and lasting influence on the contemporary novel. With an Introduction by Langdon Hammer From the Paperback edition.
Parlez-vous Français? This collection of popular compositions for flute illustrates French musical styles at the end of the nineteenth century and beginning of the twentieth century. Written information about the composers and French musical styles is included as well as keyboard accompaniments. the pieces include popular and enjoyable pieces by Debussy, Satie, Fauré, Boisdeffre, Saint-Saëns. on the CD, a native French speaker introduces all of the works in the book, helping you learn correct pronunciation of the composers' names and performance markings. Play along with the piano accompaniment tracks for all pieces in the book. Accompaniment tracks reflect nuances in tempo, phrasing and articulation used by professional performers. All works are set at a performance tempo and can be used in the practice, studio or recital setting.
William Blake’s series of illustrations for Dante’s Divine Comedy was his last major project and a summation of his religious and artistic beliefs. Blake intended to engrave this series, but it was unfinished at his death. The series includes seven partially complete engravings and 102 works in various stages of completion—some of the most beautiful pictures of his career. These pictures are not simple illustrations, but constitute a thorough reinterpretation and—in Blake’s view—correction of Dante’s poem. This book compares the two men’s theological and artistic views and analyzes in detail the meaning of Blake’s illustrations, for the first time introducing their theological and aesthetic exuberance to a modern audience.
Table of Contents TO SIR WALTER GRINDLAY SIMPSON, BART. ANTWERP TO BOOM ON THE WILLEBROEK CANAL THE ROYAL SPORT NAUTIQUE AT MAUBEUGE ON THE SAMBRE CANALISED: TO QUARTES PONT-SUR-SAMBRE WE ARE PEDLARS THE TRAVELLING MERCHANT ON THE SAMBRE CANALISED: TO LANDRECIES AT LANDRECIES SAMBRE AND OISE CANAL: CANAL BOATS THE OISE IN FLOOD ORIGNY SAINTE-BENO?TE A BY-DAY THE COMPANY AT TABLE DOWN THE OISE: TO MOY LA F?RE OF CURSED MEMORY DOWN THE OISE: THROUGH THE GOLDEN VALLEY NOYON CATHEDRAL DOWN THE OISE: TO COMPI?GNE AT COMPI?GNE CHANGED TIMES DOWN THE OISE: CHURCH INTERIORS PR?CY AND THE MARIONNETTES BACK TO THE WORLD
Henry James' masterful biography of the life of American sculptor, William Story, is a long-forgotten treasure. He includes excerpts of letters from Story's large circle of prominent friends, including Robert Browning, Elizabeth Barrett Browning, James Russell Lowell, Charles Sumner, and others. James, knowing his subject was not a significant figure, chose to make the book more about a reminiscence of Italy (where he had met Story) and the far more prominent people who were friends of Story's. The biography then became by turns a fascinating look at art, Europe, and Americans abroad as only Henry James could have written it. Includes Volume I and Volume II. Well-received when published in 1903, for the first time, this long out-of-print volume is available as an affordable, well-formatted book for e-readers and smartphones. Be sure to LOOK INSIDE by clicking the cover above or download a sample.
The union of the two royal houses - the Habsburgs and the Bourbons - in the early seventeenth century illustrates the extent to which marriage was a tool of government in Renaissance Europe, and festivals a manifestation of power and cultural superiority. With contributions from scholars representing a range of disciplines, this volume provides an all-round view of the sequence of festivals and events surrounding the dynastic marriages which were agreed upon in 1612 but not celebrated until 1615 owing to the constant interruption of festivities by protestant uprisings. The occasion inspired an extraordinary range of records from exchanges of political pamphlets, descriptions of festivities, visual materials, the music of songs and ballets, and the impressions of witnesses and participants. The study of these remarkable sources shows how a team of scholars from diverse disciplines can bring into focus again the creative genius of artists: painters, architects and costume designers, musicians and poets, experts in equestrianism, in pyrotechnics, and in the use of symbolic languages. Their artistic efforts were staged against a background of intense political diplomacy and continuing civil strife; and yet, the determination of Marie de Médicis and her advisers and of the Duke of Lerma brought to a triumphant conclusion negotiations and spectacular commemorations whose legacy was to inform festival art throughout European courts for decades. In addition to printed and manuscript sources, the volume identifies ways of giving future researchers access to festival texts and studies through digitization, making the book both an in-depth analysis of a particular occasion and a blueprint for future engagement with digital festival resources.
Captain William Siborne became an ensign in the 9th Foot in 1813 and was sent to France in 1815 as part of a battalion despatched to reinforce Wellington’s army. A notable topographer, after the events that year he was commissioned to create a scale model of the Battle of Waterloo, for which he carried out extensive research, writing to officers in the allied forces present to obtain information. The subsequent correspondence amounted to the largest single collection of primary source material on the subject ever assembled. After he had completed his model, which is today on public display in the National Army Museum in London, he used the mass of information he had gathered to produce his History of the Waterloo Campaign, which was at the time the most detailed account of the operations of 1815 and is still considered a classic work on the subject. Siborne’s history of Waterloo, the latest addition to Frontline's growing Napoleonic Library, is essential and gripping reading for all those who are interested in how this famous battle was fought and won.
Travel and tourism 'stories' have been told and recorded within every culture, in every period of oral and written history, and across the breadth of the fact/fiction continuum. Taking two broad themes as its starting point - travellers and their narratives, and place narratives in travel and tourism - the book has a deliberately wide scope, with different chapters addressing the subject through various relevant 'lenses' and in relation to a number of different contexts. The narratives discussed include both historical and contemporary, as well as 'real-life' and fictional, narratives contained within travel writing, travel and tourism stories and different types of media. In relation to the principal themes of the book, some chapters also explore the importance of collecting memorabilia and image making in the recording, remembering, writing, telling or disseminating of stories about travel and tourism experiences and some examine the ways in which travel and tourism narratives may construct and reinforce personal, collective and place identities. The whole book is marked by an over-arching concern for narrative interpretation as a means of understanding, and providing a new perspective on, travel and tourism.
Through a blend of history and historiography, Gender, Sex and the Shaping of Modern Europe provides a clear and concise introduction to gender history in the region. The detailed examples and engaging language make this a useful overview for students not only of gender history, but also of European history more widely, as considerations of gender illuminate our understanding of historical change and individual experience. In six thematic chapters that cover democracy and capitalism, imperialism and war, the authors explain how gender roles were socially constructed and how they influenced political and economic developments during the period. This new edition has been thoroughly re-edited and expanded to take account of ongoing methodological innovation and recent scholarship in the field. The book also includes a brand new chapter on sexuality in the 21st century and extended material on: Â· Scandinavia Â· The Mediterranean Â· Alternative Sexualities Â· Women's history and femininity Gender, Sex and the Shaping of Modern Europe is a key text for all students of gender history and the history of modern Europe in general.