Books download for Kissing The Witch

Kissing the Hag by Emma Restall Orr is based upon the old tale of The Marriage of Sir Gawain, and carries us from girlish innocence through to the nauseating horror of the hag - the raw side, the dark side, the inside of a woman's.

The Weetzie Bat series, by acclaimed author Francesca Lia Block, was listed among NPR's 100 Best-Ever Teen Novels. This collection brings together the five luminous novels of the series: Weetzie Bat, Witch Baby, Cherokee Bat and the Goat Guys, Missing Angel Juan, and Baby Be-Bop. Spinning a saga of interwoven lives and beating hearts, these postmodern fairy tales take us to a Los Angeles brimming with magical realism: a place where life is a mystery, pain can lead to poetry, strangers become intertwined souls, and everyone is searching for the most beautiful and dangerous angel of all: love. The Weetzie Bat books broke new ground with their stylized, lyrical prose and unflinching look at the inner life of teens. The New York Times declared Dangerous Angels was "transcendent." And the Village Voice proclaimed "Ms. Block writes for the young adult in all of us."

This book was written to be used in concert with whatever pagan tradition you are currently involved in. There are at least three levels to it: part one will help you strengthen the foundations of your spiritual practice, part two will ensure that you are sound in body, mind, emotion, sex, and spirit, and have developed will and ethics, and part three will lead you further into connection with your Godhood. . .The tools used to do this are breath work, dream work, pendulum work, aura reading, tarot, meditation, spells, and others. The goal of the book is to help guide you through the stages of personal consciousness that will then enable you to step into inclusive consciousness—a consciousness that encompasses the personal, political, environmental, social, mental, and transpersonal. [It is this] inclusive consciousness [that] enables us to reach the limitless, the divine, Goddess or God.

‘I wait for his boots to drop. They fall on Floor, one thump, two thumps, that’s how I know he’s going to get into Bed with Ma now and make it squeak. I count the squeaks because I’m excellent at numbers. I have to count, I can’t lose count, if I lose count I don’t know what. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10...’ Kidnapped as a teenage girl, Ma has been locked inside a purpose built room in her captor’s garden for seven years. Her five-year-old son, Jack, has no concept of the world outside and happily exists inside Room with the help of Ma’s games and his vivid imagination where objects like Rug, Lamp and TV are his only friends. But for Ma the time has come to escape and face their biggest challenge to date: the world outside Room.

Fairy-tale adaptations are ubiquitous in modern popular culture, but readers and scholars alike may take for granted the many voices and traditions folded into today's tales. In Fairy Tales Transformed?: Twenty-First-Century Adaptations and the Politics of Wonder, accomplished fairy-tale scholar Cristina Bacchilega traces what she terms a "fairy-tale web" of multivocal influences in modern adaptations, asking how tales have been changed by and for the early twenty-first century. Dealing mainly with literary and cinematic adaptations for adults and young adults, Bacchilega investigates the linked and yet divergent social projects these fairy tales imagine, their participation and competition in multiple genre and media systems, and their relation to a politics of wonder that contests a naturalized hierarchy of Euro-American literary fairy tale over folktale and other wonder genres. Bacchilega begins by assessing changes in contemporary understandings and adaptations of the Euro-American fairy tale since the 1970s, and introduces the fairy-tale web as a network of reading and writing practices with a long history shaped by forces of gender politics, capitalism, and colonialism. In the chapters that follow, Bacchilega considers a range of texts, from high profile films like Disney's Enchanted, Guillermo del Toro's Pan's Labyrinth, and Catherine Breillat's Bluebeard to literary adaptations like Nalo Hopkinson's Skin Folk, Emma Donoghue's Kissing the Witch, and Bill Willingham's popular comics series, Fables. She looks at the fairy-tale web from a number of approaches, including adaptation as "activist response" in Chapter 1, as remediation within convergence culture in Chapter 2, and a space of genre mixing in Chapter 3. Chapter 4 connects adaptation with issues of translation and stereotyping to discuss mainstream North American adaptations of The Arabian Nights as "media text" in post-9/11 globalized culture. Bacchilega's epilogue invites scholars to intensify their attention to multimedia fairy-tale traditions and the relationship of folk and fairy tales with other cultures' wonder genres. Scholars of fairy-tale studies will enjoy Bacchilega's significant new study of contemporary adaptations.

Can true love’s kiss save the day...? Electrifying dark magic debut by authors and sisters, Katharine and Elizabeth Corr.

Now a New York Times Bestseller! As a college student he spent 16 days in the Pacific Ocean with five guys and a crate of canned meat. As a father he took his kids on a world tour to eat ice cream with heads of state. He made friends in Uganda, and they liked him so much he became the Ugandan consul. He pursued his wife for three years before she agreed to date him. His grades weren't good enough to get into law school, so he sat on a bench outside the Dean’s office for seven days until they finally let him enroll. Bob Goff has become something of a legend, and his friends consider him the world's best-kept secret. Those same friends have long insisted he write a book. What follows are paradigm shifts, musings, and stories from one of the world’s most delightfully engaging and winsome people. What fuels his impact? Love. But it's not the kind of love that stops at thoughts and feelings. Bob's love takes action. Bob believes Love Does. When Love Does, life gets interesting. Each day turns into a hilarious, whimsical, meaningful chance that makes faith simple and real. Each chapter is a story that forms a book, a life. And this is one life you don't want to miss. Light and fun, unique and profound, the lessons drawn from Bob's life and attitude just might inspire you to be secretly incredible, too. Endorsements: “If this book does not make your heart beat faster, book the next flight to Mayo Clinic!” --Bill Hybels, Senior Pastor, Willow Creek Community Church, Chairman, Willow Creek Association “Bob Goff is a one-man tsunami of grace, a hurricane of love. He doesn't just talk about change, he really is change, as Love Does chronicles in such a vivid way. Yet, Love Does doesn't leave you feeling like you want to celebrate its author, it awakens a sense deep within that you, too, have an outrageous role to play in God's unfolding story or rescue and repair.” --Louie Giglio, Passion Conferences/Passion City Church “An interesting and compelling story (with Young Life roots) that ends with a practical challenge and punch: ‘love does’ and God can use you to do it!” --Denny Rydberg, President, Young Life “Every once in a while someone like Bob Goff shows up to remind us that some things matter a lot more than others. Love Does has a kind of ‘north star’ effect that will push you to refocus your life and energy on what is most significant. It doesn't just invite you to respond with your God-given potential, it invites you to become a part of what God can do beyond your potential.” --Reggie Joiner, Founder and CEO of Orange “We liked the book a lot. Mostly, the balloons on the cover. The rest was pretty good too. Lots of stories about how God helps us.” --Aedan, Asher and Skye Peterson ages 13, 12 and 9 “This may look like a book. It’s not. It is an invitation to enter into the greatest adventure you have ever known—your life as it was meant to be lived. Hang on!” --Michael Hyatt, Author, Platform: Get Noticed in a Noisy World, MichaelHyatt.com “Bob’s ability to love people brings contagious hope and inspiration wherever he goes. The power of love showcased in this book will surely touch the hearts and souls of many people. Read Love Does and find a friend in one the world’s best hidden secrets, a person who shows how love can create connection and make a difference—even across oceans.” --George Tsereteli, Deputy Chairman of the Parliament of Georgia (former Russian Republic)

An inventive, satiric modern retelling of the classic fairy tale provides an incisive and biting commentary on the absurdities and complexities of modern life. In Snow White, Donald Barthelme subjects the traditional fairy tale to postmodern aesthetics. In the novel, the seven dwarves are men who live communally with Snow White and earn a living by washing buildings and making Chinese baby food. Snow White quotes Mao and the dwarves grapple with low self-esteem in this raucous retelling of the classic tale.

Just who can you trust...? The final spell-binding book in THE WITCH’S KISS trilogy by authors and sisters, Katharine and Elizabeth Corr.

The fairy tale lives again in this book of forty new stories by some of the biggest names in contemporary fiction. Neil Gaiman, “Orange” Aimee Bender, “The Color Master” Joyce Carol Oates, “Blue-bearded Lover” Michael Cunningham, “The Wild Swans” These and more than thirty other stories by Francine Prose, Kelly Link, Jim Shepard, Lydia Millet, and many other extraordinary writers make up this thrilling celebration of fairy tales—the ultimate literary costume party. Spinning houses and talking birds. Whispered secrets and borrowed hope. Here are new stories sewn from old skins, gathered by visionary editor Kate Bernheimer and inspired by everything from Hans Christian Andersen’s “The Snow Queen” and “The Little Match Girl” to Charles Perrault’s “Bluebeard” and “Cinderella” to the Brothers Grimm’s “Hansel and Gretel” and “Rumpelstiltskin” to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico. Fairy tales are our oldest literary tradition, and yet they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature. This exhilarating collection restores their place in the literary canon.

Although readers and filmgoers are strongly familiar with Disney’s sanitized child-centric fairy tales, they are quick to catch on to reworkings of classic tales into a contemporary context. The rise is such retellings seems to indicate that readers are hungry for a new narrative, one that hearkens back to the old yet moves the storyline forward to reflect conditions of the modern world. No mere escapist fantasies, the reimagined fairy tales of the late 20th and early 21st centuries reflect social, political and cultural truths. Sixteen essays consider fairy tales recreated through short stories, novels, poetry, and the graphic novel from both best-selling and lesser-known writers, applying a variety of perspectives, including postmodernism, psychoanalysis, Marxism, feminism, queer theory and gender studies. Along with the classic fairy tales, fiction from writers such as Neil Gaiman (Stardust) and Gregory Macquire (Wicked) is covered.

Sixteen-year-old Kit Tyler is marked by suspicion and disapproval from the moment she arrives on the unfamiliar shores of colonial Connecticut in 1687. Alone and desperate, she has been forced to leave her beloved home on the island of Barbados and join a family she has never met. Torn between her quest for belonging and her desire to be true to herself, Kit struggles to survive in a hostile place. Just when it seems she must give up, she finds a kindred spirit. But Kit’s friendship with Hannah Tupper, believed by the colonists to be a witch, proves more taboo than she could have imagined and ultimately forces Kit to choose between her heart and her duty. Elizabeth George Speare won the 1959 Newbery Medal for this portrayal of a heroine whom readers will admire for her unwavering sense of truth as well as her infinite capacity to love.

Internationally bestselling author Emma Donoghue's first children's book follows the domestic adventures of a large, rumbustious, multicultural family. The Lotterys, as they call themselves, are headed up by a lesbian couple and a gay couple who joined forces to create a family, won a lottery jackpot and moved into a Victorian Gothic mansion in Toronto, where their enormous brood is home-schooled. It all seems perfectly normal to nine-year-old Sumac until their hitherto obscure grandfather Grumps comes to stay, upending the Lotterys’ already chaotic family life.

From a writer of astonishing versatility and erudition, the much-admired literary critic, novelist, short-story writer, and scholar (“Dazzling”—The Washington Post; “One of those rare writers who seems to be able to work on any register, any time, any atmosphere, and make it her own” —The Observer), a book that explores the little-known literary tradition of love between women in Western literature, from Chaucer and Shakespeare to Charlotte Brontë, Dickens, Agatha Christie, and many more. Emma Donoghue brings to bear all her knowledge and grasp to examine how desire between women in English literature has been portrayed, from schoolgirls and vampires to runaway wives, from cross-dressing knights to contemporary murder stories. Donoghue looks at the work of those writers who have addressed the “unspeakable subject,” examining whether such desire between women is freakish or omnipresent, holy or evil, heartwarming or ridiculous as she excavates a long-obscured tradition of (inseparable) friendship between women, one that is surprisingly central to our cultural history. Donoghue writes about the half-dozen contrasting girl-girl plots that have been told and retold over the centuries, metamorphosing from generation to generation. What interests the author are the twists and turns of the plots themselves and how these stories have changed—or haven’t—over the centuries, rather than how they reflect their time and society. Donoghue explores the writing of Sade, Diderot, Balzac, Thomas Hardy, H. Rider Haggard, Elizabeth Bowen, and others and the ways in which the woman who desires women has been cast as not quite human, as ghost or vampire. She writes about the ever-present triangle, found in novels and plays from the last three centuries, in which a woman and man compete for the heroine’s love . . . about how—and why—same-sex attraction is surprisingly ubiquitous in crime fiction, from the work of Wilkie Collins and Dorothy L. Sayers to P. D. James. Finally, Donoghue looks at the plotline that has dominated writings about desire between women since the late nineteenth century: how a woman’s life is turned upside down by the realization that she desires another woman, whether she comes to terms with this discovery privately, “comes out of the closet,” or is publicly “outed.” She shows how this narrative pattern has remained popular and how it has taken many forms, in the works of George Moore, Radclyffe Hall, Patricia Highsmith, and Rita Mae Brown, from case-history-style stories and dramas, in and out of the courtroom, to schoolgirl love stories and rebellious picaresques. A revelation of a centuries-old literary tradition—brilliant, amusing, and until now, deliberately overlooked. From the Hardcover edition.

Nature is out of balance in the human world. The sun hasn't shone in years, and crops are failing. Worse yet, strange and hostile creatures have begun to appear. The people's survival hangs in the balance. To solve the crisis, the oracle stones are cast, and Kaede and Taisin, two seventeen-year-old girls, are picked to go on a dangerous and unheard-of journey to Tanlili, the city of the Fairy Queen. Taisin is a sage, thrumming with magic, and Kaede is of the earth, without a speck of the otherworldly. And yet the two girls' destinies are drawn together during the mission. As members of their party succumb to unearthly attacks and fairy tricks, the two come to rely on each other and even begin to fall in love. But the Kingdom needs only one huntress to save it, and what it takes could tear Kaede and Taisin apart forever. The exciting adventure prequel to Malinda Lo's highly acclaimed novel Ash is overflowing with lush Chinese influences and details inspired by the I Ching, and is filled with action and romance.

Kissing the Witch Adapted from her book of thirteen revisionist fairy tales of the same name, this play interweaves four classic plots – Beauty and the Beast, Donkeyskin, the Goose Girl, the Little Mermaid – with an invented one about a desperate girl going to a witch for help. Kissing the Witch finds the gritty in the fantastical, and excavates magic to find what’s really going on. Trespasses Set over three days in 1661, Trespasses is inspired by the judge’s own account of one of the tiny handful of witch trials that ever took place in Ireland. It asks why a servant girl who fell into fits would have put the blame on an old beggarwoman – but also, more timeless questions about the clashing cultures that have to share a small island country. Trespasses is about faith and superstition, politics and class, sadism and love. Ladies and Gentlemen This play with songs, set mostly in the dressing rooms of busy vaudeville theatres all over North America, was inspired by a real same-sex wedding that took place in Grand Rapids, Michigan, in 1886. It resurrects a ragtag troupe of emigrants – most notably, male impersonator Annie Hindle, ‘a man’s widow and a woman’s widower’, as the tabloids called her. With a light touch, Ladies and Gentleman explores the ways we perform our roles, both on and off stage. I Know My Own Heart Inspired by the secret coded diaries of Yorkshire gentlewoman Anne Lister, this play subverts all the conventions of Regency romance. Teasing out the entangled lives of mannish, arrogant Lister (nicknamed ‘Gentleman Jack’) and three of her many lovers, I Know My Own Heart explores the different choices women made in a time of limits and prohibitions. Don’t Die Wondering When a restaurant cook loses her job because of a homophobic customer, she mounts a one-woman picket in protest. The police officer assigned to protect her is her nemesis from schooldays. This one-act comedy, set in a fictional small town, stages a battle between old and new elements of Irish culture.

The Woman Who Gave Birth to Rabbits is a book of fictions, but they are also true. Over the last ten years, I have often stumbled over a scrap of history so fascinating that I had to stop whatever I was doing and write a story about it. My sources are the flotsam and jetsam of the last seven hundred years of British and Irish life: surgical case-notes; trial records; a plague ballad; theological pamphlets; a painting of two girls in a garden; an articulated skeleton. Some of the ghosts in this collection have famous names; others were written off as cripples, children, half-breeds, freaks and nobodies. The Woman Who Gave Birth to Rabbits is named for Mary Toft, who in 1726 managed to convince half England that she had done just that. So this book is what I have to show for ten years of sporadic grave-robbing, ferreting out forgotten puzzles and peculiar incidents, asking 'What really happened?', but also, 'What if?

Alex and Conner Bailey's world is about to change, in this fast-paced adventure that uniquely combines our modern day world with the enchanting realm of classic fairy tales. The Land of Stories tells the tale of twins Alex and Conner. Through the mysterious powers of a cherished book of stories, they leave their world behind and find themselves in a foreign land full of wonder and magic where they come face-to-face with the fairy tale characters they grew up reading about. But after a series of encounters with witches, wolves, goblins, and trolls alike, getting back home is going to be harder than they thought.

The Witch-Hunt in Early Modern Europe, now in its fourth edition, is the perfect resource for both students and scholars of the witch-hunts written by one of the leading names in the field. For those starting out in their studies of witch-beliefs and witchcraft trials, Brian Levack provides a concise survey of this complex and fascinating topic, while for more seasoned scholars the scholarship is brought right up to date. This new edition includes the most recent research on children, gender, male witches and demonic possession as well as broadening the exploration of the geographical distribution of witch prosecutions to include recent work on regions, cities and kingdoms enabling students to identify comparisons between countries. Now fully integrated with Brian Levack’s The Witchcraft Sourcebook, there are links to the sourcebook throughout the text, pointing students towards key primary sources to aid them in their studies. The two books are drawn together on a new companion website with supplementary materials for those wishing to advance their studies, including an extensive guide to further reading, a chronology of the history of witchcraft and an interactive map to show the geographical spread of witch-hunts and witch trials across Europe and North America. A long-standing favourite with students and lecturers alike, this new edition of The Witch-Hunt in Early Modern Europe will be essential reading for those embarking on or looking to advance their studies of the history of witchcraft

Princess Ivy has one goal—end the war against the Forces of Darkness. Ivy’s magic is more powerful than any other Royal’s, but she needs a battle partner who can help her harness it. Prince Zach’s unparalleled skill with a sword should make them an unstoppable pair—if only they could agree on...well, just about anything. But Ivy’s magic can only fully unlock with Zach’s help, and he’s not exactly cooperating. Zach believes Ivy’s magic is dangerous. Ivy believes they’ll never win the war without it. Two warriors, one goal, and the fate of their world on the line. But the more they argue, the more they fall for each other. And only one of them can be right...

In this profile, Emma Donoghue tells the story of two eccentric Victorian spinsters: Katherine Bradley (1846-1914) and her niece Edith Cooper (1862-1913); poets and lovers, who wrote together under the name of Michael Field. They wrote eleven volumes of poetry and thirty historical tragedies, but perhaps their best work - richest in emotional honesty and wit - was the diary that the two women shared for a quarter of a century, and these unpublished journals and letters form the basis for the groundbreaking We are Michael Field. The Michaels lived in a contradictory world of inherited wealth and terrible illness, silly nicknames and religious crises. They preferred men to women, and yet their greatest devotion was saved for their dog. Snobbish, arrogant eccentrics who faced bereavement and death with great courage, the Michaels never lost their appetite for life or their passion for each other.

A girl thought to be a boy steals her sister's skirt, while a boy thought to be a girl refuses to wear a cornflower blue dress. One boy's love of a soldier leads to the death of a stranger. The present takes a bittersweet journey into the past when a man revisits the summer school where he had "an accidental romance." And a forgotten mother writes a poignant letter to the teenage daughter she hasn't seen for fourteen years. Poised between the past and the future are the stories of now. In nontraditional narratives, short stories, and brief graphics, tales of anticipation and regret, eagerness and confusion present distinctively modern views of love, sexuality, and gender identification. Together, they reflect the vibrant possibilities available for young people learning to love others—and themselves—in today's multifaceted and quickly changing world.

An “engaging . . . entertaining journey,” Landing explores the pleasures and sorrows of long-distance love in the digital age (The New York Times Book Review). Síle is a stylish citizen of the new Dublin, a veteran flight attendant who’s traveled the world. Jude is a twenty-five-year-old archivist, stubbornly attached to Ireland, Ontario, the tiny town in which she was born and raised. When Jude meets Síle on her first transatlantic plane trip, the spark between them is instant. After a coffee shared at Heathrow Airport, both women return to their lives—but neither can forget their encounter. Over the next year, Jude and Síle connect through emails, phone calls, letters, and the occasional visit. But no matter how passionate, every long-distance relationship comes to a crossroads, because you can’t have a happily ever after when the one you love is a world apart . . . “[Donoghue] explores with a light, sure touch the subject of desire across distances of various kinds: generational, cultural, even spiritual.” —The New York Times Book Review “[A] charming tale.” —Kirkus Reviews

Kissing the Hag by Emma Restall Orr is based upon the old tale of The Marriage of Sir Gawain, and carries us from girlish innocence through to the nauseating horror of the hag - the raw side, the dark side, the inside of a woman's.

The #1 New York Times bestseller! It’s the Salem Witch Trials meets Mean Girls in this New York Times bestselling novel from one of the descendants of Cotton Mather, where the trials of high school start to feel like a modern-day witch hunt for a teen with all the wrong connections to Salem’s past. Salem, Massachusetts, is the site of the infamous witch trials and the new home of Samantha Mather. Recently transplanted from New York City, Sam and her stepmother are not exactly welcomed with open arms. Sam is the descendant of Cotton Mather, one of the men responsible for those trials—and almost immediately, she becomes the enemy of a group of girls who call themselves the Descendants. And guess who their ancestors were? If dealing with that weren’t enough, Sam also comes face to face with a real, live (well, technically dead) ghost. A handsome, angry ghost who wants Sam to stop touching his stuff. But soon Sam discovers she is at the center of a centuries-old curse affecting anyone with ties to the trials. Sam must come to terms with the ghost and find a way to work with the Descendants to stop a deadly cycle that has been going on since the first accused witch was hanged. If any town should have learned its lesson, it’s Salem. But history may be about to repeat itself. “It’s like Mean Girls meets history class in the best possible way.” —Seventeen Magazine “Mather shines a light on the lessons the Salem Witch Trials can teach us about modern-day bullying—and what we can do about it.” —Bustle.com “Strikes a careful balance of creepy, fun, and thoughtful.” —NPR I am utterly addicted to Mather’s electric debut. It keeps you on the edge of your seat, twisting and turning with ghosts, witches, an ancient curse, and—sigh—romance. It’s beautiful. Haunting. The characters are vivid and real. I. Could. Not. Put. It. Down.” —Jennifer Niven, bestselling author of All the Bright Places

“An enthralling fantasy in the Harry Potter tradition.”— Time magazine “A bewitching new thriller.” — The Wall Street Journal In modern-day England, witches live alongside humans: White witches, who are good; Black witches, who are evil; and sixteen-year-old Nathan, who is both. Nathan’s father is the world’s most powerful and cruel Black witch, and his mother is dead. He is hunted from all sides. Trapped in a cage, beaten and handcuffed, Nathan must escape before his seventeenth birthday, at which point he will receive three gifts from his father and come into his own as a witch—or else he will die. But how can Nathan find his father when his every action is tracked, when there is no one safe to trust—not even family, not even the girl he loves? In the tradition of Patrick Ness and Markus Zusak, Half Bad is a gripping tale of alienation and the indomitable will to survive, a story that will grab hold of you and not let go until the very last page. From the Trade Paperback edition.

The next sizzling romance in New York Times bestselling author Karen Ranney's Clan Sinclair series Logan Harrison is looking for a wife. As the Lord Provost of Edinburgh, he needs a conventional and diplomatic woman who will stand by his side and help further his political ambitions. He most certainly does not need Mairi Sinclair, the fiery, passionate, fiercely beautiful woman who tries to thwart him at every turn. But if she's so wrong for him, why can't he stop kissing her? He is completely bewitched. Mairi Sinclair has never met anyone like Logan Harrison, the perfect example of everything she finds wrong with the world. He's also incredibly handsome, immensely popular, and impossible to resist. His kisses inflame her and awaken a passion she can barely control. Can two people who are at such odds admit to a love that would bind them together for life?

Fairy-tale adaptations are ubiquitous in modern popular culture, but readers and scholars alike may take for granted the many voices and traditions folded into today's tales. In Fairy Tales Transformed?: Twenty-First-Century Adaptations and the Politics of Wonder, accomplished fairy-tale scholar Cristina Bacchilega traces what she terms a "fairy-tale web" of multivocal influences in modern adaptations, asking how tales have been changed by and for the early twenty-first century. Dealing mainly with literary and cinematic adaptations for adults and young adults, Bacchilega investigates the linked and yet divergent social projects these fairy tales imagine, their participation and competition in multiple genre and media systems, and their relation to a politics of wonder that contests a naturalized hierarchy of Euro-American literary fairy tale over folktale and other wonder genres. Bacchilega begins by assessing changes in contemporary understandings and adaptations of the Euro-American fairy tale since the 1970s, and introduces the fairy-tale web as a network of reading and writing practices with a long history shaped by forces of gender politics, capitalism, and colonialism. In the chapters that follow, Bacchilega considers a range of texts, from high profile films like Disney's Enchanted, Guillermo del Toro's Pan's Labyrinth, and Catherine Breillat's Bluebeard to literary adaptations like Nalo Hopkinson's Skin Folk, Emma Donoghue's Kissing the Witch, and Bill Willingham's popular comics series, Fables. She looks at the fairy-tale web from a number of approaches, including adaptation as "activist response" in Chapter 1, as remediation within convergence culture in Chapter 2, and a space of genre mixing in Chapter 3. Chapter 4 connects adaptation with issues of translation and stereotyping to discuss mainstream North American adaptations of The Arabian Nights as "media text" in post-9/11 globalized culture. Bacchilega's epilogue invites scholars to intensify their attention to multimedia fairy-tale traditions and the relationship of folk and fairy tales with other cultures' wonder genres. Scholars of fairy-tale studies will enjoy Bacchilega's significant new study of contemporary adaptations.

For years scandal has rocked Rosewood, Pennsylvania—and high school seniors Aria, Emily, Hanna, and Spencer have always been at the center of the drama. They’ve lost friends, been targeted by a ruthless stalker named A, and narrowly escaped death. And it’s not over yet. Aria’s love life is on the fritz. Emily’s exploring her wild side. Hanna’s kissing the enemy. And someone from Spencer’s past—someone she never thought she’d see again—is back to haunt her. But none of that compares to what happened last spring break. It’s their darkest secret yet and guess who found out? Now A is determined to make them pay for their crime, and the only thing scarier than A is the fear that maybe, just maybe, they deserve what’s coming to them.

Nola Leary would have been content to stay in Kilcairy, Ireland, healing villagers at her family’s clinic with a mix of magic and modern medicine. But a series of ill-timed omens and a deathbed promise to her grandmother have sent her on a quest to Half-Moon Hollow, Kentucky, to secure her family’s magical potency for the next generation. Her supernatural task? To unearth four artifacts hidden by her grandfather before a rival magical family beats her to it. Complication One: Her grandfather was Mr. Wainwright and the artifacts are lost somewhere in what is now Jane Jameson's book shop. Complication Two: her new neighbor, Jed Trudeau, who keeps turning up half naked at the strangest times, a distraction Nola doesn't need. And teaming up with a real-life Adonis is as dangerous as it sounds, especially when he’s got the face of an angel and the abs of a washboard—can Nola complete her mission before falling completely under his spell?

“I Was a Rat!” So insists a scruffy boy named Roger. Maybe it’s true. But what is he now? A terrifying monster running wild in the sewers? The Daily Scourge is sure of it. A victim of “Rodent Delusion”? The hospital nurse says yes. A lucrative fairground freak? He is to Mr. Tapscrew. A champion wriggler and a budding thief? That’s what Billy thinks. Or just an ordinary small boy, though a little ratty in his habits? Only three people believe this version of the story. And it may take a royal intervention—and a bit of magic—to convince the rest of the world. Set against the backdrop of a Royal Wedding—and a playful parody of the press, I Was a Rat! is a magical weaving of humor, fairy tale, and adventure.

A teenage assassin kills with a single kiss until she is ordered to kill the one boy she loves. This commercial YA fantasy is romantic and addictive—like a poison kiss—and will thrill fans of Sarah J. Maas and Victoria Aveyard. Marinda has kissed dozens of boys. They all die afterward. It’s a miserable life, but being a visha kanya—a poison maiden—is what she was created to do. Marinda serves the Raja by dispatching his enemies with only her lips as a weapon. Until now, the men she was ordered to kiss have been strangers, enemies of the kingdom. Then she receives orders to kiss Deven, a boy she knows too well to be convinced he needs to die. She begins to question who she’s really working for. And that is a thread that, once pulled, will unravel more than she can afford to lose. This rich, surprising, and accessible debut is based in Indian folklore and delivers a story that will keep readers on the edge of their seats.

The basis for the hit Lifetime TV series, Witches of East End! The intriguing Beauchamp family, introduced in the New York Times bestselling Witches of East End, returns in Serpent's Kiss, with dizzying plot twists and spellbinding magic. Joanna and her daughters, bookish Ingrid and wild-child Freya, are just settling into the newfound peace that has been cast over their small, off-the-map coastal town of North Hampton. With the centuries-old restriction against practicing magic lifted, casting spells, mixing potions, and curing troubled souls has never felt so good for the three witches. That is, until everything gets turned upside down. It all begins when Freya's twin, Freddie, suddenly returns, professing innocence on a long-ago crime and blaming Freya's fiancÉ. Torn between brother and lover, Freya doesn't know who to trust. And, for the first time, Ingrid is in love with a charming detective. But can romance work between a virgin witch and a mortal who doesn't believe in magic? To add to the chaos, a dead spirit is attempting to make contact with Joanna--but does it mean to bring harm or help? As the witches pull together to discover the culprit behind Freddie's imprisonment, everything is thrown into peril. Will the discovery come too late to save those they love most? Keep reading--check out WINDS OF SALEM: Book 3 - Witches of East End.

SOON TO BE A MOVIE ON NETFLIX STARRING MOLLY RINGWALD AND JOEY KING! A cool, sexy romance novel written by seventeen-year-old British sensation Beth Reekles. Meet Rochelle “Elle” Evans: pretty, popular—and never been kissed. Meet Noah Flynn: badass, volatile—and a total player. When Elle decides to run a kissing booth at her school's Spring Carnival, she locks lips with Noah and her life is turned upside down. Her head says to keep away, but her heart wants to draw closer. This romance seems far from a fairy tale. Is Elle headed for heartbreak or will she get her happily ever after?

This book explores the ways in which contemporary writers, artists, directors, producers and fans use the opportunities offered by popular fantasy to exceed or challenge norms of gender and sexuality, focusing on a range of media, including television episodes and series, films, video games and multi-player online role-play games, novels and short stories, comics, manga and graphic novels, and board games. Engaging directly with an enormously successful popular genre which is often overlooked by literary and cultural criticism, contributors pay close attention to the ways in which the producers of fantasy texts, whether visual, game, cinematic, graphic or literary texts, are able to play with gender and sexuality, to challenge and disrupt received notions and to allow and encourage their audiences to imagine ways of being outside of the constitutive constraints of socialized gender and sexual identity. With rich case studies from the US, Australia, UK, Japan and Europe, all concentrating not on the critique of fantasy texts which duplicate or reinforce existing prejudices about gender and sexuality, but on examining the exploration of or attempt to make possible non-normative gendered and sexual identities, this volume will appeal to scholars across the social sciences and humanities, with interests in popular culture, fantasy, media studies and gender and sexualities.

The Honourable Mrs. Damer is a young widow of eccentric tastes, the only female sculptor of her time. The Earl of Derby, inventor of the horse race that bears his name, is the richest man in the House of Lords—and the ugliest. Miss Eliza Farren, born a nobody, now reigns as the Queen of Comedy at Drury Lane Theatre. In a time of looming war and terrorism, of glittering spectacle and financial disasters, the wealthy liberals of the Whig Party work to topple a tyrannical prime minister and a lunatic king. Their marriages and friendships stretch or break; political liaisons prove as dangerous as erotic ones. Will Eliza Farren ever gain entry to that elite circle that calls itself the World? Can Lord Derby’s pride endure public mockery of his long, unconsummated courtship of the actress? And how is Anne Damer ever to silence the whispers of Sapphism that haunt her? Let the games begin . . .

This book was written to be used in concert with whatever pagan tradition you are currently involved in. There are at least three levels to it: part one will help you strengthen the foundations of your spiritual practice, part two will ensure that you are sound in body, mind, emotion, sex, and spirit, and have developed will and ethics, and part three will lead you further into connection with your Godhood. . .The tools used to do this are breath work, dream work, pendulum work, aura reading, tarot, meditation, spells, and others. The goal of the book is to help guide you through the stages of personal consciousness that will then enable you to step into inclusive consciousness—a consciousness that encompasses the personal, political, environmental, social, mental, and transpersonal. [It is this] inclusive consciousness [that] enables us to reach the limitless, the divine, Goddess or God.

Considers the profound influence of fairy tales on contemporary fiction, including the work of Margaret Atwood, A.S. Byatt, Angela Carter, Robert Coover, Salman Rushdie, and Jeanette Winterson.

From the author of the New York Times bestseller Fish in a Tree comes a compelling story about perspective and learning to love the family you have. Delsie loves tracking the weather--lately, though, it seems the squalls are in her own life. She's always lived with her kindhearted Grammy, but now she's looking at their life with new eyes and wishing she could have a "regular family." Delsie observes other changes in the air, too--the most painful being a friend who's outgrown her. Luckily, she has neighbors with strong shoulders to support her, and Ronan, a new friend who is caring and courageous but also troubled by the losses he's endured. As Ronan and Delsie traipse around Cape Cod on their adventures, they both learn what it means to be angry versus sad, broken versus whole, and abandoned versus loved. And that, together, they can weather any storm.

In the late ’70s, convent school teenagers Pen O’Grady and Cara Wall fall in love. They prove themselves to be up to the challenge of a relationship deemed unacceptable in Catholic Ireland—until Cara dies in a car accident. Hood is a bittersweet, complicated love story.