The sizzling-hot Caldwell Brothers series—perfect for readers of J. S. Scott and Emma Chase—hits the Vegas strip as a bad-boy gambler from Detroit Rock City shows a single mom what it means to play for keeps. For Morrison Caldwell, life is a game of chance. A high roller with a legendary poker face, he’s the wild card of the family, always chasing the next thrill and never staying put for long. The one place that always lures him back is Las Vegas, with its hot tables and even hotter women. He’s perfectly content to live his life as a series of one-night stands. But when a parking lot confrontation with a cocktail waitress takes a naughty turn, she leaves Morrison aching for another round. After a long losing streak in Sin City, Hailey Poe is ready to get lucky. A steamy tryst with a cocky, mysterious stranger is the kind of no-strings encounter she’s been craving . . . until Morrison Caldwell asks for more than she’s willing to offer. But when Hailey’s controlling, soon-to-be ex-husband tries to take her daughter away, she can’t afford to turn down a helping hand. In this winner-takes-all game, Morrison is gambling with Hailey’s life—and her heart. Praise for Morrison “MJ Fields and Chelsea Camaron really know how to steam things up—with sizzling romance, pulse-pounding excitement, and bad boy heroes to die for!”—New York Times bestselling author Tracy Wolff “MJ Fields and Chelsea Camaron’s Caldwell brothers are addictive. If you’re a fan of dominant alpha bad boys with hearts of gold, don’t miss this series!”—New York Times bestselling author Virna DePaul “With a sexy bad boy, insanely hot chemistry, and heart-melting romance, Morrison has it all!”—Stacey Kennedy, USA Today bestselling author of the Club Sin series “Sexy and gritty, with all the feels.”—Stina Lindenblatt, author of This One Moment “I loved this book! I never wanted the story to end. Morrison is most certainly an alpha male; he does not take no for an answer. But he is also a softy. I love the nicknames that he gives the ones he loves. I cannot wait to read about Jagger!”—NightWolf Book Blog “Oh my god, what a book! I loved this one even more than Hendrix’s book.”—Kimmie Sue’s Book Review “I am so enjoying this series and love the collaboration of Chelsea and MJ. They do a good job telling a wonderful story and keeping you right there with all the characters.”—Twinsie Talk Book Reviews “I really did love watching Morrison fall in love with not only Hailey but her little girl. It was really beautiful to see such a tough guy becoming putty in her hands.”—Escape N Books “I loved this story and will be waiting for the next one. Highly recommend for readers who enjoy a strong couple who simply belong together whether they’re ready to see that yet or not.”—Keeper Bookshelf Includes a special message from the editor, as well as an excerpt from another Loveswept title.
The never-before-published memoir of Major-General Sir Edward Morrison, a true Canadian hero of the First World War. The First World War marked a turning point in Canadian history and in Canada’s self-identification as a nation. Yet in memorializing the iconic events and battles of the War, certain key individuals who participated have been lost in our collective memory. One of those individuals is Major-General Sir Edward Morrison. Morrison was instrumental in the Canadian Army’s efforts and achievements throughout the War, but especially from 1916 until 1918, when he commanded all Canadian artillery, including at the battles of Vimy Ridge and Passchendaele. An accomplished journalist who was the editor of both the Hamilton Spectator and the Ottawa Citizen, Morrison recorded his experiences, strategies, darkly humourous observations, and insights into the nature of modern warfare in a memoir that he completed but never published before his death in 1925. Now, with the permission of his estate, Morrison’s words are made public for the first time, with a thought-provoking introduction by military historian Susan Raby-Dunne. Morrison: The Long-lost Memoir of Canada’s Artillery Commander in the Great War is a fascinating and highly readable historical document that brings a rawness and immediacy to a century-old conflict.
Toni Morrison, winner of the Nobel Prize in Literature in 1993, is perhaps the most important living American author. This work examines Morrison's life and writing, featuring critical analyses of her work and themes, as well as entries on related topics and relevant people, places, and influences.
Second chances are often the best. Twelve years ago, long-time sweethearts, Verity Morrison and Bradford Pemberton, were torn apart by a vengeful act of Verity’s jealous sister. Refusing any other suitors, Verity has descended into spinsterhood at the family estate, her heart broken. After being disgraced and exiled to foreign lands, a now wealthy Bradford has returned to England in order to get to know his nephew, Charlie, better. He’s quite surprised to run into Verity who is chaperoning her niece. Their feelings are as intense for each other as always, but Bradford believes Verity long married and Verity believes Bradford is under her sister’s thrall. Neither bothers to correct the other. It takes a kidnapping, an unexpected rescuer, and mistaken identities to prove that true love does indeed deserve a second chance.
Toni Morrison, the eighth American to receive the Nobel Prize in Literature, is perhaps the most formally sophisticated novelist in the history of African-American literature. Astutely, she describes aspects of human lives and, unlike many other writers, reveals the hope and beauty that underlines the worlds ugliness. Her artistic excellence lies in achieving a perfect balance between black literature and writing abouth the universally truth. Although firmly grounded in the cultural heritage and social concerns of black Americans, her work transcends narrowly prescribed conceptions of ethnic literature, exhibiting universal mythical patterns and overtones. Her novels, thus, mourn on universal concerns. The endeavor in this study is to scrutinize the unspoken lexis of Toni Morrison’s works and to unveil the layers of humanistic concerns that provide denotations to her words. Earlier studies on this writer have concentrated on adjudging her as a writer addressing problems of black people. However, this book tries to extend this notion to encompass the problems of whole human community by assimilating blacks in the general drama of life. Before dyeing the strings of Morrison’s novels with the colour of humanist concerns, this book delineates the term ‘Humanism’ from which these humanistic concerns arise.
Selected critical interpretations of Dostoyevsky's novel Crime and Punishment..
A Study Guide for Toni Morrison's "Sula," excerpted from Gale's acclaimed Novels for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 2,3, University of Koblenz-Landau, language: English, abstract: This term paper deals with the novel Sula by Toni Morrison. Since the novel is written by an African-American writer it contains the different association of good and evil mentioned above. In addition, Sula deals with typical African-American folklore and through this blurs the lines between good and evil. Therefore, this paper will at first explain how good and evil are understood in African-American culture. The main part is an analysis of different scenes and characters in Sula. It will show how good and evil are treated in Sula, in consideration of the given examples in the first part. In the end, a conclusion will concentrate on the different views and possible interpretations of Sula and other main characters, from a Western and African-American point of view.
The original CliffsNotes study guides offer expert commentary on major themes, plots, characters, literary devices, and historical background. CliffsNotes on The Bluest Eye & Sula covers two of Toni Morrison’s unforgettable novels. The Bluest Eye, Morrison’s first novel, focuses on Pecola Breedlove, a lonely, young black girl living in Ohio in the late 1940s. Through Pecola, Morrison exposes the power and cruelty of white, middle-class American definitions of beauty. Sula, Morrison’s second novel, focuses on a young black girl named Sula, who matures into a strong and determined woman in the face of adversity and the distrust, even hatred, of her by the black community in which she lives. Morrison delves into the strong female relationships and how these bonds nurture and threaten individual identity. This study guide will take you beneath the surface of Morrison’s complex characters to uncover their universal themes. Helpful background information about the author brings these novels into context for even greater understanding. Other features that help you study include Complete character lists A character map that graphically illustrates the relationships among the characters Character analyses of major players Glossary of difficult terms Critical essays Review questions and essay topics Classic literature or modern modern-day treasure — you'll understand it all with expert information and insight from CliffsNotes study guides.
A child's descent into madness was explored in Eye.
Angels Dance and Angels Die tells the story of the turbulent relationship between legendary Doors front man, Jim Morrison, and his common-law wife, Pamela Courson. Follow the lives of Courson and Morrison before their fateful meeting in 1965; their lives together until Morrison's death in 1971; and Courson's life without Morrison, including her fight to gain the rights to his estate until her death from a heroin overdose on April 25, 1974.
Die letzten Tage des Jim Morrison Sein Leben als großer Rockpoet und charismatischer Sänger der Doors ist unvergessen, doch nur wenig ist bekannt über Jim Morrisons letzte Tage in Paris im Jahre 1971. Philip Steele, selbst erfolgreicher Musiker und Komponist, lernte Jim Morrison kurz vor dessen Tod in der „city of light“ kennen. In seinem bewegenden Roman schildert er den tragischen Niedergang des einst so gefeierten Helden bis zu dessen mythenumwobenem Tod.
A reading of the oeuvre of Toni Morrison — fiction, non-fiction, and other — drawing extensively from her many interviews as well as her primary texts. The author aligns Morrison's novels with the works of Virginia Woolf and William Faulkner, assessing her works as among the most innovative, and most significant, worldwide, of the past fifty years.
<I>From Richard Wright to Toni Morrison: Ethics in Modern and Postmodern American Narrative studies the relationship of literature to contemporary ethical problems. Focusing on southern and African American writers, this book employs theoretical approaches from ethnicity studies, regional criticism, and postcolonial theory. It intends to insert a reading of ethics into the critical study of fictional and nonfictional narratives by Richard Wright, James Agee, Flannery O'Connor, Ernest J. Gaines, Walker Percy, Richard Ford, Toni Morrison, and other modern and postmodern American writers.
Jefferson questions whether Morrison is as politically progressive as has been widely assumed and probes why politically-minded literary critics have not noted the reactionary elements in her work. He sees scholars as following Morrison's own theory of her work--that is, that it must be analyzed according to African American "structures" and linguistic forms to uncover Afro-American "values." This approach, he argues, simply rehabilitates the tenets of pre-1970s liberal humanism: that Morrison's text is a transparent window into these apparently timeless and universal black values. Contains the introduction and first essay of the book Toni Morrison and the Limits of a Politics of Recognition. Also includes excerpts from the remainder of the book. FREE!
Is Toni Morrison's writing as politically progressive as is widely assumed? In this eye-opening study, critic William Jefferson argues that it is not. Analyzing Morrison's major texts from the 1970s, '80s, and '90s, Jefferson argues that Morrison's writing has advanced problematic conceptions of racial essentialism, sexuality, and agency that would not be identified as in any way progressive if issued from the pen of a white writer. More than merely showing readers underappreciated aspects of African-American history, Morrison's fiction has actively intervened in the politics of her era--and in ways politically reactionary and disturbing. Stepping back from Morrison's fiction, Jefferson asks why scholars have not recognized these political aspects of Morrison's writing. What he finds is a purportedly left-wing academy focused predominantly on recognizing the indisputably black aspects of Morrison's work. This "politics of recognition," unfortunately, also naturalizes Morrison's representations in the same manner liberal humanist criticism naturalized the representations of the pre-1970 literary canon.
Toni Morrison’s ninth novel, A Mercy, has been received with much acclaim by both the critical and lay reading public. Hailed as her best novel after the award-winning Beloved, most critics to date have concentrated on its setting in the late seventeenth century, a time in which, according to the author herself, slavery was “pre-racial,” a time before the “Terrible Transformation” irrevocably linked slavery to skin-color or “race.” Though a slender, easy to read novel, A Mercy is in fact a richly-layered text, full of multiple meanings and possibilities, a work of art that has only just begun to be “mined” for its critical import. The present volume is the first to deal with these possibilities, presenting a variety of critical approaches that include narrative theory, the eco-critical, the geographical, the allegorical, the Miltonian, the feminist, the metaphorical, and the Lacanian. As such, not only is it conceived to enrich the work of Morrison scholars and students, but also to illuminate the use of critical theory in elucidating a complex literary text. A Mercy clamors for close reading and thoughtful interrogation and promises to reward the perceptive reader.
Mobley's carefully argued study simultaneously offers important new insights into the works of these two significant women writers and points out ways in which narrative may be used as a catalyst for cultural and social change. "A richly suggestive study".--American Literature.
This is an illuminating and original introduction to Toni Morrison's fiction, focusing on its engagement with African-American history and the way the traumas of the collective past shape Morrison's work. Jill Matus approaches Morrison's fiction as a form of cultural memory concerned with obscured or erased history. She argues that Morrison sees African-American history--from the times of slavery to the continued racial oppressions of the twentieth century--as a history of traumatic experience, and explores how this powerful storyteller bears witness to a painful yet richly enlivening past. Morrison's novels are known for their great lyric power, but they often dwell on scenes of horror, and Matus emphasizes the uneasy relations of memory, pain and pleasure in literature. In doing so, she sheds new light on Morrison as a contemporary writer working at a time when literature is being urgently explored for its capacity to memorialize and testify. Direct and accessible, this critical study highlights the political and historical contexts of Morrison's work, offers close readings of each of the novels, and concludes with a critical overview of the field of Morrison studies.
Covering her essays, short stories and dramatic works as well as her novels, this is a comprehensive study of Morrison's place in contemporary American culture.