Lauri Suurpää brings together two rigorous methodologies, Greimassian semiotics and Schenkerian analysis, to provide a unique perspective on the expressive power of Franz Schubert's song cycle. Focusing on the final songs, Suurpää deftly combines textual and tonal analysis to reveal death as a symbolic presence if not actual character in the musical narrative. Suurpää demonstrates the incongruities between semantic content and musical representation as it surfaces throughout the final songs. This close reading of the winter songs, coupled with creative applications of theory and a thorough history of the poetic and musical genesis of this work, brings new insights to the study of text-music relationships and the song cycle.
A few minutes before my wife died, I found myself wishing for time to resolve our two issues, which we hadn’t talked about. Falling in the bathroom and breaking her hip was one. She felt I should have run into the bathroom and saved her. I was not prepared to save her psychologically and didn’t have time. The other issue was a rape eighteen months before at the city swimming pool in the dressing room. My lady was a young seventy-six years old with Hepatitis C and blind. She had no strength to defend herself from a large and muscular woman, assaulting her because of a failed friendship. I might have hurried to save her from falling, and I did not take her trauma from her with love and through Jesus Christ. I was inhibited and failed her in her fall. I would have no freedom to live on if we hadn’t been saved by Christ by the understanding I carried in my face. I sat down near her and prayed for Jesus Christ to come into my sorrow in my face. My lady opened her blind eyes and saw my feelings with Christ of sorrow and smiled instantly, twice, with a huge happiness that I’d never seen in her for over forty-five years of marriage. It was a smile of goodness and happiness, that she gave me an image of my wife ten years earlier, when she hadn’t experienced rape. I thank my lady and Jesus for giving us this wonderful ending to her life and the resolution of our conflicts.
In Love and Narrative Form in Toni Morrison’s Later Novels, Jean Wyatt explores the interaction among ideas of love, narrative innovation, and reader response in Toni Morrison’s seven later novels. Love comes in a new and surprising shape in each of the later novels; for example, Love presents it as the deep friendship between little girls; in Home it acts as a disruptive force producing deep changes in subjectivity; and in Jazz it becomes something one innovates and recreates each moment—like jazz itself. Each novel’s unconventional idea of love requires a new experimental narrative form. Wyatt analyzes the stylistic and structural innovations of each novel, showing how disturbances in narrative chronology, surprise endings, and gaps mirror the dislocated temporality and distorted emotional responses of the novels’ troubled characters and demand that the reader situate the present-day problems of the characters in relation to a traumatic African American past. The narrative surprises and gaps require the reader to become an active participant in making meaning. And the texts’ complex narrative strategies draw out the reader’s convictions about love, about gender, about race—and then prompt the reader to reexamine them, so that reading becomes an active ethical dialogue between text and reader. Wyatt uses psychoanalytic concepts to analyze Morrison’s narrative structures and how they work on readers. Love and Narrative Form devotes a chapter to each of Morrison’s later novels: Beloved, Jazz, Paradise, Love, A Mercy, Home, and God Help the Child.
Turn Heartache into Empowerment When author Tatiana Jerome had a bad experience with a relationship breakup, she decided to explore her feelings through communicating with other women on social media. By facing her pain and challenges, even acknowledging what she did to contribute to the relationship’s failure, she began to heal and move beyond the broken heart to a better understanding of what would make her happy, and, most of all, of the type of love she deserved. Her insightful posts and blogs went viral, and soon other women were coming to her for advice and support. Based on Tatiana’s journey and that of other women she has coached, Love Lost, Love Found is a woman-to-woman conversation that nurtures each woman hurting over her breakup by allowing her to let go of her past, find love within herself, and welcome new love into her life. You’ll learn to avoid self-sabotaging behavior and other things on Tatiana’s “drop list,” implement a personal action plan, attend to your physical well-being, and stay connected to your spiritual life. Uplifting and honest, Tatiana helps you ask the difficult questions and face reality while building a better life by prioritizing self-respect, self-care, and self-confidence. You’ll discover that focusing on your own healing, spirituality, and growth is the surest path to leading an extraordinary life and attracting new love.
Sometimes hope for the future is found in the ashes of yesterday. EVEN NOW A young woman seeking answers to her heart’s deepest questions. A man and woman driven apart by lies and years of separation…who have never forgotten each other. With hallmark tenderness and power, Karen Kingsbury weaves a tapestry of lives, losses, love, and faith—and the miracle of resurrection. EVER AFTER 2007 Christian Book of the Year Two couples torn apart – one by war between countries, and one by a war within. In this moving sequel to Even Now, Emily Anderson, now twenty, meets the man who changes everything for her: Army reservist Justin Baker. Their tender relationship, founded on a mutual faith in God and nurtured by their trust and love for each other, proves to be a shining inspiration to everyone they know, especially Emily’s reunited birth parents. But Lauren and Shane still struggle to move past their opposing beliefs about war, politics, and faith. When tragedy strikes, can they set aside their opposing views so that love—God’s love—might win, no matter how great the odds?
A stunning story of loss, love and the summer that changed everything from the number one bestselling author of Songs of Love and War. 1958. Celestria, the charismatic daughter of an aristocratic family, lives in Pendrift Hall, a pale stone mansion with gardens that tumble down to the Cornish sea. It is summer and the weeks ahead hold the promise of self-discovery and the thrilling possibility of elicit love affairs. Yet tragedy erupts in paradise when one of the family vanishes. A mysterious note is left behind with the words: ‘Forgive Me’. Soon Celestria is pulled along a trail of deception, masquerades and mirrors. It will lead her from her idyllic life on the English coast to the orange groves of Southern Italy. It will also lead her to love...
Have you ever ditched a friend for a guy? Filled your journal with more thoughts about guys than God? Found yourself jealous because that other girl gets all the dates? Maybe it’s time to get lost—in God. Discover how to get so lost in God that a guy has to seek Him to find you. Dannah Gresh traces God’s language of love through Scripture to help you pursue your heart’s deepest desires and seek love the way God designed it to be. Because once you identify your true longings and let God answer them, you’ll know just how to respond when romantic love comes along. With a guided ten-day Love Feast Challenge, Get Lost will help you see for yourself how getting lost in God opens the door to lifelong fulfillment.
Sex and sexuality are undoubtedly on your mind. So don’t you want a human sexuality text that’s hip, that reflects your life situation, and that answers the questions you’re eager to learn about but hesitant to ask? Filled with the information that students like you want and need to learn, the fifth edition of this with it text hits the mark as it addresses concerns that students have about themselves and their sexuality with scientific fact, sensitivity, unmatched candor, and humor. Beyond simply providing a foundation in the biology and psychology of sexuality, SEXUALITY NOW: EMBRACING DIVERSITY connects with you and other students by exploring contemporary issues, changing sexual practices and behaviors, and their impact. Complemented by informative illustrations and photographs, the book covers the range of sexual orientations, preferences, and behaviors and takes into account the diverse social, religious, ethnic, racial, and cultural contexts of today’s students. The result is that you’ll find lots of material to relate to as well as eye-opening discussions about sexuality today on college campuses, within the United States, and around the world. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
We all have dealt with love in some form. This is my perspective on the triangle of love. When love is found lost and consummated.
Please Enjoy Your Happiness is a beautifully written coming-of-age memoir based on the English author's summer-long love affair with a remarkable older Japanese woman. Whilst serving as a seaman at the age of nineteen, Paul Brinkley-Rogers met Kaji Yukiko, a sophisticated, highly intellectual Japanese woman, who was on the run from her vicious gangster boyfriend, a member of Japan's brutal crime syndicate the yakuza. Trying to create a perfect experience of purity, she took him under her wing, sharing their love of poetry, cinema and music and many an afternoon at the Mozart Café. Brinkley-Rogers, now in his seventies, re-reads Yukiko's letters and finally recognizes her as the love of his life, receiving at last the gifts she tried to bestow on him. Reaching across time and continents, Brinkley-Rogers shows us how to reclaim a lost love, inviting us all to celebrate those loves of our lives that never do end.
Lexicon of the Mouth surveys the oral cavity as the central channel by which self and surrounding are brought into relation. Questions of embodiment and agency, attachment and loss, incorporation and hunger, locution and the non-sensical are critically examined. In doing so, LaBelle emphasizes the mouth as a vital conduit for negotiating "the foundational narrative of proper speech." Lexicon of the Mouth aims for a viscous, poetic and resonant discourse of subjectivity, detailed through the "micro-oralities" of laughing and whispering, stuttering and reciting, eating and kissing, among others. The oral cavity is posed as an impressionable arena, susceptible to all types of material input, contamination and intervention, while also enabling powerful forms of resistance, attachment and conversation, as well as radical imagination. Lexicon of the Mouth argues for the revolutionary promise of the laugh, the spirited mythologies of the whisper, the schizophonics of self-talk, and the primal noise of gibberish, suggesting that the significance of voicing is fundamentally bound to the exertions of the mouth. Subsequently, assumptions around voice and vocality are unsettled in favor of an epistemology of the oral, highlighting the acts of the tongue, the lips and the throat as primary mediations between interior and exterior, social structures and embodied expressions. LaBelle makes a significant contribution to currents in sound and voice studies by reminding that to hear the voice, and to consider a politics of speech, is first and foremost to assume the mouth.
One of the largely untold stories of Orientalism is the degree to which the Middle East has been associated with "deviant" male homosexuality by scores of Western travelers, historians, writers, and artists for well over four hundred years. And this story stands to shatter our preconceptions of Orientalism. To illuminate why and how the Islamicate world became the locus for such fantasies and desires, Boone deploys a supple mode of analysis that reveals how the cultural exchanges between Middle East and West have always been reciprocal and often mutual, amatory as well as bellicose. Whether examining European accounts of Istanbul and Egypt as hotbeds of forbidden desire, juxtaposing Ottoman homoerotic genres and their European imitators, or unlocking the homoerotic encoding in Persian miniatures and Orientalist paintings, this remarkable study models an ethics of crosscultural reading that exposes, with nuance and economy, the crucial role played by the homoerotics of Orientalism in shaping the world as we know it today. A contribution to studies in visual culture as well as literary and social history, The Homoerotics of Orientalism draws on primary sources ranging from untranslated Middle Eastern manuscripts and European belles-lettres to miniature paintings and photographic erotica that are presented here for the first time.
Offering a new understanding of canonical Romanticism, Daniela Garofalo suggests that representations of erotic love in the period have been largely misunderstood. Commonly understood as a means for transcending political and economic realities, love, for several canonical Romantic writers, offers, instead, a contestation of those realities. Garofalo argues that Romantic writers show that the desire for transcendence through love mimics the desire for commodity consumption and depends on the same dynamic of delayed fulfillment that was advocated by thinkers such as Adam Smith. As writers such as William Blake, Lord Byron, Sir Walter Scott, John Keats, and Emily Brontë engaged with the period's concern with political economy and the nature of desire, they challenged stereotypical representations of women either as self-denying consumers or as intemperate participants in the market economy. Instead, their works show the importance of women for understanding modern economics, with women's desire conceived as a force that not only undermines the political economy's emphasis on productivity, growth, and perpetual consumption, but also holds forth the possibility of alternatives to a system of capitalist exchange.
From mass murder to genocide, slavery to colonial suppression, acts of atrocity have lives that extend far beyond the horrific moment. They engender trauma that echoes for generations, in the experiences of those on both sides of the act. Gabriele Schwab reads these legacies in a number of narratives, primarily through the writing of postwar Germans and the descendents of Holocaust survivors. She connects their work to earlier histories of slavery and colonialism and to more recent events, such as South African Apartheid, the practice of torture after 9/11, and the "disappearances" that occurred during South American dictatorships. Schwab's texts include memoirs, such as Ruth Kluger's Still Alive and Marguerite Duras's La Douleur; second-generation accounts by the children of Holocaust survivors, such as Georges Perec's W, Art Spiegelman's Maus, and Philippe Grimbert's Secret; and second-generation recollections by Germans, such as W. G. Sebald's Austerlitz, Sabine Reichel's What Did You Do in the War, Daddy?, and Ursula Duba's Tales from a Child of the Enemy. She also incorporates her own reminiscences of growing up in postwar Germany, mapping interlaced memories and histories as they interact in psychic life and cultural memory. Schwab concludes with a bracing look at issues of responsibility, reparation, and forgiveness across the victim/perpetrator divide.
These poems are dedicated to love, family, friendship, philosophy. These poems are in its own original form. These poems are my life story in poetry form. The hardships of study, lost love, falling in love and sexuality. This book is an inspiration for people with a mental illness, that we can do things and make achievements. That we don’t have to be afraid of the world. It’s about coming out about our problems. This is also dedicated to the people who have asperger’s syndrome like me it’s a real illness.
Ethics and Form in Fantasy Literature: Tolkien, Rowling and Meyer by Lykke Guanio-Uluru examines formal and ethical aspects of The Lord of the Rings , Harry Potter and the Twilight series in order to discover what best-selling fantasy texts can tell us about the values of contemporary Western culture.
AVAILABLE FOR THE FIRST TIME IN eBOOK! In their youth, Florentino Ariza and Fermina Daza fall passionately in love. When Fermina eventually chooses to marry a wealthy, well-born doctor, Florentino is devastated, but he is a romantic. As he rises in his business career he whiles away the years in 622 affairs--yet he reserves his heart for Fermina. Her husband dies at last, and Florentino purposefully attends the funeral. Fifty years, nine months, and four days after he first declared his love for Fermina, he will do so again.
What does it mean to live during wartime away from the battle zone? What is it like for citizens to go about daily routines while their country sends soldiers to kill and be killed across the globe? Timely and thought-provoking, War at a Distance considers how those left on the home front register wars and wartime in their everyday lives, particularly when military conflict remains removed from immediate perception, available only through media forms. Looking back over two centuries, Mary Favret locates the origins of modern wartime in the Napoleonic era and describes how global military operations affected the British populace, as the nation's army and navy waged battles far from home for decades. She reveals that the literature and art produced in Britain during the late eighteenth and early nineteenth centuries obsessively cultivated means for feeling as much as understanding such wars, and established forms still relevant today. Favret examines wartime literature and art as varied as meditations on the Iliad, the history of meteorology, landscape painting in India, and popular poetry in newspapers and periodicals; she locates the embedded sense of war and dislocation in works ranging from Austen, Coleridge, and Wordsworth to Woolf, Stevens, and Sebald; and she contemplates how literature provides the public with methods for responding to violent calamities happening elsewhere. Bringing to light Romanticism's legacy in reflections on modern warfare, this book shows that war's absent presence affects home in deep and irrevocable ways.
A repackaged edition of the revered author's classic work that examines the four types of human love: affection, friendship, erotic love, and the love of God—part of the C. S. Lewis Signature Classics series. C.S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and bestselling author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—contemplates the essence of love and how it works in our daily lives in one of his most famous works of nonfiction. Lewis examines four varieties of human love: affection, the most basic form; friendship, the rarest and perhaps most insightful; Eros, passionate love; charity, the greatest and least selfish. Throughout this compassionate and reasoned study, he encourages readers to open themselves to all forms of love—the key to understanding that brings us closer to God.
Love Lost in Translation systematically examines the biblical stories and passages that are generally assumed to deal with, or comment on, homoerotic relationships: Noah and Ham, Sodom and Gomorrah, Leviticus 18:22, Deuteronomy 23:1718, Judges 19, Romans 1:2627, and 1 Corinthians 6:9. K. Renato Lings convincingly demonstrates that mistranslations of these texts into Greek, Latin and other languages occurred early, and that serious errors continue to be committed by translators today. This explains the painful controversy about same-sex relationships, which has rocked Christian churches for decades. Love Lost in Translation proposes a fresh approach to translating the Bible by means of linguistic and literary criteria. As demonstrated throughout this ground-breaking book, the method enables readers to become acquainted with the literary sophistication, psychological insights and spiritual depth of the Bible. Combining meticulous scholarship with an accessible style, Love Lost in Translation provides a much-needed infusion of essential learning into a subject that affects millions of Bible readers today.
With humor and intelligence, this New York Times–bestselling guide takes you through the fascinating intersections of quantum physics and everyday life. Physics might explain why the Earth orbits the Sun, but can it really explain our tendency to put off doing chores? In The Quantum Guide to Life, physics professor and bestselling author Kunal K. Das illustrates how the laws of physics define every aspect of our lives and society, from personal relationships to geopolitics, financial markets, globalization, and immigration. With engaging stories and illuminating examples, Das explains the important laws at the heart of physics, in a way never done before—by showing how the defining patterns of our lives, our behavior, and our society already follow similar rules. Das makes complex concepts—from the Heisenberg Principle to Schrodinger’s Cat—relatable and easy to understand, while offering provocative new perspectives on the established principles of physics. The Quantum Guide to Life provides illuminating and practical life lessons while bringing humor and humanity to what is too often considered a painfully dry subject.
Courage only goes so far. In this breathtaking conclusion to a fantasy series on Google Play, unleashed monsters born of cruel spells test the mettle of the sturdiest warriors. Soul wrenching chaos consumes the faith of thousands, and Nufal meets an awesome assault ignited by the raging power of love lost. Dacian embraces Onja’s dark inspirations and helps twist the flesh of captives into powerful new beasts. While building a larger human army for his Goddess, Amar shrugs off an assassination attempt but then must lash out viciously after a vengeful attack against his lover the rogue Princess Demeda. His magnificent fortress continues to rise while he gathers all tribes to his supremacy. With his armies ready, he awaits Onja’s call to war and dreams of feasting upon the spoils of wealthy Nufal. Threatened with a rys invasion, Cruce Chenomet hardens his body for brutal combat and labors to prepare his society to survive the onslaught of terrible enemies. The new fenthakrabi beasts magically conceived by his tabre allies disturb him with their unholy presence, but he remains devoted to Alloi, who has pledged to defend his people. Torn between his need to protect his secret lover and son on the frontier and his family in Kwellstan, Cruce struggles through ever worsening battles until he finally wagers his life against the most favored warlord of Onja. Enjoy this great fantasy book on Google Play. This English language fantasy series is the one to read if you like A Game of Thrones by George R. R. Martin. Rys Rising is hard hitting, emotional, and the conclusion, Love Lost, will shock readers.
Scenes of violence and incisions into the flesh inform the demand for law. The scene of little girls being held down in practices of female circumcision has been a defining and definitive image that demands the attention of human rights, and the intervention of law. But the investment in protecting women and little girls from such a cut is not all that it seems. Law's Cut on the Body of Human Rights: Female Circumcision, Torture and Sacred Flesh considers how such images come to inform law and the investment of advocates of law in an imagination of this scene. Drawing on psychoanalytic and postcolonial theory, and accompanying ideas in political theology, Juliet Rogers examines the language, imagery and excitement that accompanies recent initiatives to legislate against what is called 'female genital mutilation'. The author compliments this examination with a consideration of the scene of torture exposed in images from Abu Ghraib and Guantanamo Bay. Rogers argues that the modes of fascination and excitement that accompany scenes of torture and female circumcision betray the fantasy of a political condition against which the subject of liberal law is imagined; this is subjectivity in a state of non-mutilation, non-prohibition or, in a psychoanalytic idiom, non-castration. To support the fantasy of this subject, the mutilated subject, the authors suggests, is rendered as flesh cut from the democratic nation state, deserving of only selective human rights, or none at all.
Two generations ago, young men and women with only a high-school degree would have entered the plentiful industrial occupations which then sustained the middle-class ideal of a male-breadwinner family. Such jobs have all but vanished over the past forty years, and in their absence ever-growing numbers of young adults now hold precarious, low-paid jobs with few fringe benefits. Facing such insecure economic prospects, less-educated young adults are increasingly forgoing marriage and are having children within unstable cohabiting relationships. This has created a large marriage gap between them and their more affluent, college-educated peers. In Labor’s Love Lost, noted sociologist Andrew Cherlin offers a new historical assessment of the rise and fall of working-class families in America, demonstrating how momentous social and economic transformations have contributed to the collapse of this once-stable social class and what this seismic cultural shift means for the nation’s future. Drawing from more than a hundred years of census data, Cherlin documents how today’s marriage gap mirrors that of the Gilded Age of the late-nineteenth century, a time of high inequality much like our own. Cherlin demonstrates that the widespread prosperity of working-class families in the mid-twentieth century, when both income inequality and the marriage gap were low, is the true outlier in the history of the American family. In fact, changes in the economy, culture, and family formation in recent decades have been so great that Cherlin suggests that the working-class family pattern has largely disappeared. Labor's Love Lost shows that the primary problem of the fall of the working-class family from its mid-twentieth century peak is not that the male-breadwinner family has declined, but that nothing stable has replaced it. The breakdown of a stable family structure has serious consequences for low-income families, particularly for children, many of whom underperform in school, thereby reducing their future employment prospects and perpetuating an intergenerational cycle of economic disadvantage. To address this disparity, Cherlin recommends policies to foster educational opportunities for children and adolescents from disadvantaged families. He also stresses the need for labor market interventions, such as subsidizing low wages through tax credits and raising the minimum wage. Labor's Love Lost provides a compelling analysis of the historical dynamics and ramifications of the growing number of young adults disconnected from steady, decent-paying jobs and from marriage. Cherlin’s investigation of today’s “would-be working class” shines a much-needed spotlight on the struggling middle of our society in today’s new Gilded Age.
Love's Labour's Lost is one of William Shakespeare's early comedies, believed to have been written in the mid-1590s, and first published in 1598. The play opens with the King of Navarre and three noble companions, Berowne, Dumaine, and Longaville, taking an oath to devote themselves to three years of study, promising not to give in to the company of women — Berowne somewhat more hesitantly than the others.
This book contends that in Love's Labour's Lost Shakespeare sought to discover the ways in which the imagination uses and abuses language. The author's critical reading shows that the characters are endowed with a wide variety of rhetorical disguises. Each assumes that his verbal and social point of view is correct, and the limitations and virtues of each viewpoint are explored as the drama unfolds. In an elegant examination of theme and style, Professor Carroll heightens the reader's awareness of Shakespeare's marvellously inventive use of language. The author analyzes the different kinds of style, the characters' attitudes toward language, the play's theatrical modes, the frequent metamorphoses, and the debates. The term "debate"—justified by Shakespeare's use of the medieval conflictus—relates to both theme and structure. The author finds that the conflicting theories about the proper relation of language and imagination are resolved stylistically and thematically only in the final Debate between Spring and Winter, where the playwright reasserts the nature and value of good art. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This book is a combination of years and life experiences. Writing in some of my Highest and Darkest hours. The hope is that the reader's of this book will be touched by the words in a way that hearts and minds with seek truth, healing and forgiveness... So that your light will shine and you find your voice (Purpose).
György Lukacs was a Hungarian Marxist philosopher, writer, and literary critic who shaped mainstream European Communist thought. Soul and Form was his first book, published in 1910, and it established his reputation, treating questions of linguistic expressivity and literary style in the works of Plato, Kierkegaard, Novalis, Sterne, and others. By isolating the formal techniques these thinkers developed, Lukács laid the groundwork for his later work in Marxist aesthetics, a field that introduced the historical and political implications of text. For this centennial edition, John T. Sanders and Katie Terezakis add a dialogue entitled "On Poverty of Spirit," which Lukács wrote at the time of Soul and Form, and an introduction by Judith Butler, which compares Lukács's key claims to his later work and subsequent movements in literary theory and criticism. In an afterword, Terezakis continues to trace the Lukácsian system within his writing and other fields. These essays explore problems of alienation and isolation and the curative quality of aesthetic form, which communicates both individuality and a shared human condition. They investigate the elements that give rise to form, the history that form implies, and the historicity that form embodies. Taken together, they showcase the breakdown, in modern times, of an objective aesthetics, and the rise of a new art born from lived experience.
The encounter between Muslim and Hindu remains one of the defining issues of South Asian society today. It began as early as the 8th century, and the first Muslim kingdom in India, the Sultanate of Delhi, was established at the end of the 12th century. This power eventually reduced to vassalage almost every independent kingdom on the subcontinent. In Love's Subtle Magic, a remarkable and highly original book, Aditya Behl uses a little-understood genre of Sufi literature to paint an entirely new picture of the evolution of Indian culture during the earliest period of Muslim domination. These curious romantic tales transmit a profound religious message through the medium of adventurous stories of love. Although composed in the Muslim courts, they are written in a vernacular Indian language and involve Hindu yogis, Hindu princes and princesses, and Hindu gods. Until now, they have defied analysis. Behl shows that the Sufi authors of these charming tales sought to convey an Islamic vision via an Indian idiom. They thus constitute the earliest attempt at the indigenization of Islamic literature in an Indian setting. More important, however, Behl's analysis brilliantly illuminates the cosmopolitan and composite culture of the Sultanate India in which they were composed. This in turn compels us completely to rethink the standard of the opposition between Indian Hindu and foreign Muslim and recognize that the Indo-Islamic culture of this era was already significantly Indian in many important ways.
The whole time I was writing our life was good I thought to be getting great. Sad to say we are not together anymore. It should seem as no surprise to me but it is. I have come this far I shall not turn back now, I will not give up even if I have already lost.... Love is beautiful yet so painful.... I have found that it is best that if I am alone with no man or woman that they can’t hurt me. For every journey that begins one must end and this one has ended. Just because a man and or a woman does not love me does not mean my father Yahweh does not love me. My journey began with Father and shall end with father.
With scientific research, her own chemistry background, and the traditional diets of our not-so-distant ancestors as her guide, Dee McCaffrey casts new light on an age-old wisdom: Eating foods in their closest-to-natural form is the true path to sustained weight loss and, in fact, the remedy for almost any health problem. We are so far removed from foods in their natural state that we now call them “health foods,” a sad admission that we’ve compromised our health for the sake of convenience. The Science of Skinny aims to create a space for change--to educate and enlighten readers on the value of proper nutrition so that they can find a healthier and more life-affirming relationship with their bodies and the food they eat. Offering serial dieters a healthy and lifelong way to shed pounds--and keep them off-- The Science of Skinny includes: kick-start plans; guidelines for family- and kid-friendly meals; quick and delicious menus and more than 50 recipes; shopping lists and eating-on-the-go tips; easy fitness routines; and more.
Winner of the 2009 Feminist and Women's Studies Association Book Prize Do you think I can be a feminist mother? Did I make you and your kisses up in my mind? Will you join our military protest at the gate? Will you feed the kids when I'm in prison? Are you able to forgive me for breaking off this correspondence because you are a man? During the women's movement of the 1970s and 1980s, feminists in the United States and Britain reinvented the image of the woman letter writer. Symbolically tearing up the love letter to an absent man, they wrote passionate letters to one another, exploring questions of sexuality, separatism, and strategy. These texts speak of the new interest women began to feel in one another and the new demands and disappointments these relationships would create. Margaretta Jolly provides the first cultural study of these letters, charting the evolution of feminist political consciousness from the height of the women's movement to today's e-mail networks. Jolly uncovers the passionate, contradictory emotions of both politics and letter writing and sets out the theory behind them as a fragile yet persistent ideal of care ethics, women's love, and epistolary art. She follows several compelling feminist relationships sustained through writing and confronts the mixed messages of the "open letter," which complicated political relations between women (such as Audre Lorde's "Open Letter to Mary Daly," which called out white feminists for their implicit racism). Jolly recovers the unsung literature of lesbianism and feminist romance, examines the ambivalent feelings within mother-daughter correspondences, and considers letter-writing campaigns during the peace movement. She concludes with a discussion of the ethical dilemma surrounding care versus autonomy and the meaning behind the burning or saving of letters. Letters that chart love stories, letters stowed away in attics, letters burnt at the end of romances, bittersweet letters written but never sent... this fascinating glimpse into women's intimate archives illuminates one of feminism's central concerns that all relationships are political and uniquely recasts a social movement in very emotional terms.
"[Thich Nhat Hanh] shows us the connection between personal, inner peace and peace on earth." --His Holiness The Dalai Lama Nominated by Martin Luther King, Jr. for a Nobel Peace Prize, Thich Nhat Hanh is one of today’s leading sources of wisdom, peace, compassion and comfort. With hard-won wisdom and refreshing insight, Thich Nhat Hanh confronts a subject that has been contemplated by Buddhist monks and nuns for twenty-five-hundred years— and a question that has been pondered by almost anyone who has ever lived: What is death? In No Death, No Fear, the acclaimed teacher and poet examines our concepts of death, fear, and the very nature of existence. Through Zen parables, guided meditations, and personal stories, he explodes traditional myths of how we live and die. Thich Nhat Hanh shows us a way to live a life unfettered by fear. From the Trade Paperback edition.
In a world full of negativity, a psychologist reveals how to send your kids healthy, positive messages—both verbally and nonverbally. As a parent, you constantly send your children messages with your words, attitudes, and actions, creating their earliest ideas about themselves, others, and the world around them. This guide describes the vital opportunity you have to shape your children—even when they may not appear to be listening—and shows how you can instill healthy beliefs that will strengthen them against peer pressure, manipulative media, and other negative influences. Your Children Are Listening offers: Nine essential messages all children need to hear—on love, competence, security, compassion, gratitude, nature, respect, responsibility, and emotion Why these messages are so important The different “conduits” through which children receive your messages “Message blockers” that can prevent them from getting through Fun catchphrases and activities you can use to send these messages every day
What is the sentimental? How can we understand it by way of the visual and narrative modes of signification specific to cinema and through the manners of social interaction and collective imagining specific to a particular culture in transition? What can the sentimental tell us about the precarious foundations of human coexistence in this age of globalization? Rey Chow explores these questions through nine contemporary Chinese directors (Chen Kaige, Wong Kar-wai, Zhang Yimou, Ann Hui, Peter Chan, Wayne Wang, Ang Lee, Li Yang, and Tsai Ming-liang) whose accomplishments have become historic events in world cinema. Approaching their works from multiple perspectives, including the question of origins, nostalgia, the everyday, feminine "psychic interiority," commodification, biopolitics, migration, education, homosexuality, kinship, and incest, and concluding with an account of the Chinese films' epistemic affinity with the Hollywood blockbuster Brokeback Mountain, Chow proposes that the sentimental is a discursive constellation traversing affect, time, identity, and social mores, a constellation whose contours tends to morph under different historical circumstances and in different genres and media. In contemporary Chinese films, she argues, the sentimental consistently takes the form not of revolution but of compromise, not of radical departure but of moderation, endurance, and accommodation. By naming these films sentimental fabulations screen artifacts of cultural becoming with irreducible aesthetic, conceptual, and speculative logics of their own Chow presents Chinese cinema first and foremost as an invitation to the pleasures and challenges of critical thinking.
A collection of memorial essays and poignantly signifi cant photos are all that remain of a love story that was never completely fulfi lled. The words written in these pages are reminiscent of a diarys brief snapshot of a life that cannot be adequately chronicled. The emotions that are intertwined in each vignette hold rare meaning, hard to encapsulate in fi nite words. Abbreviated Love Story is written for anyone that ever wanted to be loved, ever waited for love to fi nd them, and God forbidever let lifes circumstances and distractions cause them to miss love. For anyone who wonders if it is worth holding on to a promise of love during the diffi cult seasons, this book is for you too. The reality of true love is like a precious jewel; it should not be cast aside or overlooked when it is meant to be treasured.
Techniques of Close Reading, Second Edition helps you gain a deeper understanding of what texts may be saying, whether they are written, oral, visual, or mediated. Renowned scholar and professor Barry Brummett explains and explores the various ways to "read" messages (such as speeches, cartoons, or magazine ads), teaching you how to see deeper levels of meaning and to share those insights with others. You will learn techniques for discovering form, rhetorical tropes, argument, and ideologies within texts. New to the Second Edition: A new Chapter 6 includes a selection of techniques from each chapter to show you how different techniques may be used together when reading text. A close reading of a group of ads from the insurance company, Liberty Mutual, offers you an opportunity to apply the techniques to recent texts.
The author sets before the reader a lifelike picture of the deities of classical times as they were conceived and worshipped by the ancients themselves, and thereby to awaken in the minds of young students a desire to become more intimately acquainted with the noble productions of classical antiquity. The aim was to render the legends, which form the second portion of this work, a picture of old Greek life; its customs, superstitions, and princely hospitalities, for which reason they are given at somewhat greater length than is usual in works of this kind
The characters and circumstances may be different, but the outcome is the same. It usually ends up with a warm smile and a tender hug. Maybe it’s a former boyfriend and girlfriend meeting once again after all these years. It could be sisters or identical twins separated at birth and reunited due to unexpected events. Maybe just a simple or favorite possession we once owned and had lost. Then it is discovered some years later. Open the pages and smile through this journey as so, we meet again.