"At the edge of the woods the girl hesitated, then darted forward like a deer. Stopping in front of the house, she dug into the pocket of her dress and placed something on the bottom step. Then turned at once and ran, disappearing quickly into the pines." To Rainy Barnes, it is a mystery where this girl and her presents come from-a silver medallion on a chain, a bracelet with a fl at green stone, a bright gold ring. But the bigger mystery to Rainy is her own existence: as an infant she was found by Papa Will in the crook of a tree, wrapped in a big soft blanket, with raindrops on her cheeks. River Music is told in a symphony of voices, the voices of people, black and white, whose lives are intertwined in the unsettled, unsettling years following the Civil War. Throughout, the cadences of life in the rural South lure the reader to piece together Rainy's story and the stories of those around her.
(Piano Solo Songbook). Piano solo arrangements of 14 songs from the soundtrack to this 1982 hit film featuring music composed by Bruce Rowland. Includes: The Chase * Clancy's Theme * Harrison's Homestead/Jim Gets His Horse * Jessica's Theme (Breaking in the Colt) * Jim's Ride * The Man from Snowy River (Main Title Theme) * Mountain Theme * Searching for Jessica * and more.
Louisiana's Atchafalaya River Basin, the heart and soul of Acadiana, or Cajun country, is the focus of this compelling narrative by Ann McCutchan. A masterful weaving of cultural and environmental history, River Music also tells the life story of Louisiana musician, naturalist, and sound documentarian Earl Robicheaux. With Robicheaux as her guide, McCutchan embarks on a musical, visual, literary, and historical tour of the Atchafalaya, where bayous, swamps, marshes, and river delta country have long sustained nature and culture, even as industry has changed both the landscape and the people. Along the way, she and Robicheaux pay homage to distinctive voices of the region's singular soundscape, including Acadian and Native American elders, birds, frogs, alligators, wind, water, and weather, which Robicheaux chronicles in archival recordings and musical compositions for museum exhibits, radio programs, and repositories such as the Cornell Lab of Ornithology. A CD of Robicheaux's soundscapes is included with the book. In counterpoint, McCutchan recounts Robicheaux's remarkable struggles as a jazz and classical artist, Katrina victim, cancer survivor, and steadfast son of the Basin devoted to remembering, preserving, and sounding out the ecological and cultural riches of his home. An original blend of nature writing, music history, biography, journalism, and memoir, River Music: An Atchafalaya Story eloquently celebrates the one-and-half-million watery acres that have shaped the lives of the people there--and been transformed by them in return. An epilogue written in the aftermath of the Deepwater Horizon explosion and the disastrous oil spill that followed provides a fitting and poignant coda to this memorable book. (20110707)
“The American Negro,” Arthur Schomburg wrote in 1925, “must remake his past in order to make his future.” Many Harlem Renaissance figures agreed that reframing the black folk inheritance could play a major role in imagining a new future of racial equality and artistic freedom. In Deep River Paul Allen Anderson focuses on the role of African American folk music in the Renaissance aesthetic and in political debates about racial performance, social memory, and national identity. Deep River elucidates how spirituals, African American concert music, the blues, and jazz became symbolic sites of social memory and anticipation during the Harlem Renaissance. Anderson traces the roots of this period’s debates about music to the American and European tours of the Fisk Jubilee Singers in the 1870s and to W. E. B. Du Bois’s influential writings at the turn of the century about folk culture and its bearing on racial progress and national identity. He details how musical idioms spoke to contrasting visions of New Negro art, folk authenticity, and modernist cosmopolitanism in the works of Du Bois, Alain Locke, Zora Neale Hurston, Langston Hughes, Jean Toomer, Sterling Brown, Roland Hayes, Paul Robeson, Carl Van Vechten, and others. In addition to revisiting the place of music in the culture wars of the 1920s, Deep River provides fresh perspectives on the aesthetics of race and the politics of music in Popular Front and Swing Era music criticism, African American critical theory, and contemporary musicology. Deep River offers a sophisticated historical account of American racial ideologies and their function in music criticism and modernist thought. It will interest general readers as well as students of African American studies, American studies, intellectual history, musicology, and literature.
A painstaking effort more than 10 years in the making, this is the definitive biography of Robert Shaw, the father of American choral music. Shaw stands alongside key figures who created a culture of classical music in the United States, such as Leonard Bernstein and George Gershwin, and his work is well-known among today's thousands of choral conductors. Shaw received 14 Grammy Awards, the first Guggenheim Fellowship ever awarded to a conductor, and four ASCAP Awards for service to contemporary music, as well as many other distinguished awards and recognitions. With numerous black-and-white photos, this essential work brings to light all aspects of the life and accomplishments of an American classical music icon. A DVD is included that contains 4.5 hours of rare footage of Robert Shaw in rehearsal at Boston University.
CRY ME A RIVER Series: Piano Vocal Artist: Julie London Sheet Music
Will be shipped from US. Used books may not include companion materials, may have some shelf wear, may contain highlighting/notes, may not include CDs or access codes. 100% money back guarantee.
The Irish Music and Dance Phenomenon
There had always been music along the banks of the Congo River—lutes and drums, the myriad instruments handed down from ancestors. But when Joseph Kabasele and his African Jazz went chop for chop with O.K. Jazz and Bantous de la Capitale, music in Africa would never be the same. A sultry rumba washed in relentless waves across new nations springing up below the Sahara. The Western press would dub the sound soukous or rumba rock; most of Africa called in Congo music.Born in Kinshasa and Brazzaville at the end of World War II, Congon music matured as Africans fought to consolidate their hard-won independence. In addition to great musicians—Franco, Essous, Abeti, Tabu Ley, and youth bands like Zaiko Langa Langa—the cast of characters includes the conniving King Leopold II, the martyred Patrice Lumumba, corrupt dictator Mobutu Sese Seko, military strongman Denis Sassou Nguesso, heavyweight boxing champs George Foreman and Muhammad Ali, along with a Belgian baron and a clutch of enterprising Greek expatriates who pioneered the Congolese recording industry.Rumba on the River presents a snapshot of an era when the currents of tradition and modernization collided along the banks of the Congo. It is the story of twin capitals engulfed in political struggle and the vibrant new music that flowered amidst the ferment.For more information on the book, visit its other online home at rumbaontheriver.com—an impressive resource.
MOON RIVER Series: Piano Vocal Sheet Music
"Moon River", Simplified Piano Solo, original sheet music, with Large Notes and Words. Words by Johnny Mercer, Music by Henry Mancini. Arr. by George N. Terry. Song c. 1961, this arrangement c. 1963.