'Sold, a legal prostitute' when married off at the age of fifteen, Charlotte Smith left her wastrel husband to support herself and their children as a poet and novelist who would have a lasting influence on William Wordsworth and Jane Austen. Combative and witty she became a radical, controversial and very popular author: at a time when the French Revolution was raising high hopes of Reform, she argued for change in England too. Loraine Fletcher's vivid scholarly biography is as readable for the newcomer to the 1790s as for the specialist, tracing the embattled life in the wonderfully self-dramatising fiction.
Robert Burns is Scotland’s greatest cultural icon. Yet, despite his continued popularity, critical work has been compromised by the myths that have built up around him. McGuirk focuses on Burns’s poems and songs, analysing his use of both vernacular Scots and literary English to provide a unique reading of his work.
First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
The job of the skin is to keep things in... On the buttoned-down island of Here, all is well. By which we mean: orderly, neat, contained and, moreover, beardless. Or at least it is until one famous day, when Dave, bald but for a single hair, finds himself assailed by a terrifying, unstoppable...monster*! Where did it come from? How should the islanders deal with it? And what, most importantly, are they going to do with Dave? The first book from a new leading light of UK comics, The Gigantic Beard That Was Evil is an off-beat fable worthy of Roald Dahl. It is about life, death and the meaning of beards. (*We mean a gigantic beard, basically.)
**SHORTLISTED FOR THE GOLDEN MAN BOOKER PRIZE** Claudia Hampton - beautiful, famous, independent, dying. But she remains defiant to the last, telling her nurses that she will write a 'history of the world . . . and in the process, my own'. And it is her story from a childhood just after the First World War through the Second and beyond. But Claudia's life is entwined with others and she must allow those who knew her, loved her, the chance to speak, to put across their point of view. There is Gordon, brother and adversary; Jasper, her untrustworthy lover and father of Lisa, her cool conventional daughter; and then there is Tom, her one great love, found and lost in wartime Egypt. Moon Tiger is a haunting story of loss and desire. 'Leaves its traces in the air long after you've put it away' Anne Tyler 'A complex tapestry of great subtlety. Lively writes so well, savouring the words as she goes' Daily Telegraph 'Lively's ability to bring her character and the world she inhabits into full technicolour is beautiful. This is a unique book about a fascinating unpredictable woman way ahead of her time and yet absolutely of her time' Lemn Sissay
A beloved wife is unaccountably transformed into a fox in this modern folktale. Humor, fantasy, allegory, and realism combine in a portrait of a husband's devotion and a woman's struggle to maintain her humanity.
Winner of the 2015 Melbourne Prize Best Writing Award. A novel about memory, music, friendship, family rifts and reconciliation, this is a beautiful, intelligent read. Nina Jameson, an international consultant on memorial projects based in London, has been happily married to Daniel for twelve years. When her life falls apart she accepts a job in her hometown of Melbourne. There she joins her sister, Zoe, embroiled in her own problems with Elliot, an American biographer of literary women. And she finds herself caught up in age-old conflicts of two friends from her past: the celebrated pianist Ramsay Blake and his younger brother, Sean. All these people have been treading thin ice for far too long. Nina arrives home to find work, loves and entrenched obsessions under threat. A rich and compelling story of marriage, music, the illusions of love and the deceits of memory, THE MEMORY TRAP's characters are real, flawed and touchingly human.
· What unspeakable horror glimpsed in the basement of a private library in West Yorkshire drove a man to madness and an early grave? · What led to an underground echo chamber in a Manchester recording studio being sealed up for good? · What creature walks the endless sands of Lancashire's Fleetwood Bay, and what connects it to an unmanned craft washed ashore in Port Elizabeth, nearly six thousand miles away? In 2009 Jeremy Dyson was contacted by a journalist wanting help bringing together accounts of true life ghost stories from across the British Isles. The Haunted Book chronicles the journey Dyson, formerly a hardened sceptic, went on to uncover the truth behind these tales.
Currently the definitive text in the field and now available in an expanded third edition, Eighteenth-Century Poetry presents the rich diversity of English poetry from 1700-1800 in authoritative texts and with full scholarly annotation. Balanced to reflect current interests and “favorites” (including prominent poets like Finch, Swift, Pope, Montagu, Johnson, Gray, Burns, and Cowper) as well as less familiar material, offering a variety of voices and new directions for research and learning Includes 46 new poems with more texts by women poets and the inclusion of four additional poets (Mary Barber, Mehetabel Wright, Anna Seward, and Mary Robinson); poems reflecting new ecological approaches to 18th-century literature; and poems on the art of writing Accessible and user-friendly, with generous head notes, full foot-of-page annotations, an expanded thematic index, and a visually appealing text design
From the American and French revolutions to modern theories of consciousness to contemporary entertainment (the hit TV series Lost features a character named John Locke who espouses Lockeian concepts), the influence of English philosopher JOHN LOCKE (16321704) falls wide and deep over Western culture. Yet his writings are less familiar to even serious readers and students of philosophy than that of other great thinkers of recent centuries. Here, Cosimo proudly presents, in 10 volumes, a replica of the 1801 tenth edition of Lockes collected works. Volume X includes: [ Continuation of Familiar Letters between Mr. Locke and several of his Friends [ The Character of Mr. Locke, by Mr. Peter Coste [ The fundamental Constitution of Carolina [ Remarks upon some of Mr. Norriss Books [ Rules of a Society [ Observations upon the Growth and Culture of Vines and Olives [ A History of Navigation from its Original to the Year 1704 [ A Catalogue and Character of most Books of Voyages and Travels [ a variety of letters [ and more.
Using clear, readable prose, conceptual artist and poet Kenneth Goldsmith’s manifesto shows how our time on the internet is not really wasted but is quite productive and creative as he puts the experience in its proper theoretical and philosophical context. Kenneth Goldsmith wants you to rethink the internet. Many people feel guilty after spending hours watching cat videos or clicking link after link after link. But Goldsmith sees that “wasted” time differently. Unlike old media, the internet demands active engagement—and it’s actually making us more social, more creative, even more productive. When Goldsmith, a renowned conceptual artist and poet, introduced a class at the University of Pennsylvania called “Wasting Time on the Internet”, he nearly broke the internet. The New Yorker, the Atlantic, the Washington Post, Slate, Vice, Time, CNN, the Telegraph, and many more, ran articles expressing their shock, dismay, and, ultimately, their curiosity. Goldsmith’s ideas struck a nerve, because they are brilliantly subversive—and endlessly shareable. In Wasting Time on the Internet, Goldsmith expands upon his provocative insights, contending that our digital lives are remaking human experience. When we’re “wasting time,” we’re actually creating a culture of collaboration. We’re reading and writing more—and quite differently. And we’re turning concepts of authority and authenticity upside-down. The internet puts us in a state between deep focus and subconscious flow, a state that Goldsmith argues is ideal for creativity. Where that creativity takes us will be one of the stories of the twenty-first century. Wide-ranging, counterintuitive, engrossing, unpredictable—like the internet itself—Wasting Time on the Internet is the manifesto you didn’t know you needed.