First Published in 2017. Routledge is an imprint of Taylor & Francis, an Informa company.
This series of close readings relates architecture, politics, and literary form to shed new light on the works of Wordsworth, Coleridge, and Southey, offering new insights.
Designed to complement the author's A History of Modern Britain, this collection of primary sources illuminates and augments the study of modern Britain with coverage of political, imperial, and economic history as well as class and cultural issues Features a broad range of documents, in a well-structured and easy-to-use format, including important, well-known documents and lesser-known excerpts from memoirs and private correspondence Provides up-to-date, balanced coverage of political, imperial, social, economic, and cultural history with over 180 documents Offers a thorough rendering of social class and national identity, including coverage of changes in British society over the last 20 years Includes discussion questions for each document, as well as lists of historical debates and extensive bibliographies of both on-line and traditional sources for students' further research
This book examines the place of 'saints' and sanctity in a self-consciously modern age, and argues that Protestants were as fascinated by such figures as Catholics were. Long after the mechanisms of canonisation had disappeared, people continued not only to engage with the saints of the past but continued to make their own saints in all but name. Just as strikingly, it claims that devotional practices and language were not the property of orthodox Christians alone. Making and remaking saints in the nineteenth-century Britain explores for the first time how sainthood remained significant in this period both as an enduring institution and as a metaphor that could be transposed into unexpected contexts. Each of the chapters in this volume focuses on the reception of a particular individual or group, and together they will appeal to not only historians of religion, but those concerned with material culture, the cult of history, and with the reshaping of British identities in an age of faith and doubt.
Victorian Literature is a comprehensive and fully annotated anthology with a flexible design that allows teachers and students to pursue traditional or innovative lines of inquiry – from the canon to its extensions and its contexts. Represents the period’s major writers of prose, poetry, drama, and more, including Tennyson, Arnold, the Brownings, Carlyle, Ruskin, the Rossettis, Wilde, Eliot, and the Brontës Promotes an ideologically and culturally varied view of Victorian society with the inclusion of women, working-class, colonial, and gay and lesbian writers Incorporates recent scholarship with 5 contextual sections and innovative sub-sections on topics like environmentalism and animal rights; mass literacy and mass media; sex and sexuality; melodrama and comedy; the Irish question; ruling India and the Indian Mutiny and innovations in print culture Emphasizes the interdisciplinary nature of the field with a focus on social, cultural, artistic, and historical factors Includes a fully annotated companion website for teachers and students offering expanded context sections, additional readings from key writers, appendices, and an extensive bibliography
Romantic Cosmopolitanism shows how cosmopolitanism in the early nineteenth century offers a non-unified formulation of the nation that stands in contrast to more unified models such as Edmund Burke's which found nationality in, among other things, language, history, blood and geography.
Incorporating a broad range of contemporary scholarship, A History of Victorian Literature presents an overview of the literature produced in Great Britain between 1830 and 1900, with fresh consideration of both major figures and some of the era's less familiar authors. Part of the Blackwell Histories of Literature series, the book describes the development of the Victorian literary movement and places it within its cultural, social and political context. A wide-ranging narrative overview of literature in Great Britain between 1830 and 1900, capturing the extraordinary variety of literary output produced during this era Analyzes the development of all literary forms during this period - the novel, poetry, drama, autobiography and critical prose - in conjunction with major developments in social and intellectual history Considers the ways in which writers engaged with new forms of social responsibility in their work, as Britain transformed into the world's first industrial economy Offers a fresh perspective on the work of both major figures and some of the era’s less familiar authors Winner of a Choice Outstanding Academic Title award, 2009
This important contribution to both Romantic and cultural studies situates literature by Wordsworth, Southey, Hunt, Clare, and Blake within the context of folklore and popular customs associated with May Day. Romantic responses to May Day bring into focus a range of issues now regarded as central to the writing of the period – the natural world, city life, the pastoral, regional and national identities, popular culture, cultural degeneration, and cultural difference. Essaka Joshua explores new connections between these issues in the context of a set of heterogeneous cultural practices that are rooted in the traditions and activities of diverse social groups. She shows how Romantic writers have positioned themselves in relation to what has become known as the public sphere, and the way in which they articulate an understanding of the common sphere as a site of plebeian self-expression. Joshua's nuanced account acknowledges the full complexity of class formations and inter-class relationships and permits noncanonical and canonical texts such as the Prelude, Songs of Innocence and Experience, and 'The Village Minstrel' to be reinterpreted in a cultural context that has not been previously explored by literary critics.
First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
This book demonstrates how oral history can provide a valuable way of understanding locality, which is important in light of major issues facing the world today, including global environmental concerns.
By the time that Queen Victoria ascended the throne in 1837, the list of crimes liable to attract the death penalty had effectively been reduced to murder. Yet, despite this, the gallows remained a source of controversy in Victorian Britain and there was a growing unease in liberal quarters surrounding the question of capital punishment. In this book, James Gregory examines organised efforts to abolish capital punishment in Britain and the Empire in the Victorian era, focusing particularly on the activities of the Society for the Abolition of Capital Punishment. The amelioration of the notoriously ‘Bloody Code’ of the British state may have limited capital punishment effectively to a small number of murderers after 1840 but, despite this, capital punishment was a matter of perennial debate, from the local arena of school debating societies to the ‘imperial Parliament’, and a topic to trouble the minds of thoughtful Victorians across the British world. Drawing on a wide range of sources, from pamphlets by abolitionists or their opponents to gallows broadsides, official inquiries, provincial newspapers, novels and short stories, Gregory studies a movement acknowledged by contemporaries to be agitating one of the ‘questions of the day’ - challenging as it did contemporary theology, state infliction of violence, and prevalent ideas about punishment. He explores important aspects such as: capital punishment debates in the ‘Lex Britannica’ of British colonies and dominions, the role of women abolitionists and the class and gendered inflexions to the ‘gallows question’, the representation of the problem of capital punishment in Victorian fiction, and the relationship between abolitionists and the Home Office which exercised the royal prerogative of mercy. While the abolitionism of Nonconformist reformers such as the Quakers and Unitarians is familiar, Gregory introduces the reader to the abolitionist debates in Jewish, secularist and spiritualist circles, and explores themes such as the imagined role of the Queen as ‘fount of mercy’ and the disturbing figure of the hangman. Studying the provincial, national and international aspects to the movement, Victorians Against the Gallows offers an important contribution to our understanding of Victorian reform activities, and Victorian culture.
Why and how did people read literature on North America by explorers, travellers, emigrants, and tourists? This is the central question Robin Jarvis takes up as he addresses a significant gap in scholarship on travel writing: its contemporary reception. Referencing reviews in the periodical press, personal journals, letters, autobiographies, marginalia, and bibliographical evidence relating to the production, distribution, and reception of travel literature, Jarvis focuses especially on the ideas and perceptions of North America expressed by individuals who never visited the subcontinent. Among the issues Jarvis explores are what the British reception of North American travel narratives says about the ways in which the United States was imagined in the Romantic period; how poets such as Samuel Taylor Coleridge, Felicia Hemans, Robert Southey, and William Wordsworth, all voracious travel readers, incorporated their readings of travel books into their works; and the ways in which the reception of North American travel writing should be contextualized within the broader contours of British society and culture. Significantly, Jarvis differentiates between different communities of readers to show the extent to which class or professional status affected the way travel literature was read. Of equally crucial importance, he discusses the reception of travel literature on Canada and the Arctic as distinct from that on the United States. His book constitutes the most thorough exploration to date of the private reading experiences of travel literature during the Romantic period.
From the introduction: "I publish these essays at the present time for a particular reason connected with the present situation; a reason which I should like briefly to emphasise and make clear. Though most of the conclusions, especially towards the end, are conceived with reference to recent events, the actual bulk of preliminary notes about the science of Eugenics were written before the war.[...]"
Britain is under attack, and winning at Dorking is the only way the empire can be saved It is the late nineteenth century, and a country much like Germany is on the move in Europe. It has already beaten its rivals on the continent and mobilized to the Netherlands, provoking the fear of British citizens. Then the nation strikes. Its powerful weapons destroy the Royal Navy, and invasion cannot be far behind. Written as a hypothetical exercise to raise awareness among average British citizens about the potential danger that a resurgent Germany could pose, The Battle of Dorking earned its place in literary history as the forerunner to the invasion-novel genre, predating The War of the Worlds by almost twenty years. The novel’s drama, which culminates in a fight that will change the course of history forever, thrilled audiences when it was originally released as a serial, and it maintains its power today. This ebook has been professionally proofread to ensure accuracy and readability on all devices.
Lynda Pratt's collection of specially commissioned essays is the first edited volume devoted to the multiple connections between Robert Southey (1774-1843) and English Romantic culture. A major and highly controversial personage in his own day, Southey has until recently been the forgotten member of the Lake School.
This book is part of the TREDITION CLASSICS series. The creators of this series are united by passion for literature and driven by the intention of making all public domain books available in printed format again - worldwide. At tredition we believe that a great book never goes out of style. Several mostly non-profit literature projects provide content to tredition. To support their good work, tredition donates a portion of the proceeds from each sold copy. As a reader of a TREDITION CLASSICS book, you support our mission to save many of the amazing works of world literature from oblivion.
Between Utopia and Dystopia offers a new interpretation of Erasmian humanism. It argues that Erasmian humanism created the identity of the universal and critical intellectual, but that this identity undermined the fundamental premises of humanist discourse. It closely reads several works of Erasmus and Thomas More, employing an interdisciplinary approach to the study of intellectual history, and adopting theoretical insights and methodological procedures from various disciplines.
Dutch humanist and theologian. Erasmus was a classical scholar who wrote in a "pure" Latin style and enjoyed the sobriquet "Prince of the Humanists." He has been called "the crowning glory of the Christian humanists." Using humanist techniques for working on texts, he prepared important new Latin and Greek editions of the New Testament. These raised questions that would be influential in the Protestant Reformation and Catholic Counter-Reformation. He also wrote The Praise of Folly, Handbook of a Christian Knight, On Civility in Children, Copia: Foundations of the Abundant Style, Julius Exclusus, and many other works.
In historiography, the Idea of Progress is the theory that advances in technology, science, and social organization inevitably produce an improvement in the general human condition. Meaning, people can be happier in terms of quality of life through economic development and the application of scientific progress. "To the minds of most people the desirable outcome of human development would be a condition of society in which all the inhabitants of the planet would enjoy a perfectly happy existence."
A savagely satirical tale of marital revenge.
First published in 1959. Routledge is an imprint of Taylor & Francis, an informa company.
This vintage book contains Sir Walter Scott's 1816 novel, "The Antiquary". There are many characters in this story, but the eponymous antiquary represents a central figure around which the other exciting characters and events revolve. Complete with hidden treasure, a mysterious young man, and a moonlit funeral procession, this volume constitutes Walpole’s gothic novel, and is highly recommended for those with a love for the genre. Sir Walter Scott (1771 - 1832) was a Scottish historical novelist, poet, and playwright - considered to be the first truly international English-language author. Many vintage texts such as this are increasingly scarce and expensive, and it is with this in mind that we are republishing this book now, in an affordable, high-quality, modern edition. It comes complete with a specially commissioned biography of the author.
Life is getting better—and at an accelerating rate. Food availability, income, and life span are up; disease, child mortality, and violence are down — all across the globe. Though the world is far from perfect, necessities and luxuries alike are getting cheaper; population growth is slowing; Africa is following Asia out of poverty; the Internet, the mobile phone, and container shipping are enriching people’s lives as never before. The pessimists who dominate public discourse insist that we will soon reach a turning point and things will start to get worse. But they have been saying this for two hundred years. Yet Matt Ridley does more than describe how things are getting better. He explains why. Prosperity comes from everybody working for everybody else. The habit of exchange and specialization—which started more than 100,000 years ago—has created a collective brain that sets human living standards on a rising trend. The mutual dependence, trust, and sharing that result are causes for hope, not despair. This bold book covers the entire sweep of human history, from the Stone Age to the Internet, from the stagnation of the Ming empire to the invention of the steam engine, from the population explosion to the likely consequences of climate change. It ends with a confident assertion that thanks to the ceaseless capacity of the human race for innovative change, and despite inevitable disasters along the way, the twenty-first century will see both human prosperity and natural biodiversity enhanced. Acute, refreshing, and revelatory, The Rational Optimist will change your way of thinking about the world for the better.
The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each vlume presents contemporary responses to a writer's work, enabling the student or researcher to read the material themselves.
As the most populous province in Canada, Ontario is a microcosm of the animal welfare issues which beset Western civilization. The authors of this book, chairman and vice-chairman, respectively, of the Ontario Society for the Prevention of Cruelty to Animals, find themselves constantly being made aware of the atrocities committed in the Society’s jurisdiction. They have been, in turn, puzzled, exasperated and horrified at humanity’s cruelty to our fellow sentient beings. The issues discussed in this book are the most contentious in animal welfare disputes — animal experimentation, fur-farming and trapping, the use of animals for human entertainment and the conditions under which animals are raised for human consumption. They are complex issues and should be thought about fairly and seriously. The authors, standing squarely on the side of the animals, suggest “community” and “belonging” as concepts through which to understand our relationships to other species. They ground their ideas in Wordsworth’s “primal sympathy” and Jung’s “unconscious identity” with the animal realm. The philosophy developed in this book embraces common sense and compromise as the surest paths to the goal of animal welfare. It requires respect and consideration for other species while acknowledging our primary obligations to our fellow humans.