Brian Willson has undertaken risk-taking, non-violent actions in an attempt to educate and effect political change throughout his life, whether tax refusal, fasting or using one's body as an obstruction. In 1987, the world watched in horror as Willson was run over by a US government munitions train during a non-violent blocking action, but losing his legs only strengthened his resolve and empathy with the victims of US imperialism. His memoir serves as a guidebook for those who question imperialistic foreign policies and wish to explore ways to combat it.
This morning. Room 211. The Chelsea Hotel. Elysian Row. A man is lying face up on a red crushed-velvet chaise. His wide-open eyes stare at some unseen spot on the ceiling. He is wearing a pair of tight-fitting jeans, scuffed-up Spanish leather boots, and a matching Bolero vest. At first glance, one might mistake him for a vagabond, a vagrant, a drifter. He would have liked that. He always thought of himself as a traveling troubadour. But look closer. The lifeless man lying across the chaise is none other than superstar Bob Dorian. He'd been hailed a poet, a prophet, and the voice of a generation. Dorian never wanted to be any of those things. The most famous rock star in the world always resented the attention. Of course, turning up dead attracts the most attention of all. Suspects? Tons of them. They're all characters in Dorian's songs, not to mention they all hold a grudge. Intent on finding the killer, Dorian's manager, Jack Frost, teams with Commissioner Tiresias and obituary writer Mister Johns to track down the true culprit and solve the mysterious murder. And the answers they need may just be staring them in the face.
A young woman is found brutally murdered, and the main suspect is the victim s fiance, a hideously scarred Iraq War vet known as the Burned Man. But railroad police Special Agent Sydney Rose Parnell, brought in by the Denver Major Crimes unit to help investigate, can't shake the feeling that larger forces are behind this apparent crime of passion. In the depths of an icy winter, Parnell and her K9 partner, Clyde?both haunted by their time in Iraq?descend into the underground world of a savage gang of rail riders. There, they uncover a wide-reaching conspiracy and a series of shocking crimes. Crimes that threaten everything Parnell holds dear. As the search for the truth puts her directly in the path of the killer, Parnell must struggle with a deadly question: Can she fight monsters without becoming one herself?"
Recounts the life and career of the popular singer-songwriter, discusses his albums and concerts, and looks at the effect he has had on rock music
After serving in the Vietnam War, S. Brian Willson became a radical, nonviolent peace protester and pacifist, and this memoir details the drastic governmental and social change he has spent his life fighting for. Chronicling his personal struggle with a government he believes to be unjust, Willson sheds light on the various incarnations of his protests of the U.S. government, including the refusal to pay taxes, public fasting, and, most famously, public obstruction. On September 1, 1987, Willson was run over by a U.S. government munitions train during a nonviolent blocking action in which he expected to be removed from the tracks. Providing a full look into the tragic event, Willson, who lost his legs in the incident, discusses how the subsequent publicity propelled his cause toward the national consciousness. Now, 23 years later, Willson tells his story of social injustice, nonviolent struggle, and the so-called American way of life.
Athena and the Hellcat crew are driving hard. Their first stop is the wasteland’s only remaining radio station in Columbus, Ohio—run by the quirky Dapper brothers. It’s there that Athena learns of the dangers farther west in the nuclear hell—radiation, massive insects and a savage group of raiders called Wraiths. Athena’s best hope of getting to California is the organization that runs the railroads—The Trakers. Athena suspects not all is as it seems with the powerful religious group, but the Traker’s titanic locomotive—the Bulldozer—is the only way she can cover the dusty dead expanse of the Midwest. So she makes a deal. One with fatal consequences.
WITH AN INTRODUCTION BY MARTIN EDWARDS "Never had I been given a tougher problem to solve, and never had I been so utterly at my wits' end for a solution." A signalman is found dead by a railway tunnel. A man identifies his wife as a victim of murder on the underground. Two passengers mysteriously disappear between stations, leaving behind a dead body. Trains have been a favourite setting of many crime writers, providing the mobile equivalent of the "locked-room" scenario. Their enclosed carriages with a limited number of suspects lend themselves to seemingly impossible crimes. In an era of cancellations and delays, alibis reliant upon a timely train service no longer ring true, yet the railway detective has enjoyed a resurgence of popularity in the twenty-first century. Both train buffs and crime fans will delight in this selection of fifteen railway-themed mysteries, featuring some of the most popular authors of their day alongside less familiar names. This is a collection to beguile even the most wearisome commuter.
This lovingly-constructed folio presents all the songs from Bob Dylan’s landmark album, Blood On The Tracks. Each song has been carefully arranged with melody line, full lyrics, Guitar chords and strumming or picking patterns for each song. This collection has also been furnished with introduced by music journalist and Biographer Patrick Humphries, whose insightful analysis of Dylan’s playing style will allow you to capture the feel of each song and understand his use of open-tuning .