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Emile Zola

Published in 1877, the seventh novel in the Les Rougon-Macquart series by Emile Zola, L'Assommoir is about the suffering of the Parisian working-class. It revolves around the character of Gervaise Macquart, a laundress who yearns to have a happy family. Zola depicts the most dreadful scenes of poverty, hardship, and alcoholism faced by the working poor in Paris.

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Émile Zola

The seventh novel in the Rougon-Macquart cycle, L'Assommoir (1877) is the story of a woman's struggle for happiness in working-class Paris. It was a contemporary bestseller, outraged conservative critics, and launched a passionate debate about the legitimate scope of modern literature. At the centre of the novel stands Gervaise, who starts her own laundry and for a time makes a success of it. But her husband Coupeau squanders her earnings in the Assommoir, the local drinking shop, andgradually the pair sink into poverty and squalor. L'Assommoir is the most finely crafted of Zola's novels, and this new translation captures not only the brutality but also the pathos of its characters' lives. This book is a pwerful indictment of nineteenth-century social conditions, and the introduction examines its relation to politics and art as well as its explosive effect on the literary scene.

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Émile Zola

Abandoned by her lover and left to bring up their two children alone, Gervaise Macquart has to fight to earn an honest living. When she accepts the marriage proposal of Monsieur Coupeau, it seems as though she is on the path to a decent, respectable life at last. But with her husband’s drinking and the unexpected appearance of a figure from her past, Gervaise’s plans begin to unravel tragically. The Drinking Den (The Dram Shop) caused a sensation when it was first published, with its gritty depiction of the poverty and squalor, slums and drinking houses of the Parisian underclass. The seventh novel in Zola’s great Rougon-Macquart cycle, it was the work that made his reputation. And, in his moving portrayal of Gervaise’s struggle for happiness, Zola created one of the most sympathetic heroines in nineteenth-century literature.

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Stephen Wyatt

The text of the highly successful version of L'ASSOMMOIR produced at the West Yorkshire Playhouse by the acclaimed team of Jane Gibson, Sue Lefton, Anthony Ingle and Stephen Wyatt. An ensemble piece in words, music and movement. Cast of five women and four men. "Zola's teeming, remorseless view of labouring life in 19th-century Paris translates excellently into vivid theatrical terms.. The story is told with superb economy and invention and without any recourse to a spoken, linking narrative." Jeffrey Wainwright in The Independent. "Theatre is swarming with adaptations of novels. Some are better than others and Stephen Wyatt's version of L'Assommoir is amongst the best I've seen" Michael Schmidt in The Dialy Telegraph. "This fine stage version." Michael Coveney in The Observer

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Colette Becker,Agnès Landes,Georges Decote,Émile Zola

L’ouvrage fournit toutes les clés pour analyser le roman naturaliste d’Émile Zola. • Le résumé et les repères pour la lecture sont suivis de l’étude des problématiques essentielles, parmi lesquelles : – Gervaise, Lantier et les autres personnages – Structure du roman – Les thèmes du travail, de l’alcool... – Les significations du roman – Un roman naturaliste. • Ce Profil d’une œuvre comprend également six lectures analytiques : – deux extraits du chapitre II ; – un extrait du chapitre VI ; – un extrait du chapitre VII ; – deux extraits du chapitre X.

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Emile Zola

Regarded by critics as one of the highest pinnacles of achievement in Emile Zola's literary career, L'Assommoir (best translated as "the cheap liquor store") offers an unflinching look at alcoholism among the working class in nineteenth-century France. Part of a larger, 20-volume story cycle that spanned Zola's entire career, L'Assommoir was the novel that initially propelled the writer to fame and fortune.

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Émile Zola

Une édition de référence de L’Assommoir d’Émile Zola, spécialement conçue pour la lecture sur les supports numériques. « Cependant, couchés côte à côte sur le même oreiller, les deux enfants dormaient. Claude, qui avait huit ans, ses petites mains rejetées hors de la couverture, respirait d’une haleine lente, tandis qu’Étienne, âgé de quatre ans seulement, souriait, un bras passé au cou de son frère. Lorsque le regard noyé de leur mère s’arrêta sur eux, elle eut une nouvelle crise de sanglots, elle tamponna un mouchoir sur sa bouche pour étouffer les légers cris qui lui échappaient. Et, pieds nus, sans songer à remettre ses savates tombées, elle retourna s’accouder à la fenêtre, elle reprit son attente de la nuit, interrogeant les trottoirs, au loin. » (Extrait du chapitre 1.)

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Anne Autiquet

Que faire quand on est, comme Gervaise, une ouvrière, avec deux enfants, dans le Paris de 1850 et qu’on ne manque pourtant ni de courage, ni de générosité, ni de projets ? Gervaise compte sur le zingueur Coupeau pour l’aider à se reconstruire. Mais à qui se fier au milieu des gens malveillants que son énergie vitale rend jaloux ? Et Gervaise pourra-t-elle déjouer l’implacable hérédité familiale et les maléfices de l’alambic ? L’Assommoir qui fit scandale lors de sa publication, est considéré de nos jours comme le plus grand roman de Zola, avec Germinal. Dans ce premier roman français à mettre en scène la vrai misère du monde ouvrier au XIXe siècle, Zola plonge son lecteur dans la joyeuse convivialité de grandes scènes populaires, tout en lui faisant partager les espoirs, les inquiétudes et les faiblesses d’une femme qui cherche, tout simplement à vivre. - Le texte intégral annoté - Un questionnaire bilan de première lecture - Des questionnaires d’analyse de l’œuvre - Trois corpus accompagnés de questions d’observation, de travaux d’écriture et de lecture d’images. - Une présentation de Zola et de son époque. - Un aperçu du genre de l’œuvre et de sa place dans l’histoire littéraire.

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Emile Zola

CHAPTER I. Gervaise had waited up for Lantier until two in the morning. Then, shivering from having remained in a thin loose jacket, exposed to the fresh air at the window, she had thrown herself across the bed, drowsy, feverish, and her cheeks bathed in tears. For a week past, on leaving the "Two-Headed Calf," where they took their meals, he had sent her home with the children and never reappeared himself till late at night, alleging that he had been in search of work. That evening, while watching for his return, she thought she had seen him enter the dancing-hall of the "Grand-Balcony," the ten blazing windows of which lighted up with the glare of a conflagration the dark expanse of the exterior Boulevards; and five or six paces behind him, she had caught sight of little Adele, a burnisher, who dined at the same restaurant, swinging her hands, as if she had just quitted his arm so as not to pass together under the dazzling light of the globes at the door. When, towards five o'clock, Gervaise awoke, stiff and sore, she broke forth into sobs. Lantier had not returned. For the first time he had slept away from home. She remained seated on the edge of the bed, under the strip of faded chintz, which hung from the rod fastened to the ceiling by a piece of string. And slowly, with her eyes veiled by tears, she glanced round the wretched lodging, furnished with a walnut chest of drawers, minus one drawer, three rush-bottomed chairs, and a little greasy table, on which stood a broken water-jug. There had been added, for the children, an iron bedstead, which prevented any one getting to the chest of drawers, and filled two-thirds of the room. Gervaise's and Lantier's trunk, wide open, in one corner, displayed its emptiness, and a man's old hat right at the bottom almost buried beneath some dirty shirts and socks; whilst, against the walls, above the articles of furniture, hung a shawl full of holes, and a pair of trousers begrimed with mud, the last rags which the dealers in second-hand clothes declined to buy. In the centre of the mantel-piece, lying between two odd zinc candle-sticks, was a bundle of pink pawn-tickets. It was the best room of the hotel, the first floor room, looking on to the Boulevard.

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Zola, Emile

Nouvelle édition de L'Assommoir augmentée de nombreuses annexes (Biographie panoramique — Les citations les plus célèbres de Zola — Notes d'un ami de Paul Alexis — Émile Zola, sa vie, son oeuvre de Edmond Lepelletier — Zola par Émile Faguet). L'ouvrage a été spécifiquement mis en forme pour votre liseuse. — Naviguez par simple clic de chapitre à chapitre ou de livre à livre. — Accédez instantanément à la table des matières hyperliée globale. — Une table des matières est placée également au début de chaque titre. A PROPOS DE L'ÉDITEUR :Les éditions Arvensa sont les leaders de la littérature classique numérique. Leur objectif est de vous faire connaître les oeuvres des grands auteurs de la littérature classique en langue française à un prix abordable tout en vous fournissant la meilleure expérience de lecture sur votre liseuse. Tous les titres sont produits avec le plus grand soin. Le service qualité des éditions Arvensa s’engage à vous répondre dans les 48h. Retrouvez tous les titres sur le site internet des éditions Arvensa.

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Emile Zola

L'Assommoir (1877) is the seventh novel in Émile Zola's twenty-volume series Les Rougon-Macquart. Usually considered one of Zola's masterpieces, the novel—a study of alcoholism and poverty in the working-class districts of Paris—was a huge commercial success and helped establish Zola's fame and reputation throughout France and the world.

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Emile Zola

L'Assommoir mengisahkan perjuangan Gervaise, perempuan gigih yang bertekad memperbaiki kehidupannya. Berawal sebagai buruh cuci di Paris, akhirnya dia berhasil membuka usaha penatu dan mencicipi hidup senang, untuk sementara. Tetapi suaminya yang pemabuk menghamburkan penghasilannya di Assommoir, dan lambat laun pasangan ini tenggelam dalam kemelaratan.