While the role of the African American in American history has been written about extensively, it is often difficult to locate the wealth of material that has been published. African-Americans in Defense of the Nation builds on a long list of early bibliographies concerning the subject, bringing together a broad spectrum of titles related to the African-American participation in America's wars. It covers both military exploits—as African Americans have been involved in every American conflict since the Revolution—and their participation in the homefront support.
Jack Lindeman was born and raised in Philadelphia. He served three years in the army. He has taught at Lincoln & University, Temple University and Kutztown State University. He edited The Conflict of Convictions which critic Edward Wagenknecht in a review wrote "..gives us a new angle on the Civil War...." He also wrote a book about living on a farm, Appleseed Hollow, which Harry Eshleman in a review in Bookends called "...a collection of feelings, insights, and conclusions about our contemporary world which at times rival Henry Thoreau's writings about Walden Pond." He has also published two books of poetry, Twenty-One Poems and As If, which was nominated for a Pushcart Prize.
Co-winner of the 2017 Gilder Lehrman Lincoln Prize An intimate, authoritative history of the first black soldiers to fight in the Union Army during the Civil War Soon after Abraham Lincoln issued the Emancipation Proclamation on January 1, 1863, abolitionists began to call for the creation of black regiments. At first, the South and most of the North responded with outrage-southerners promised to execute any black soldiers captured in battle, while many northerners claimed that blacks lacked the necessary courage. Meanwhile, Massachusetts, long the center of abolitionist fervor, launched one of the greatest experiments in American history. In Thunder at the Gates, Douglas Egerton chronicles the formation and battlefield triumphs of the 54th and 55th Massachusetts Infantry and the 5th Massachusetts Cavalry-regiments led by whites but composed of black men born free or into slavery. He argues that the most important battles of all were won on the field of public opinion, for in fighting with distinction the regiments realized the long-derided idea of full and equal citizenship for blacks. A stirring evocation of this transformative episode, Thunder at the Gates offers a riveting new perspective on the Civil War and its legacy.
During the Vietnam War, young African Americans fought to protect the freedoms of Southeast Asians and died in disproportionate numbers compared to their white counterparts. Despite their sacrifices, black Americans were unable to secure equal rights at home, and because the importance of the war overshadowed the civil rights movement in the minds of politicians and the public, it seemed that further progress might never come. For many African Americans, the bloodshed, loss, and disappointment of war became just another chapter in the history of the civil rights movement. Lawrence Allen Eldridge explores this two-front war, showing how the African American press grappled with the Vietnam War and its impact on the struggle for civil rights. Written in a clear narrative style, Chronicles of a Two-Front War is the first book to examine coverage of the Vietnam War by black news publications, from the Gulf of Tonkin incident in August 1964 to the final withdrawal of American ground forces in the spring of 1973 and the fall of Saigon in the spring of 1975. Eldridge reveals how the black press not only reported the war but also weighed its significance in the context of the civil rights movement. The author researched seventeen African American newspapers, including the Chicago Defender, the Baltimore Afro-American, and the New Courier, and two magazines, Jet and Ebony. He augmented the study with a rich array of primary sources—including interviews with black journalists and editors, oral history collections, the personal papers of key figures in the black press, and government documents, including those from the presidential libraries of Lyndon Johnson, Richard Nixon, and Gerald Ford—to trace the ups and downs of U.S. domestic and wartime policy especially as it related to the impact of the war on civil rights. Eldridge examines not only the role of reporters during the war, but also those of editors, commentators, and cartoonists. Especially enlightening is the research drawn from extensive oral histories by prominent journalist Ethel Payne, the first African American woman to receive the title of war correspondent. She described a widespread practice in black papers of reworking material from major white papers without providing proper credit, as the demand for news swamped the small budgets and limited staffs of African American papers. The author analyzes both the strengths of the black print media and the weaknesses in their coverage. The black press ultimately viewed the Vietnam War through the lens of African American experience, blaming the war for crippling LBJ’s Great Society and the War on Poverty. Despite its waning hopes for an improved life, the black press soldiered on.
This fascinating history shows how African-American military men and women seized their dignity through barracks culture and community politics during and after World War II. Drawing on oral testimony, unpublished correspondence, archival records, memoirs, and diaries, Robert F. Jefferson explores the curious contradiction of war-effort idealism and entrenched discrimination through the experiences of the 93rd Infantry Division. Led by white officers and presumably unable to fight—and with the army taking great pains to regulate contact between black soldiers and local women—the division was largely relegated to support roles during the advance on the Philippines, seeing action only later in the war when U.S. officials found it unavoidable. Jefferson discusses racial policy within the War Department, examines the lives and morale of black GIs and their families, documents the debate over the deployment of black troops, and focuses on how the soldiers’ wartime experiences reshaped their perspectives on race and citizenship in America. He finds in these men and their families incredible resilience in the face of racism at war and at home and shows how their hopes for the future provided a blueprint for America’s postwar civil rights struggles. Integrating social history and civil rights movement studies, Fighting for Hope examines the ways in which political meaning and identity were reflected in the aspirations of these black GIs and their role in transforming the face of America. -- Hayward "Woody" Farrar
The black prizefighter labored in one of the few trades where an African American man could win renown: boxing. His prowess in the ring asserted an independence and powerful masculinity rare for black men in a white-dominated society, allowing him to be a man--and thus truly free. Louis Moore draws on the life stories of African American fighters active from 1880 to 1915 to explore working-class black manhood. As he details, boxers bought into American ideas about masculinity and free enterprise to prove their equality while using their bodies to become self-made men. The African American middle class, meanwhile, grappled with an expression of public black maleness they saw related to disreputable leisure rather than respectable labor. Moore shows how each fighter conformed to middle class ideas of masculinity based on his own judgment of what culture would accept. Finally, he argues that African American success in the ring shattered the myth of black inferiority despite media and government efforts to defend white privilege.
A strong-minded black woman moves to Richmond, Virginia, to be with her new mail order husband, but she faces many lingering aftereffects and racism from the recently ended Civil War.
Originally published by UNC Press in 1989, Fighting for the Confederacy is one of the richest personal accounts in all of the vast literature on the Civil War. Alexander was involved in nearly all of the great battles of the East, from First Manassas through Appomattox, and his duties brought him into frequent contact with most of the high command of the Army of Northern Virginia, including Robert E. Lee, Stonewall Jackson, and James Longstreet. No other Civil War veteran of his stature matched Alexander's ability to discuss operations in penetrating detail-- this is especially true of his description of Gettysburg. His narrative is also remarkable for its utterly candid appraisals of leaders on both sides.
It was a sad generation that limped past 1865. Almost every family had been touched by death, and many had been torn apart as sons, brothers, and fathers chose different sides in the Civil War. Murder at Fords Theatre is a history of an assassination with the Civil War as its tragic backdrop and with characters to match this tragedy. There was Lewis Paine, the devoted follower and David Herold who wanted desperately to belong and lose his reputation as an untrustworthy loafer. There are tragic failures of Mary Surratt and Dr. Samuel Mudd, as well as Abraham Lincoln, unappreciated by the public until his martyrdom. Lincoln refused security and put himself in harms way. Harm came in the form of John Wilkes Booth, an acclaimed actor, who wanted to save his beloved South and believed there was only one way to accomplish his goal. Booth had grown up with his own demons--depression and odd behavior were part of his family background. His darker side was hate. When the war broke out, Booth took up the southern cause -- the rest of the family sided with the North. Lincoln was a perfect object for Booths hatred. He suspended Habeas Corpus, put many anti-war advocates in jail, continued the war with its grisly pile of human deaths, refused to negotiate a treaty, and wrote Emancipation Proclamation. Booth, who had spent the war in a noncombat position at the behest of his mother, received news of the end of the war with increased anger. Soon it would be too late to become a hero. His hasty and disorganized plan to assassinate Lincoln went awry. Booth did shoot Lincoln, but during his escape he broke his ankle, an injury that slowed him and led to his capture and death. Only the Bible has been written about more than the Civil War, and the assassination of Lincoln is a part of that story. This is that story.
The 124th New York State Volunteers was one of the great fighting regiments of the Civil War. In this thorough history, the author has used letters, diary entries, and remembrances, many of them previously unpublished, to present a view of the war as the men in the ranks saw it. At Chancellorsville, Gettysburg, the Wilderness, Spotsylvania Court House, Petersburg, and many more battles, the “Orange Blossoms” earned a reputation for sacrifice and bravery, eloquently put into words by Private Henry Howell. As he lay wounded, he described the charge that broke the Confederate line at Spotsylvania—“everyone was borne irresistibly forward. There was no such thing as fail.” The book includes a roster of all who served in the regiment and numerous photos of individuals.
“My favorite historical novel . . . a superb re-creation of the Battle of Gettysburg, but its real importance is its insight into what the war was about, and what it meant.”—James M. McPherson In the four most bloody and courageous days of our nation’s history, two armies fought for two conflicting dreams. One dreamed of freedom, the other of a way of life. Far more than rifles and bullets were carried into battle. There were memories. There were promises. There was love. And far more than men fell on those Pennsylvania fields. Bright futures, untested innocence, and pristine beauty were also the casualties of war. Michael Shaara’s Pulitzer Prize–winning masterpiece is unique, sweeping, unforgettable—the dramatic story of the battleground for America’s destiny. BONUS: This edition includes an excerpt from Jeff Shaara's Blaze of Glory.
“A masterwork [by] the preeminent historian of the Civil War era.”—Boston Globe Selected as a Notable Book of the Year by the New York Times Book Review, this landmark work gives us a definitive account of Lincoln's lifelong engagement with the nation's critical issue: American slavery. A master historian, Eric Foner draws Lincoln and the broader history of the period into perfect balance. We see Lincoln, a pragmatic politician grounded in principle, deftly navigating the dynamic politics of antislavery, secession, and civil war. Lincoln's greatness emerges from his capacity for moral and political growth.
Music was everywhere during the Civil War. Tunes could be heard ringing out from parlor pianos, thundering at political rallies, and setting the rhythms of military and domestic life. With literacy still limited, music was an important vehicle for communicating ideas about the war, and it had a lasting impact in the decades that followed. Drawing on an array of published and archival sources, Christian McWhirter analyzes the myriad ways music influenced popular culture in the years surrounding the war and discusses its deep resonance for both whites and blacks, South and North. Though published songs of the time have long been catalogued and appreciated, McWhirter is the first to explore what Americans actually said and did with these pieces. By gauging the popularity of the most prominent songs and examining how Americans used them, McWhirter returns music to its central place in American life during the nation's greatest crisis. The result is a portrait of a war fought to music.
Americans in the middle decades of the nineteenth century were a people with boundless energy capable of heroic deeds, monumental achievements, and tragic errors. In The Civil War Generation, his newest volume in The Representative Americans series, noted scholar Norman K. Risjord uses biographical sketches to create a composite portrait of the United States during and immediately after the Civil War.
No historical event has left as deep an imprint on America's collective memory as the Civil War. In the war's aftermath, Americans had to embrace and cast off a traumatic past. David Blight explores the perilous path of remembering and forgetting, and reveals its tragic costs to race relations and America's national reunion.
Once in a great while a book comes along that changes the way we see the world and helps to fuel a nationwide social movement. The New Jim Crow is such a book. Praised by Harvard Law professor Lani Guinier as "brave and bold," this book directly challenges the notion that the election of Barack Obama signals a new era of colorblindness. With dazzling candor, legal scholar Michelle Alexander argues that "we have not ended racial caste in America; we have merely redesigned it." By targeting black men through the War on Drugs and decimating communities of color, the U.S. criminal justice system functions as a contemporary system of racial control—relegating millions to a permanent second-class status—even as it formally adheres to the principle of colorblindness. In the words of Benjamin Todd Jealous, president and CEO of the NAACP, this book is a "call to action." Called "stunning" by Pulitzer Prize–winning historian David Levering Lewis, "invaluable" by the Daily Kos, "explosive" by Kirkus, and "profoundly necessary" by the Miami Herald, this updated and revised paperback edition of The New Jim Crow, now with a foreword by Cornel West, is a must-read for all people of conscience.
"Battle of Despair examines Johnston's struggle to create an army with which to oppose Sherman, the long odds Johnston faced, and the eventual surrender of that army - the largest body of Confederate men to surrender at the end of the war."--Jacket.
Carnton Plantation, 1894: Carrie McGavock is an old woman who tends the graves of the almost 1,500 soldiers buried there. As she walks among the dead, an elderly man appears--the same soldier she met that fateful day long ago. Today, he asks if the cemetery has room for one more. Based on an extraordinary true story, this brilliant, meticulously researched novel flashes back to 1864 and the afternoon of the Civil War. While the fierce fighting rages on Carrie's land, her plantation turns into a Confederate army hospital; four generals lie dead on her back porch; the pile of amputated limbs rises as tall as the smoke house. But when a wounded soldier named Zachariah Cashwell arrives at her house, he awakens feelings she had thought long dead--and inspires a passion as powerful and unforgettable as the war that consumes a nation.
From Al Jolson in blackface to Song of the South, there is a long history of racism in Hollywood film. Yet as early as the 1930s, movie studios carefully vetted their releases, removing racially offensive language like the “N-word.” This censorship did not stem from purely humanitarian concerns, but rather from worries about boycotts from civil rights groups and loss of revenue from African American filmgoers. Cinema Civil Rights presents the untold history of how Black audiences, activists, and lobbyists influenced the representation of race in Hollywood in the decades before the 1960s civil rights era. Employing a nuanced analysis of power, Ellen C. Scott reveals how these representations were shaped by a complex set of negotiations between various individuals and organizations. Rather than simply recounting the perspective of film studios, she calls our attention to a variety of other influential institutions, from protest groups to state censorship boards. Scott demonstrates not only how civil rights debates helped shaped the movies, but also how the movies themselves provided a vital public forum for addressing taboo subjects like interracial sexuality, segregation, and lynching. Emotionally gripping, theoretically sophisticated, and meticulously researched, Cinema Civil Rights presents us with an in-depth look at the film industry’s role in both articulating and censoring the national conversation on race.
The injustices of 1940s Jim Crow America are brought to life in this extraordinary blend of military and social history—a story that pays tribute to the valor of an all-black battalion whose crucial contributions at D-Day have gone unrecognized to this day. In the early hours of June 6, 1944, the 320th Barrage Balloon Battalion, a unit of African-American soldiers, landed on the beaches of France. Their orders were to man a curtain of armed balloons meant to deter enemy aircraft. One member of the 320th would be nominated for the Medal of Honor, an award he would never receive. The nation’s highest decoration was not given to black soldiers in World War II. Drawing on newly uncovered military records and dozens of original interviews with surviving members of the 320th and their families, Linda Hervieux tells the story of these heroic men charged with an extraordinary mission, whose contributions to one of the most celebrated events in modern history have been overlooked. Members of the 320th—Wilson Monk, a jack-of-all-trades from Atlantic City; Henry Parham, the son of sharecroppers from rural Virginia; William Dabney, an eager 17-year-old from Roanoke, Virginia; Samuel Mattison, a charming romantic from Columbus, Ohio—and thousands of other African Americans were sent abroad to fight for liberties denied them at home. In England and Europe, these soldiers discovered freedom they had not known in a homeland that treated them as second-class citizens—experiences they carried back to America, fueling the budding civil rights movement. In telling the story of the 320th Barrage Balloon Battalion, Hervieux offers a vivid account of the tension between racial politics and national service in wartime America, and a moving narrative of human bravery and perseverance in the face of injustice.
The 18th North Carolina Regiment has the dubious distinction of firing the volley at Chancellorsville, Virginia, that mortally wounded General Thomas “Stonewall” Jackson. This tragic accident has overshadowed the regiment’s otherwise valiant service during the Civil War. One of Robert E. Lee’s “fighting regiments,” the 18th North Carolina was a part of two famous Confederate military machines, A.P. Hill’s Light Division and Jackson’s foot cavalry. This revealing history chronicles the regiment’s exploits from its origins through combat with the Army of Northern Virginia at Hanover Court House, the Seven Days’ Battles, Cold Harbor, Petersburg, and other battles to its surrender at Appomattox Court House as a battered, much smaller shell of its former self. A roster of those surrendering officers and enlisted men and brief biographical sketches of those who fought with the regiment for most of the war complete this enlightening account.
The unforgettable story of young Jethro Creighton who comes of age during the turbulent years of the Civil War. "An intriguing and beautifully written book, a prize to those who take the time to read it, whatever their ages."—The New York Times "This is a beautifully written book, filled with bloodshed, hate, and tears, but also with love, loyalty, and compassion, with unforgettable characters, and with ideas and implications that have meaning for young people today."—Chicago Tribune "A powerfully moving story about the Creighton family of Southern Illinois and their personal struggles in the War Between the States."—Chicago Daily News "Drawing from family records and from stories told by her grandfather, the author has, in an uncommonly fine narrative, created living characters and vividly reconstructed a crucial period of history."—ALA Booklist "An impressive book both as a historically authenticated Civil War novel and as a beautifully written family story...The realistic treatment of the intricate emotional conflicts within a border-state family is superb. The details of battles and campaigns are deftly integrated into letters and conversations, and the characters are completely convincing."—University of Chicago Center for Children's Books From the Paperback edition.
In The Black Calhouns, Gail Lumet Buckley—daughter of actress Lena Horne—delves deep into her family history, detailing the experiences of an extraordinary African-American family from Civil War to Civil Rights. Beginning with her great-great grandfather Moses Calhoun, a house slave who used the rare advantage of his education to become a successful businessman in post-war Atlanta, Buckley follows her family’s two branches: one that stayed in the South, and the other that settled in Brooklyn. Through the lens of her relatives’ momentous lives, Buckley examines major events throughout American history. From Atlanta during Reconstruction and the rise of Jim Crow, to New York City during the Harlem Renaissance, and then from World War II to the Civil Rights Movement, this ambitious, brilliant family witnessed and participated in the most crucial events of the 19th and 20th centuries. Combining personal and national history, The Black Calhouns is a unique and vibrant portrait of six generations during dynamic times of struggle and triumph.
After hiding in her grandmother’s attic for seven years, Harriet Ann Jacobs was finally able to escape servitude—and her master’s sexual abuse—when she fled to the North. Once there, she became a very active abolitionist, and her correspondence with Harriet Beecher Stowe inspired her to write Incidents in the Life of a Slave Girl about her years as a slave. She published the narrative in 1861 under the pseudonym Linda Brent, and the book was written as a novel with fictionalized characters to protect Jacobs from retribution by her former owners. (Dr. Flint, i.e., the real Dr. James Norcom, is Linda Brent’s master in the novel.) The story emphasized certain negative aspects of slavery—especially the struggles of female slaves under sexually abusive masters, cruel mistresses, and the sale of their children—in order to play on the sympathies of white middle-class women in the North. Incidents in the Life of a Slave Girl was published at the beginning of the American Civil War. It contributed to the Union’s and abolitionists’ war effort, but is today seen as an important first-hand account from an escaped slave woman and an important abolitionist. After the Civil War, Jacobs continued to support the African-American cause, particularly education, until her death in 1897. Skyhorse Publishing, along with our Arcade, Good Books, Sports Publishing, and Yucca imprints, is proud to publish a broad range of biographies, autobiographies, and memoirs. Our list includes biographies on well-known historical figures like Benjamin Franklin, Nelson Mandela, and Alexander Graham Bell, as well as villains from history, such as Heinrich Himmler, John Wayne Gacy, and O. J. Simpson. We have also published survivor stories of World War II, memoirs about overcoming adversity, first-hand tales of adventure, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
Follows a legendary unit of American fighting men from D-Day through the end of World War II.
Volume Four of the distinguished American Theatre: A Chronicle of Comedy and Drama series offers a thorough, candid, and fascinating look at the theater in New York during the last decades of the twentieth century.
This is the first biography of Chief Left Hand, diplomat, linguist, and legendary of the Plains Indians. Working from government reports, manuscripts, and the diaries and letters of those persons—both white and Indian—who knew him, Margaret Coel has developed an unusually readable, interesting, and closely documented account of his life and the life of his tribe during the fateful years of the mid-1800s. It was in these years that thousands of gold-seekers on their way to California and Oregon burst across the plains, first to traverse the territory consigned to the Indians and then, with the discovery of gold in 1858 on Little Dry Creek (formerly the site of the Southern Arapaho winter campground and presently Denver, Colorado), to settle. Chief Left Hand was one of the first of his people to acknowledge the inevitability of the white man’s presence on the plain, and thereafter to espouse a policy of adamant peacefulness —if not, finally, friendship—toward the newcomers. Chief Left Hand is not only a consuming story—popular history at its best—but an important work of original scholarship. In it the author: Clearly establishes the separate identities of the original Left Hand, the subject of her book, and the man by the same name who succeeded Little Raven in 1889 as the principal chief of the Southern Arapahos in Oklahoma—a longtime source of confusion to students of western history; Lays to rest, with a series of previously unpublished letters by George Bent, a century-long dispute among historians as to Left Hand’s fate at Sand Creek; Examines the role of John A. Evans, first governor of Colorado, in the Sand Creek Massacre. Colonel Chivington, commander of the Colorado Volunteers, has always (and justly) been held responsible for the surprise attack. But Governor Evans, who afterwards claimed ignorance and innocence of the colonel’s intentions, was also deeply involved. His letters, on file in the Colorado State Archives, have somehow escaped the scrutiny of historians and remain, for the most part, unpublished. These Coel has used extensively, allowing the governor to tell, in his own words, his real role in the massacre. The author also examines Evans’s motivations for coming to Colorado, his involvement with the building of the transcontinental railroad, and his intention of clearing the Southern Arapahos from the plains —an intention that abetted Chivington’s ambitions and led to their ruthless slaughter at Sand Creek.
Carl Maxey was, in his own words, �a guy who started from scratch - black scratch.� He was sent, at age five, to the scandal-ridden Spokane Children's Home and then kicked out at age eleven with the only other �colored� orphan. Yet Maxey managed to make a national name for himself, first as an NCAA championship boxer at Gonzaga University, and then as eastern Washington's first prominent black lawyer and a renowned civil rights attorney who always fought for the underdog. During the tumultuous civil rights and Vietnam War eras, Carl Maxey fought to break down color barriers in his hometown of Spokane and throughout the nation. As a defense lawyer, he made national headlines working on lurid murder cases and war-protest trials, including the notorious Seattle Seven trial. He even took his commitment to justice and antiwar causes to the political arena, running for the U.S. Senate against powerhouse senator Henry M. Jackson. In Carl Maxey: A Fighting Life, Jim Kershner explores the sources of Maxey's passions as well as the price he ultimately paid for his struggles. The result is a moving portrait of a man called a �Type-A Gandhi� by the New York Times, whose own personal misfortune spurred his lifelong, tireless crusade against injustice.
"The heroism of the men in the Eleventh Battalion Georgia Light Artillery is a story that needs to be told." -Jimmy Carter, former president of the United States "Unique photographs and thorough individual war service record briefs make this book valuable as a research tool for personal, school, and public libraries alike."-Ben C. Sewell III, executive director, Sons of Confederate Veterans Beginning with Georgia's decision to secede from the union, author James L. Speicher chronicles the history of the little-known battalion that bravely fought for the Confederacy from 1861 to 1865. With more than eight hundred members serving at various points during the Civil War, most men in the unit, many of whom died on the battlefield, were from Sumter County, Georgia. Speicher details the horrific conditions they faced during their clashes, including the battle at Dranesville, which resulted in the most bloodshed experienced by the unit. Diary entries and personal letters, provided by descendants of the soldiers, illustrate daily life during the war. Rather than analyze the underlying causes of the war, the author focuses on the men who endured it, the men of the Sumter Flying Artillery. Speicher's scope includes Allen Sherrod Cutts, the battery's first commander and most prominent member. This remarkable man received personal congratulations from Gen. Robert E. Lee for leading his battalion to safety during the deadly battle of South Mountain in 1862. Highlights include pictures of the men before they left for battle, portraits of the Confederates in uniform, and images of the unit's flag. Appendixes provide a full roster listing each member's name, rank, and enlistment date, along with a section detailing the organization of the unit and the specific cannon used by the Sumter Battalion. With maps illustrating the position of the battery during specific battles, such as Gettysburg, and information on each officer, this book is an asset to genealogists and students of the Civil War. ABOUT THE AUTHORJames L. Speicher served in the U.S. Army for thirty years. He is a life member of the Sons of Confederate Veterans and Missouri's Civil War Heritage Foundation, among other organizations. After earning his B.A. in history from the Citadel, he obtained an A.A.S. in law enforcement from Oakland Community College and advanced degrees from Wayne State University and Webster University. Speicher resides in Shawnee, Kansas, with his wife.
A BRACING ACCOUNT OF A WAR THAT IS EITHER MISUNDERSTOOD, FORGOTTEN, OR WILLFULLY IGNORED. For Americans, it was a discrete conflict lasting from 1950 to 1953. But for the Asian world the Korean War was a generations-long struggle that still haunts contemporary events. With access to new evidence and secret materials from both here and abroad, including an archive of captured North Korean documents, Bruce Cumings reveals the war as it was actually fought. He describes its origin as a civil war, preordained long before the first shots were fired in June 1950 by lingering fury over Japan’s occupation of Korea from 1910 to 1945. Cumings then shares the neglected history of America’s post–World War II occupation of Korea, reveals untold stories of bloody insurgencies and rebellions, and tells of the United States officially entering the action on the side of the South, exposing as never before the appalling massacres and atrocities committed on all sides. Elegantly written and blisteringly honest, The Korean War is, like the war it illuminates, brief, devastating, and essential. Praise for The Korean War “A powerful revisionist history . . . a sobering corrective.”—The New York Times “Worth reading . . . This work raises the question of what Korea can tell us about the outlook for Iraq and Afghanistan.”—Financial Times “Well-sourced [and] elegantly presented.”—The Wall Street Journal
The story of Heart is a story of heart and soul and rock ’n’ roll. Since finding their love of music and performing as teenagers in Seattle, Washington, Ann Wilson and Nancy Wilson, have been part of the American rock music landscape. From 70s classics like “Magic Man” and “Barracuda” to chart- topping 80s ballads like “Alone,” and all the way up to 2012, when they will release their latest studio album, Fanatic, Heart has been thrilling their fans and producing hit after hit. In Kicking and Dreaming, the Wilsons recount their story as two sisters who have a shared over three decades on the stage, as songwriters, as musicians, and as the leaders of one of our most beloved rock bands. An intimate, honest, and a uniquely female take on the rock and roll life, readers of bestselling music memoirs like Life by Keith Richards and Steven Tyler’s Does the Noise in My Head Bother You? will love this quintessential music story finally told from a female perspective.
COSTA BOOK OF THE YEAR AWARD WINNER LONGLISTED FOR THE 2017 MAN BOOKER PRIZE "A true leftfield wonder: Days Without End is a violent, superbly lyrical western offering a sweeping vision of America in the making."—Kazuo Ishiguro, Booker Prize winning author of The Remains of the Day and The Buried Giant “A haunting archeology of youth . . . Barry introduces a narrator who speaks with an intoxicating blend of wit and wide-eyed awe, his unsettlingly lovely prose unspooling with an immigrant’s peculiar lilt and a proud boy’s humor.”—The New York Times Book Review From the two-time Man Booker Prize finalist Sebastian Barry, “a master storyteller” (Wall Street Journal), comes a powerful new novel of duty and family set against the American Indian and Civil Wars Thomas McNulty, aged barely seventeen and having fled the Great Famine in Ireland, signs up for the U.S. Army in the 1850s. With his brother in arms, John Cole, Thomas goes on to fight in the Indian Wars—against the Sioux and the Yurok—and, ultimately, the Civil War. Orphans of terrible hardships themselves, the men find these days to be vivid and alive, despite the horrors they see and are complicit in. Moving from the plains of Wyoming to Tennessee, Sebastian Barry’s latest work is a masterpiece of atmosphere and language. An intensely poignant story of two men and the makeshift family they create with a young Sioux girl, Winona, Days Without End is a fresh and haunting portrait of the most fateful years in American history and is a novel never to be forgotten.
A riveting narrative of the adoption of the Fourteenth Amendment, an act which revolutionized the U.S. constitution and shaped the nation's destiny in the wake of the Civil War Though the end of the Civil War and Lincoln's Emancipation Proclamation inspired optimism for a new, happier reality for blacks, in truth the battle for equal rights was just beginning. Andrew Johnson, Lincoln's successor, argued that the federal government could not abolish slavery. In Johnson's America, there would be no black voting, no civil rights for blacks. When a handful of men and women rose to challenge Johnson, the stage was set for a bruising constitutional battle. Garrett Epps, a novelist and constitutional scholar, takes the reader inside the halls of the Thirty-ninth Congress to witness the dramatic story of the Fourteenth Amendment's creation. At the book's center are a cast of characters every bit as fascinating as the Founding Fathers. Thaddeus Stevens, Charles Sumner, Frederick Douglass, Susan B. Anthony, among others, understood that only with the votes of freed blacks could the American Republic be saved. Democracy Reborn offers an engrossing account of a definitive turning point in our nation's history and the significant legislation that reclaimed the democratic ideal of equal rights for all U.S. citizens.
Named for Massachusetts governor John Albion Andrew—who prevented these two companies from joining the nationalized Berdan’s sharp-shooters so that their families could continue to receive state aid—the Andrew Sharpshooters often transferred from unit to unit as the need for their unique, long-range shooting skills changed. This first chronicle of the Massachusetts Andrew Sharpshooters details their day-to-day activities and their courageous service at Seven Pines, Antietam, Fredericksburg, Chancellorsville, Gettysburg and numerous other Civil War battles. Thorough historical and genealogical information on every man who served in the unit completes this study of these significant but overlooked foot soldiers.
Heather Graham’s seductive Civil War trilogy begins with an unlikely Yankee forced to choose between loyalty to the cause and the love of a Southern belle. The privileged daughter of a Virginia plantation owner, Kiernan Miller can’t imagine that her idyllic life will ever change—nor her days in the company of her devastatingly handsome neighbor, Jesse Cameron, a boy who returns her desire, kiss by tempestuous kiss. Then Jesse commits the one sin that Kiernan can never forgive: He abandons his roots for the Union army. Though Kiernan marries another, a part of her will always love the rebel in blue. To follow his conscience, Jesse Cameron must sacrifice his heart. He deserts his hometown, turns against his own brother, and rides away from the woman he loves. But he vows that it will not be forever. Now, bringing the war to Kiernan’s front door, Jesse has returned as the enemy, intent on winning back the widow with emerald eyes and sun-kissed hair—the beauty who has branded him a traitor. Includes a special message from the editor, as well as excerpts from these Loveswept titles: Flirting with Disaster, Taking Shots, and Long Simmering Spring.
Chios Classics brings literature's greatest works back to life for new generations. All our books contain a linked table of contents. Gone with the Wind is one one of the most famous novels of the 20th century.The story, which was made into a classic movie, takes place during the American Civil War and follows the life of Scarlett O'Hara.
One of The New York Times Book Review’s 10 Best Books of the Year In this epic, beautifully written masterwork, Pulitzer Prize–winning author Isabel Wilkerson chronicles one of the great untold stories of American history: the decades-long migration of black citizens who fled the South for northern and western cities, in search of a better life. From 1915 to 1970, this exodus of almost six million people changed the face of America. Wilkerson compares this epic migration to the migrations of other peoples in history. She interviewed more than a thousand people, and gained access to new data and official records, to write this definitive and vividly dramatic account of how these American journeys unfolded, altering our cities, our country, and ourselves. With stunning historical detail, Wilkerson tells this story through the lives of three unique individuals: Ida Mae Gladney, who in 1937 left sharecropping and prejudice in Mississippi for Chicago, where she achieved quiet blue-collar success and, in old age, voted for Barack Obama when he ran for an Illinois Senate seat; sharp and quick-tempered George Starling, who in 1945 fled Florida for Harlem, where he endangered his job fighting for civil rights, saw his family fall, and finally found peace in God; and Robert Foster, who left Louisiana in 1953 to pursue a medical career, the personal physician to Ray Charles as part of a glitteringly successful medical career, which allowed him to purchase a grand home where he often threw exuberant parties. Wilkerson brilliantly captures their first treacherous and exhausting cross-country trips by car and train and their new lives in colonies that grew into ghettos, as well as how they changed these cities with southern food, faith, and culture and improved them with discipline, drive, and hard work. Both a riveting microcosm and a major assessment, The Warmth of Other Suns is a bold, remarkable, and riveting work, a superb account of an “unrecognized immigration” within our own land. Through the breadth of its narrative, the beauty of the writing, the depth of its research, and the fullness of the people and lives portrayed herein, this book is destined to become a classic. From the Hardcover edition.
The non-judicial confinement of women is a common event in medieval European literature and hagiography. The literary image of the imprisoned woman, usually a noblewoman, has carried through into the quasi-medieval world of the fairy and folk tale, in which the 'maiden in the tower' is one of the archetypes. Yet the confinement of women outside of the judicial system was not simply a fiction in the medieval period. Men too were imprisoned without trial and sometimes on mere suspicion of an offence, yet evidence suggests that there were important differences in the circumstances under which men and women were incarcerated, and in their roles in relation to non-judicial captivity. This study of the confinement of women highlights the disparity in regulation concerning male and female imprisonment in the middle ages, and gives a useful perspective on the nature of medieval law, its scope and limitations, and its interaction with royal power and prerogative. Looking at England from 1170 to 1509, the book discusses: the situations in which women might be imprisoned without formal accusation of trial; how social status, national allegiance and stage of life affected the chances of imprisonment; the relevant legal rules and norms; the extent to which legal and constitutional developments in medieval England affected women's amenability to confinement; what can be known of the experiences of women so incarcerated; and how women were involved in situations of non-judicial imprisonment, aside from themselves being prisoners.
At once provocative, terrifying, and darkly subversive, Dread Nation is Justina Ireland's stunning vision of an America both foreign and familiar—a country on the brink, at the explosive crossroads where race, humanity, and survival meet. Jane McKeene was born two days before the dead began to walk the battlefields of Gettysburg, Pennsylvania—derailing the War Between the States and changing the nation forever. In this new America, safety for all depends on the work of a few, and laws like the Native and Negro Education Act require certain children attend combat schools to learn to put down the dead. But there are also opportunities—and Jane is studying to become an Attendant, trained in both weaponry and etiquette to protect the well-to-do. It's a chance for a better life for Negro girls like Jane. After all, not even being the daughter of a wealthy white Southern woman could save her from society’s expectations. But that’s not a life Jane wants. Almost finished with her education at Miss Preston's School of Combat in Baltimore, Jane is set on returning to her Kentucky home and doesn’t pay much mind to the politics of the eastern cities, with their talk of returning America to the glory of its days before the dead rose. But when families around Baltimore County begin to go missing, Jane is caught in the middle of a conspiracy, one that finds her in a desperate fight for her life against some powerful enemies. And the restless dead, it would seem, are the least of her problems.