Edwin Rolfe's Collected Poems brings together the body of his work that we believe will be of greatest use to those readers with a general interest in American political poetry and with a specific interest in Rolfe himself. It gives people for the first time a comprehensive view of one of the more inventive political poets of the Great Depression, of the writer Americans who fought in the Spanish Civil War regard as their poet laureate, and of a writer who used poetry as a weapon against the reactionary politics that dominated the United States in the 1950s.
A collection of the young writer's major poems and translations, reflecting his closeness to life and nature
NEW EDITION WITH INTRODUCTION FROM THE BROOKE SOCIETY "If I should die, think only this of me; That there's some corner of a foreign field That is forever England." The Soldier Today Rupert Brooke is probably best known as one of the famous First World War poets. His War Sonnets, including 'The Soldier', are present in this new edition of his Collected Poems which, with a new introduction by the Rupert Brooke Society's Chair, Lorna Beckett, aims to introduce a new generation of readers to his passionate and accomplished poetry. THE ESSENTIAL COLLECTION Brooke has continued to fascinate people of all ages and walks of life ever since his untimely death en route to Gallipoli on St George's Day 1915, at the age of 27. He lived his short life with intensity - he was not only a poet, but also a scholar, dramatist, literary critic, travel writer, political activist and soldier. Brooke had a large circle of friends, many of them leading figures of their generation including Virginia Woolf, Winston Churchill and W. B. Yeats. COMPLETE EDITION OF ALL BROOKE POEMS "Oh, is the water sweet and cool, Gentle and brown, above the pool? And laughs the immortal river still Under the mill, under the mill? Say, is there Beauty yet to find? And Certainty? and Quiet kind? Deep meadows yet, for to forget The lies, and truths, and pain?... oh! yet Stands the Church clock at ten to three? And is there honey still for tea?" The Old Vicarage, Grantchester
In this classic tale, Richard Kim paints seven vivid scenes from a boyhood and early adolescence in Korea at the height of the Japanese occupation, 1932 to 1945. Taking its title from the grim fact that the occupiers forced the Koreans to renounce their own names and adopt Japanese names instead, the book follows one Korean family through the Japanese occupation to the surrender of the Japanese empire. Lost Names is at once a loving memory of family and a vivid portrayal of life in a time of anguish.
"Weinfield's versions are superb--true miracles, I believe--and give us the flavor of Mallarme's work for the first time."--Paul Auster, Editor, "The Random House Book of 20th-Century French Poetry"
"Collected Poems Volume II" follows in same theme as Bill Granse's first collection of poetry. It traces his personal journey from a life of loneness, depression, and anger; to a far richer life of friendship, tolerance, and spiritual wholeness. These poems, written quite recently, as a collection have a more uplifting and light quality than Granse's earlier works. Anyone who has struggled with mental illness and despair, or who is close to someone who has, should find this volume provocative and inspirational. This would include most of us.
The poems in this book have appeared in many magazines here and abroad ever since Jascha Kessler's first recognition, a Major Award in Poetry for a manuscript entered in the Hopwood Contest at the University of Michigan in 1952. Three volumes have been gathered here in the order in which they were first published. The reader may find that there is clear change and progression in both content and style and voice. Book jacket.
In the decades since his death in 1963, Louis MacNeice's reputation as a poet (and, indeed, amongst poets) has grown steadily, and there are now several generations of readers in Ireland, Britain, and beyond, for whom he is one of the essential poets of the twentieth century. His work has also received increasing attention from academic writers and students. For both readers and critics, the nature of MacNeice's poetic work as a whole is a matter of importance, and the second posthumous Collected Poems, entirely re-edited by Peter McDonald, attempts, for the first time, to print MacNeice's poetry in groupings corresponding closely to the collections published by Faber between 1935 and 1963. This makes it easier to read the poet in the published forms in which he was read by his contemporaries. In choosing to re-create the environments of MacNeice's individual volumes of poetry, moreover, this new Collected reflects the opinion that MacNeice works best in and through those separate volumes, particularly so in the brilliant return to form - and unique kinds of return on lyric form itself - of the last three collections. The texts of the poems in the new edition are based on a comparison of all printed versions, as revised in the light of the poet's later thoughts. This has resulted in a large number of changes. It is hoped that the present edition presents MacNeice's poetry more accurately, as well as more fully, than all previous collections. The new Collected Poems also includes, as appendices, The Last Ditch - the short book of poems which MacNeice published with the Cuala Press in 1940 - and The Revenant, a cycle of songs written for MacNeice's wife, the singer Hedli Anderson, a selection of uncollected early poems, and from Blind Fireworks, MacNeice's first published book of verse.
C. P. Cavafy (1863-1933) lived in relative obscurity in Alexandria, and a collected edition of his poems was not published until after his death. Now, however, he is regarded as the most important figure in twentieth-century Greek poetry, and his poems are considered among the most powerful in modern European literature. Here is an extensively revised edition of the acclaimed translations of Edmund Keeley and Philip Sherrard, which capture Cavafy's mixture of formal and idiomatic use of language and preserve the immediacy of his frank treatment of homosexual themes, his brilliant re-creation of history, and his astute political ironies. The resetting of the entire edition has permitted the translators to review each poem and to make alterations where appropriate. George Savidis has revised the notes according to his latest edition of the Greek text. About the first edition: "The best [English version] we are likely to see for some time."--James Merrill, The New York Review of Books "[Keeley and Sherrard] have managed the miracle of capturing this elusive, inimitable, unforgettable voice. It is the most haunting voice I know in modern poetry."--Walter Kaiser, The New Republic ?
William Butler Yeats ( 13 June 1865 – 28 January 1939) was an Irish poet and one of the foremost figures of 20th-century literature. A pillar of both the Irish and British literary establishments, in his later years he served as an Irish Senator for two terms. Yeats was a driving force behind the Irish Literary Revival and, along with Lady Gregory, Edward Martyn, and others, founded the Abbey Theatre, where he served as its chief during its early years. In 1923, he was awarded the Nobel Prize in Literature as the first Irishman so honoured for what the Nobel Committee described as "inspired poetry, which in a highly artistic form gives expression to the spirit of a whole nation". Yeats is considered to be one of the few writers who completed their greatest works after being awarded the Nobel Prize; such works include The Tower (1928) and The Winding Stair and Other Poems (1933).
Rimbaud called him 'le premier voyant, roi des poetes, un vrai dieu', and the history of modern poetry, which begins with him, has borne out that opinion. This is a comprehensive new translation of all Baudelaire's poetry, excluding only the juvenilia, occasional verse and work of doubtful attribution. It includes all the poems published in the first (1857) and second (1861) editions of the book, as well as those added to the third (1868), published after the poet's death. Baudelaire contemplated a volume of poems that would 'launch him into the future like a cannonball', and here it is in vivid and formally authoritative translation.
Donald Davie's poems are here arranged chronologically from the 1950s to the beginning of the 1990s. Taken together, the poems display that reverence for the distinctive qualities of the English language which has earned him a name as one of Britain's finest living poets. "Davie's voice—judgemental, ironic, epigrammatic, humorous, self-lacerating—speaks always with reference to an unhuman perpendicular standard that itself goes unquestioned. It is not a standard of Beauty or Truth; Davie is a poet of the third member of the Platonic triad, Justice."—Helen Vendler, The New Yorker "[Davie's poems] are on the quiet side, often casual and musing in mood and tone; determined to resist large gestures of assent or denial. . .Donald Davie may just be the best English poet-critic of our time."—William Pritchard, The New Republic "Donald Davie's Collected Poems does more than mark the culmination of one of the most distinguished careers in post-war British poetry; it is the autobiographical journey of a living poet at the height of his creative powers and the mastery of his craft. Davie is considered the most important and valuable contemporary link between poetry in England and America."—Sarah E. McNeil, Little Rock Free Press
Presented not only in English but also featuring rare Latin verses accompanied by a faithful new translation, this is the definitive volume of poems of a neglected figure in sixteenth-century literature. New texts are offered based on the manuscripts that were circulated in secret among English Catholics after Southwell's death, returning to the poems some of their original purpose of communicating forbidden theologies and doctrines among a criminalized and near-silenced readership of secret groups.
Fifty years of poems and wry insight celebrating one of the most dynamic careers in twentieth century American poetry.
This collection of the work of one of the greatest modern poets was first published in America in 1954. The Collected Poems was prepared by Stevens himself, shortly before his death, and contains all of his published books of poetry, covering more than four decades: from the brilliant rococo lyrics of Harmonium, through the large-scale orchestrations of his middle years, to the magnificent austere lyrics of 'The Rock', which first appeared in the Collected Poems, Stevens's poetry meditated unremittingly upon the relation between the world and the imagination. 'He seems to me - and sems to my readers, I am sure - one of the true poets of our century, someone whom the world will keep on reading just as it keeps on listening to Vivaldi or Scarlatti, looking at Tiepolo or Poussin. His best poems are the poetry of a man fully human - of someone sympathetic, magnanimous, both brightly and deeply intelligent; the poems see, feel, and think with equal success; they treat with mastery that part of existence which allows of mastery, and experience the rest of it with awe or sadness or delight.' - Randall Jarrell, Poetry and the Age'One of the most considerable poets of the last hundred years...Poems that are as distinguished as any written in this century.' - Thom Gunn, London Magazine
Political and protesting, these poems explore concepts of modernity, English identity, and historicity. Influenced by the Russians and Ezra Pound, Davie reinterprets Modernism for a 1940s world. Obsessed with the tonalities and vernacular of language, Davie works in the mediums of essay-poem, love lyric, satire, translation, epistle, eclogue, and other forms.
William Blake is a poet without parallel, who remains a source of wisdom and inspiration to countless individuals throughout the world. This selection was commissioned in 1905 by the firm of George Routledge from W.B. Yeats, who had previously been one of the pioneer editors of Blake's prophetic books. Yeats, one of the few poets whose work could be compared with that of Blake, prepared a unique selection of his poetic and prose writings. There is no better way to encounter the work of one poetic genius than as it is presented by another, and Yeats understood Blake in a way few others did.
It is forty years since the death of Mervyn Peake (1911-68), the author of the much-loved Gormenghast novels. To mark the anniversary this first comprehensive edition of Peake's poetry is published. It includes every black-and-white illustration he made for his verse, together with many previously unpublished drawings. Of the more than 230 poems in the collection, over 80 are printed for the first time. Robert Maslen's detailed work on the manuscripts reveals the poems as a dazzling link between the fantasy world of Gormenghast and the narrative of Peake's own life and of the turbulent times he lived in. Peake emerges as a compelling poet, with an acute sense of his responsibilities as an artist, passionately engaged with current events, from unemployment in the 1930s to the horrors of the London Blitz and the concentration camp at Bergen-Belsen. He is also a fine love-poet and a sensitive observer of the human form. Readers who love the world of Peake's novels, and those who are new to his work, will discover here one of the great originals of the twentieth century.