This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
"One hundred years after his death in 1910. Lev Nikolaevich Leo Tolstoy continues to be regarded as one of the world's greatest writers. Historically, little attention has been paid to his wife, Sofia Andreevna Tolstaya. Acting in the capacity of literary assistant, translator, transcriber and editor, she played an important role in the development of her husband's career. Her memoirs which she entitled My Life - lay dormant for almost a century. Now the book's first-time-ever appearance in Russia is complemented by an unabridged and annotated English translation." "Tolstaya paints an intimate and honest portrait of her husband's character, setting forth new details about his life to which she alone was privy. She describes her extensive correspondence with many prominent figures in Russian and Western society, making My Life a unique account of late-19th- and early-20th-century Russia, with its cast of characters ranging from peasants to the Tsar himself. Her engaging narrative reveals not only her significant contributions to her husband's work but also her considerable talent as an author in her own right."--BOOK JACKET.
Above the Battle is an anti-world war I treatise by Romain Rolland written in 1916. Romain Rolland (29 January 1866 – 30 December 1944) was a French dramatist, novelist, essayist, art historian and mystic who was awarded the Nobel Prize for Literature in 1915. Romain Rolland was a lifelong pacifist. He protested against the first World War in Above the Battle (Chicago, 1916).
This book presents, in his own words, the life of Hugo Steinhaus (1887–1972), noted Polish mathematician of Jewish background, educator, and mathematical popularizer. A student of Hilbert, a pioneer of the foundations of probability and game theory, and a contributor to the development of functional analysis, he was one of those instrumental to the extraordinary flowering of Polish mathematics before and after World War I. In particular, it was he who “discovered” the great Stefan Banach. Exhibiting his great integrity and wit, Steinhaus’s personal story of the turbulent times he survived – including two world wars and life postwar under the Soviet heel – cannot but be of consuming interest. His account of the years spent evading Nazi terror is especially moving. The steadfast honesty and natural dignity he maintained while pursuing a life of demanding scientific and intellectual enquiry in the face of encroaching calamity and chaos show him to be truly a mathematician for all seasons. The present work will be of great interest not only to mathematicians wanting to learn some of the details of the mathematical blossoming that occurred in Poland in the first half of the 20th century, but also to anyone wishing to read a first-hand account of the history of those unquiet times in Europe – and indeed world-wide – by someone of uncommon intelligence and forthrightness situated near an eye of the storm.
In The Wager of Lucien Goldmann, Mitchell Cohen provides the first full-length study of this major figure of postwar French intellectual life and champion of socialist humanism. While many Parisian leftists staunchly upheld Marxism's "scientificity" in the 1950s and 1960s, Lucien Goldmann insisted that Marxism was by then in severe crisis and had to reinvent itself radically if it were to survive. He rejected the traditional Marxist view of the proletariat and contested the structuralist and antihumanist theorizing that infected French left-wing circles in the tumultuous 1960s. Highly regarded by thinkers as diverse as Jean Piaget and Alasdair MacIntyre, Goldmann is shown here as a socialist who, unlike many others of his time, refused to portray his aspirations for humanity’s future as an inexorable unfolding of history’s laws. He saw these aspirations instead as a wager akin to Pascal’s in the existence of God. “Risk,” Goldmann wrote in his classic study of Pascal and Racine, The Hidden God, “possibility of failure, hope of success, and the synthesis of the three in a faith which is a wager are the essential constituent elements of the human condition.” In The Wager of Lucien Goldmann, Cohen retrieves Goldmann’s achievement—his “genetic structuralist” method, his sociology of literature, his libertarian socialist politics. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Emil and the three twins? Three Twins? Yes, you read that correctly. Emil Tischbein has another adventure with his old friends the Professor, Gustav and Little Tuesday - this time by the sea. Of course, the detectives couldn't have an ordinary seaside holiday like other people - and when they become entangled with the mystery of the three acrobat twins and the wicked Herr Anders, it looks as if it's going to turn into a most extraordinary time for them all!
From police headquarters at Fontanka 16 to the secret offices in major Russian post offices where specialists opened and read correspondence, the Okhranka blanketed the huge Russian empire with a network of secret agents and informers. In many cases they were involved in a desperate effort to track down terrorists before they could assassinate government officials and members of the imperial family. Charles Ruud and Sergei Stepanov have mined police archives, including Moscow's State Archive of the Russian Federation and the archives of the Hoover Institution, to produce this first post-Soviet look at the Okhranka's covert operations, which spread as far as Western Europe. In many ways Fontanka 16 reveals as much about the enemies of the tsars as the police who fought them. Although each side saw its cause as a struggle for good over evil, the authors show that the two sides strongly resembled one another in method, psychology, and morality. In this strange nether world of intrigue and deception, police agents often assisted revolutionaries and a number of former revolutionaries rose through the ranks of the secret police. The authors shed new light on the supposed anti-Semitism of the imperial government, as well as the origins of the Protocols of the Elders of Zion.
The concept of ‘world visions’, first elaborated in the early work of Georg Lukàcs, is used here as a tool whereby the similarities between Pascal’s Pensées and Kant’s critical philosophy are contrasted with the rationalism of Descartes and the empiricism of Hume. For Lucien Goldmann, a leading exponent of the most fruitful method of applying Marxist ideas to literary and philosophical problems, the ‘tragic vision’ marked an important phase in the development of European thought from rationalism and empiricism to the dialectical philosophy of Hegel, Marx and Lukàcs. The book is not a collection of isolated essays on Kant, Pascal, Racine, the status of the legal nobility in seventeenth-century France and the exact nature of the religious movement known as Jansenism, but an attempt to formulate, by an examination of these different topics, a general approach to the problems of philosophy, of literary criticism, and of the relationship between thought and action in human society.
“[A] testament to a great spirit, a woman who lived in terrifying proximity to one of the greatest writers of all time, and who understood exactly the high price she would have to pay for this privilege.” —Jay Parini, author of The Last Station Translated by Cathy Porter and with an introduction by Nobel Laureate Doris Lessing, The Diaries of Sofia Tolstoy chronicles in extraordinary detail the diarist’s remarkable marriage to the legendary man of letters, Count Leo Tolstoy, author of War and Peace and Anna Karenina. Set against the backdrop of Russia’s turbulent history at the turn of the 20th century, The Diaries of Sofia Tolstoy offers a fascinating look at a remarkable era, a complicated artist, and the extraordinary woman who stood at his side.
Most of Andre Gide's richly-varied literary output has long been available to American readers. Only one aspect of his protean career has been lacking in translation: the essays, the publication of which will go far to explain why Gide holds in France such high rank as a critic. Many of the essays in Pretexts: Reflections on Literature and Morality were provoked by events in the cultural and political world of twentieth-century France, a turbulent setting that produced a lasting literature. These essays are vintage Gide, informed by his characteristic spirit?his hard brilliance, pointed honesty, and the enduring relevance of his concerns.Readers of his Journals will be prepared for the style, intelligence, and marksmanship that Gide brings to bear in these forty-two articles on life as well as on letters. His range, as always, is broad: a long and moving memoir of his encounters with Oscar Wilde; a series of combats against reactionary nationalists and self-appointed purifiers of morals; estimates of Mallarme, Baudelaire, Proust, Gautier, and Valery, among others; letters to Jacques Riviere, Jean Cocteau, and Francis Jammes; and general essays on art, literature, the theater, and politics.Justin O'Brien, famous for his studies in modern French literature, has written that Gide is "related to La Fontaine and Racine by his essential conciseness and crystalline style, to Montaigne and Goethe by his inquiring mind which reconciled unrest and serenity, to Baudelaire by his lucid, prophetic criticism." O'Brien, who has done so much to bring contemporary French literature to America, supervised the translations in Pretexts: Reflections on Literature and Morality, prepared several of them himself, and contributes an informative general introduction and additional commentary to preface the various sections of this major book.
Selections of the influential author's best nonfiction include "The Study of Languages," "The Irish Literary Renaissance," "Oscar Wilde: The Poet of 'Salomé'," "Ibsen's New Drama," "The Centenary of Charles Dickens," more.