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Laurie Langbauer

A juvenile tradition of young writers flourished in Britain between 1750-1835. Canonical Romantic poets as well as now-unknown youthful writers published as teenagers. These teenage writers reflected on their literary juvenilia by using the trope of prolepsis to assert their writing as a literary tradition. Precocious writing, child prodigies, and early genius had been topics of interest since the eighteenth century. Child authors—girl poets and boy poets, schoolboy writers and undergraduate writers, juvenile authors of all kinds—found new publication opportunities because of major shifts in the periodical press, publishing, and education. School magazines and popular juvenile magazines that awarded prizes to child writers all made youthful authorship more visible. Some historians estimate that minors (children and teens) comprised over half the population at the beginning of the nineteenth century. Modern interest in Romanticism, and the self-taught and women writers' traditions, has occluded the tradition of juvenile writers. This first full-length study to recover the late-eighteenth and early-nineteenth-century juvenile tradition draws on the history of childhood and child studies, along with reception study and audience history. It considers the literary juvenilia of Thomas Chatterton, Henry Kirke White, Robert Southey, Leigh Hunt, Jane Austen, and Felicia Hemans (then Felicia Dorothea Browne)-along with the childhood writing of Byron, Mary Shelley, Percy Shelley, and John Keats-and a score of other young poets-"-no longer familiar today. Recovering juvenility recasts literary history. Adolescent writers, acting proleptically, ignored the assumptions of childhood development and the disparagement of supposedly immature writing.

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S. Behrendt

This book examines the widespread response in British artistic media to the death in childbirth in 1817 of Princess Charlotte Augusta of Wales, daughter of the Prince Regent and heiress to the throne, showing how both in print materials like poetry and sermons and extra-literary artifacts like visual art, ceramics, metalwork, and textiles her life and death were invested with the qualities of myth even as her memorialists appropriated her experiences in the process of producing consumer commodities for an emerging mass audience.

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Dennis Low

Dennis Low's re-evaluation of the Lake Poets as mentors begins with the controversial premise that Robert Southey was one of the nineteenth-century's greatest champions of women's writing. Together with Wordsworth and Coleridge, Low argues, Southey tried to end what he perceived to be the cultural decline of literature by nurturing the creative talents of many exceptional women writers. Drawing on 3,000 unpublished manuscripts in England, Scotland and the United States, Low examines the lives and works of four of the Lake Poets' literary protégées: Caroline Bowles, Maria Gowen Brooks, Sara Coleridge and Maria Jane Jewsbury. Though diverse in terms of their literary production, these women were united in their defiant efforts to write against an increasingly stagnant cultural milieu and their negotiation, wholeheartedly encouraged by their mentors, of contemporary publishing mores. This scrupulously researched book is a valuable contribution to the study of little-known women writers and to our understanding of the literary and publishing environment of Britain in the 1820s and 1830s.

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Lionel Madden

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each vlume presents contemporary responses to a writer's work, enabling the student or researcher to read the material themselves.

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Lynda Pratt

Lynda Pratt's collection of specially commissioned essays is the first edited volume devoted to the multiple connections between Robert Southey (1774-1843) and English Romantic culture. A major and highly controversial personage in his own day, Southey has until recently been the forgotten member of the Lake School.

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Peter Cochran

Byron and Bob is the first book ever to be dedicated to the most important literary relationship in Byron’s career – that with the Poet Laureate, Robert Southey, whom he hated, and to whom he “dedicated” his most important poem, Don Juan. Drawing on much unseen manuscript material, Peter Cochran shows that although Byron’s antipathy towards Southey was at first a normal literary distaste, it became, the more he ingested his private image of Southey, a projected self-distrust, a dislike of everything in himself with which he was unhappy. The book has as appendix a double edition of the two Visions of Judgement, firstly Southey’s original, and then Byron’s travesty, in which he has succeeded in rendering his enemy ridiculous to all succeeding generations. These two important works have not been published together for many years.

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Robert Southey

Although his fame has long been eclipsed by his friends Wordsworth and Coleridge, the Lake Poet Robert Southey held the position of Poet Laureate for 30 years from 1813 until his death in 1843, publishing a large body of epic poems, odes, ballads and many other forms of literature. And now, for the first time in digital publishing history, you can own Southey’s complete poetical works on your eReader, with beautiful illustrations, rare works and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Southey's life and works * Concise introductions to the poetry and other works * Images of how the poetry books were first printed, giving your eReader a taste of the original texts * Includes the complete epic poems – with many rare works appearing in digital publishing for the first time * Excellent formatting of the poems * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Includes Southey's collaborative play, which he wrote with Coleridge * Selected prose section, including the famous Nelson biography and The Three Bears story * Features two biographies - discover Southey's literary life * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Poetry Collections JOAN OF ARC THE VISION OF THE MAID OF ORLEANS THE TRIUMPH OF WOMAN WAT TYLER POEMS CONCERNING THE SLAVE TRADE BOTANY BAY ECLOGUES SONNETS MONODRAMAS THE AMATORY POEMS OF ABEL SHUFFLEBOTTOM LYRIC POEMS SONGS OF THE AMERICAN INDIANS OCCASIONAL PIECES ENGLISH ECLOGUES NONDESCRIPTS THE DEVIL’S WALK INSCRIPTIONS CARMEN TRIUMPHALE ODES MADOC THALABA THE DESTROYER BALLADS THE CURSE OF KEHAMA RODERICK, THE LAST OF THE GOTHS THE POET’S PILGRIMAGE TO WATERLOO CARMEN NUPTIALE: THE LAY OF THE LAUREATE FUNERAL SONG FOR THE PRINCESS CHARLOTTE OF WALES A VISION OF JUDGMENT OLIVER NEWMAN: A NEW ENGLAND TALE MISCELLANEOUS POETICAL REMAINS The Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER The Play THE FALL OF ROBESPIERRE Selected Prose THE LIFE OF HORATIO, LORD NELSON SIR THOMAS MORE, OR, COLLOQUIES ON THE PROGRESS AND PROSPECTS OF SOCIETY CHRONICLE OF THE CID THE STORY OF THE THREE BEARS The Biographies RECOLLECTIONS OF THE LAKE POETS by Thomas De Quincey REMINISCENCES OF SAMUEL TAYLOR COLERIDGE AND ROBERT SOUTHEY by Joseph Cottle Please visit www.delphiclassics.com to browse through our range of exciting titles

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William Wordsworth

First published in London in 1888, this is the complete works of one of the great poets of English Romanticism in ten charming, compact volumes. WILLIAM WORDSWORTH (1770-1850), Britain's Poet Laureate from 1843 until his death, limned some of the finest verse in the English language, tender poetry on human love and the natural world-some of his most memorable lines describe England's beautiful Lake District, where he spent much of his life, as filtered through his sensitive and serious heart. Beloved of readers for centuries, Wordsworth's timeless verse is a treasure to enjoy for the nourishment of one's own soul, and to share with other lovers of language.

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William Wordsworth

First published in London in 1888, this is the complete works of one of the great poets of English Romanticism in ten charming, compact volumes. WILLIAM WORDSWORTH (1770-1850), Britain's Poet Laureate from 1843 until his death, limned some of the finest verse in the English language, tender poetry on human love and the natural world-some of his most memorable lines describe England's beautiful Lake District, where he spent much of his life, as filtered through his sensitive and serious heart. Beloved of readers for centuries, Wordsworth's timeless verse is a treasure to enjoy for the nourishment of one's own soul, and to share with other lovers of language.

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Gary Dorrien

Winner: 2012 The American Publishers Award for Professional and Scholarly Excellence in Theology and Religious Studies, PROSE Award. In this thought-provoking new work, the world renowned theologian Gary Dorrien reveals how Kantian and post-Kantian idealism were instrumental in the foundation and development of modern Christian theology. Presents a radical rethinking of the roots of modern theology Reveals how Kantian and post-Kantian idealism were instrumental in the foundation and development of modern Christian theology Shows how it took Kant's writings on ethics and religion to launch a fully modern departure in religious thought Dissects Kant's three critiques of reason and his moral conception of religion Analyzes alternative arguments offered by Schleiermacher, Schelling, Hegel, and others - moving historically and chronologically through key figures in European philosophy and theology Presents notoriously difficult and intellectual arguments in a lucid and accessible manner

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Matthew Gregory Lewis

In the late eighteenth century, Matthew Gregory “Monk” Lewis, a notorious author of lurid Gothic novels and plays, began to gather this collection of horror ballads. Including original and traditional works, translations and adaptations, and even burlesques of the Gothic, this “hobgoblin repast,” as Lewis called it, brings together a fascinating assortment of works. Contributors include Lewis, the young Walter Scott, William Taylor of Norwich, John Leyden, and Robert Southey. Appendices contain selections from Tales of Terror (1801), a text long intertwined with Lewis’s collection; information on Scott’s An Apology for Tales of Terror (1799); and parodies and reviews of Lewis’s particular brand of Gothic poetry.

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K. Downing

Robinson Crusoe's call to adventure and do-it-yourself settlement resonated with British explorers. In tracing the links in a discursive chain through which a particular male subjectivity was forged, Karen Downing reveals how such men took their tensions with them to Australia, so that the colonies never were a solution to restless men's anxieties.

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S. Andrews

In Robert Southey , Andrews argues that Robert Southey's denunciation of global Catholicism is essential to understanding his life, works, and times. On this issue, Southey was absolutely consistent in all his work and the Poet Laureate's partisan rhetoric reveals much about the religious culture of this stormy period in England.

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James Robert Allard

That medicine becomes professionalized at the very moment that literature becomes "Romantic" is an important coincidence, and James Allard makes the most of it. His book restores the physical body to its proper place in Romantic studies by exploring the status of the human body during the period. With meticulous detail, he documents the way medical discourse consolidates a body susceptible to medical authority that is then represented in the works of Romantic era poets. In doing so, he attends not only to the history of medicine's professionalization but significantly to the rhetoric of legitimation that advances the authority of doctors over the bodies of patients and readers alike. After surveying trends in Romantic-era medicine and analyzing the body's treatment in key texts by Wordsworth and Joanna Baillie, Allard moves quickly to his central subject-the Poet-Physician. This hybrid figure, discovered in the works of the medically trained John Keats, John Thelwall, Thomas Lovell Beddoes, embodies the struggles occasioned by the discrepancies and affinities between medicine and poetry.

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Julia M. Wright

Exploring the ways in which transatlantic relationships functioned in the nineteenth century to unsettle hierarchical models of gender, race, and national and cultural differences, this collection demonstrates the generative potential of transatlantic studies to loosen demographic frames and challenge conveniently linear histories. The contributors take up a rich and varied range of topics, including Charlotte Smith's novelistic treatment of the American Revolution, The Old Manor House; Anna Jameson's counter-discursive constructions of gender in a travelogue; Felicia Hemans, Herman Melville, and the 'Queer Atlantic'; representations of indigenous religion and shamanism in British Romantic literary discourse; the mid-nineteenth-century transatlantic abolitionist movement; the transatlantic adventure novel; the exchanges of transatlantic print culture facilitated by the Minerva Press; British and Anglo-American representations of Niagara Falls; and Charles Brockden Brown's intervention in the literature of exploration. Taken together, the essays underscore the strategic power of the concept of the transatlantic to enable new perspectives on the politics of gender, race, and cultural difference as manifested in late eighteenth- and nineteenth-century Britain and North America.

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William Wordsworth

First published in London in 1888, this is the complete works of one of the great poets of English Romanticism in ten charming, compact volumes. WILLIAM WORDSWORTH (1770-1850), Britain's Poet Laureate from 1843 until his death, limned some of the finest verse in the English language, tender poetry on human love and the natural world-some of his most memorable lines describe England's beautiful Lake District, where he spent much of his life, as filtered through his sensitive and serious heart. Beloved of readers for centuries, Wordsworth's timeless verse is a treasure to enjoy for the nourishment of one's own soul, and to share with other lovers of language.

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Quentin Bailey

Wordsworth's Vagrants explores the poet's treatment of the 'idle and disorderly' in the context of the penal laws of the 1790s, when the terror of the French Revolution caused a crackdown on the beggars and vagrants who roamed the English countryside. From his work on the Salisbury Plain poems through to the poetry about vagrants, beggars, and lunatics in Lyrical Ballads, Quentin Bailey argues, Wordsworth attempted to imagine a way of relating to the vagrant and criminal poor that could challenge the systematizing impulses of William Pitt and Jeremy Bentham. Whereas writers had previously relied on sensibility and fellow-feeling to reveal the correct ordering of society, Wordsworth was writing in a period in which legislators, magistrates, and commentators agreed that a more aggressively interventionist approach and new institutional solutions were needed to tackle criminality and establish a disciplined and obedient workforce. Wordsworth's interest in individual psychology and solitude, Bailey suggests, grew out of his specific awareness of the Bloody Code and the discussions surrounding it. His study offers a way of reading Wordsworth's poetry that is sensitive to his early radicalism but which does not equate socio-political engagement solely with support for the French Revolution.

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William Wordsworth

Published seven years after William Wordsworth and Samuel Taylor Coleridge’s popular collection Lyrical Ballads, Wordsworth’s Poems, in Two Volumes shocked readers and drew scornful reviews. Poems was a revolutionary challenge to literary taste in revolution-weary times. The poems were perceived as inappropriately personal and egotistical in the attention that the poet pays to “moods of [his own] mind.” The collection is now seen as containing some of the most enduring works of British Romantic poetry, and Wordsworth’s achievement in opening up new worlds of subject matter, emotion, and poetic expression is widely recognized. Richard Matlak places the initial reaction to Poems in its historical context and explains the sea change in critical and popular opinion about these poems. The extensive historical documents place the poems in the context of Wordsworth’s life, contemporary politics, and the literary world of the early nineteenth century.

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Essaka Joshua

This important contribution to both Romantic and cultural studies situates literature by Wordsworth, Southey, Hunt, Clare, and Blake within the context of folklore and popular customs associated with May Day. Romantic responses to May Day bring into focus a range of issues now regarded as central to the writing of the period – the natural world, city life, the pastoral, regional and national identities, popular culture, cultural degeneration, and cultural difference. Essaka Joshua explores new connections between these issues in the context of a set of heterogeneous cultural practices that are rooted in the traditions and activities of diverse social groups. She shows how Romantic writers have positioned themselves in relation to what has become known as the public sphere, and the way in which they articulate an understanding of the common sphere as a site of plebeian self-expression. Joshua's nuanced account acknowledges the full complexity of class formations and inter-class relationships and permits noncanonical and canonical texts such as the Prelude, Songs of Innocence and Experience, and 'The Village Minstrel' to be reinterpreted in a cultural context that has not been previously explored by literary critics.

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William Wordsworth

First published in London in 1888, this is the complete works of one of the great poets of English Romanticism in ten charming, compact volumes. WILLIAM WORDSWORTH (1770-1850), Britain's Poet Laureate from 1843 until his death, limned some of the finest verse in the English language, tender poetry on human love and the natural world-some of his most memorable lines describe England's beautiful Lake District, where he spent much of his life, as filtered through his sensitive and serious heart. Beloved of readers for centuries, Wordsworth's timeless verse is a treasure to enjoy for the nourishment of one's own soul, and to share with other lovers of language.

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David Baker

Renowned poets and experts in metrics respond to Robert Wallace's pivotal essay which clarifies and simplifies methods of studying poetry. Former United States Poet Laureate Robert Hass has called Wallace's essay a paradigm shift in our understanding of English prosody.

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Robin Jarvis

Why and how did people read literature on North America by explorers, travellers, emigrants, and tourists? This is the central question Robin Jarvis takes up as he addresses a significant gap in scholarship on travel writing: its contemporary reception. Referencing reviews in the periodical press, personal journals, letters, autobiographies, marginalia, and bibliographical evidence relating to the production, distribution, and reception of travel literature, Jarvis focuses especially on the ideas and perceptions of North America expressed by individuals who never visited the subcontinent. Among the issues Jarvis explores are what the British reception of North American travel narratives says about the ways in which the United States was imagined in the Romantic period; how poets such as Samuel Taylor Coleridge, Felicia Hemans, Robert Southey, and William Wordsworth, all voracious travel readers, incorporated their readings of travel books into their works; and the ways in which the reception of North American travel writing should be contextualized within the broader contours of British society and culture. Significantly, Jarvis differentiates between different communities of readers to show the extent to which class or professional status affected the way travel literature was read. Of equally crucial importance, he discusses the reception of travel literature on Canada and the Arctic as distinct from that on the United States. His book constitutes the most thorough exploration to date of the private reading experiences of travel literature during the Romantic period.

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William Wordsworth

First published in London in 1888, this is the complete works of one of the great poets of English Romanticism in ten charming, compact volumes. WILLIAM WORDSWORTH (1770-1850), Britain's Poet Laureate from 1843 until his death, limned some of the finest verse in the English language, tender poetry on human love and the natural world-some of his most memorable lines describe England's beautiful Lake District, where he spent much of his life, as filtered through his sensitive and serious heart. Beloved of readers for centuries, Wordsworth's timeless verse is a treasure to enjoy for the nourishment of one's own soul, and to share with other lovers of language.

download ebook the complete poetical works of william wordsworth, 1798-1800 pdf epub

William Wordsworth

First published in London in 1888, this is the complete works of one of the great poets of English Romanticism in ten charming, compact volumes. WILLIAM WORDSWORTH (1770-1850), Britain's Poet Laureate from 1843 until his death, limned some of the finest verse in the English language, tender poetry on human love and the natural world-some of his most memorable lines describe England's beautiful Lake District, where he spent much of his life, as filtered through his sensitive and serious heart. Beloved of readers for centuries, Wordsworth's timeless verse is a treasure to enjoy for the nourishment of one's own soul, and to share with other lovers of language.

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A. Taylor

Erotic Coleridge charts Coleridge's prolific creation of love poems from early flirtatious verse to poems about marital incompatibility, the blank faces of young women fearing for their reputations, the obliterating seductions of young women, the exaltation of falling in love, the spoken and sung voices of women, the pain of jealousy, and late meditations on how to live with the waning of love. In his prose he responds to Parliamentary debates about punishing adulteresses and gives advice about how marriage can warp the soul. In his sensual exuberance and his ethics of reverencing the individuality of other persons, Coleridge attends closely to the lives of women.

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William Wordsworth

Volumes 1 to 4 of the 8 volume collection edited by William Knight, in a single file.These volumes include his finest and best-known poems (composed 1787-1813), including The Prelude. According to Wikipedia: "William Wordsworth (1770 – 1850) was a major English Romantic poet who, with Samuel Taylor Coleridge, helped launch the Romantic Age in English literature with their 1798 joint publication, Lyrical Ballads. Wordsworth's magnum opus is generally considered to be The Prelude, a semi autobiographical poem of his early years which the poet revised and expanded a number of times. The work was posthumously titled and published, prior to which it was generally known as the poem "to Coleridge". Wordsworth was England's Poet Laureate from 1843 until his death in 1850."

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Robert Woof

The Critical Heritage series collects together a large body of criticism on major figures in literature. Each volume presents the contemporary responses to a particular writer, enabling the student to follow the formation of critical attitudes to the writer's work and its place within a literary tradition. The carefully selected sources range from landmark essays in the history of criticism to fragments of contemporary opinion and little published documentary material, such as letters and diaries. Significant pieces of criticism from later periods are also included in order to demonstrate fluctuations in reputation following the writer's death. This new volume in the series includes criticism on the work of William Wordsworth during the period 1793-1820. Extremely wide-ranging in its coverage, over 250 diary extracts, letters, reviews, comments, and opinions by and about Wordsworth are gathered together here for the first time. An invaluable addition to any literary library.

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Mary Shelley

Mary Shelley’s third published novel, The Last Man, is a disillusioned vision of the end of civilization, set in the twenty-first century. The book offers a sweeping account of war, plague, love, and desolation. It is the sort of apocalyptic vision that was widespread at the time, though Shelley’s treatment of the theme goes beyond the conventional; it is extraordinarily interesting and deeply moving. If The Last Man is in some sense a “conventional” text of the period, it is also intensely personal in its origin; Shelley refers in her journal to the last man as her alter ego, “the last relic of a beloved race, my companions extinct before me.” The novel thus develops out of and contributes to a network of story and idea in which fantasy, allusion, convention, and autobiography are densely interwoven. This new version of the first edition (1826) sets out to provide not only a thoroughly annotated text, but also contextual materials to help the reader acquire knowledge of the intellectual and literary milieu out of which the novel emerged. Appendices include material on “the last man” as early nineteenth-century hero, texts from the debate initiated by Malthus in 1798 about the adequacy of food supply to sustain human population, various accounts of outbreaks of plague, and Shelley’s poems representing her feelings after the death of her husband.

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Tim Fulford,Michael E Sinatra

The Regency Revisited reconfigures Romantic Studies through a neglected timeframe. It demonstrates how politics and culture of the Regency years transformed literature. By co-opting authors, the Regency provoked opposition, and brought new genres and modes of writing to the fore. Key figures are Robert Southey and Leigh Hunt: The Regency Revisited shows their pivotal roles in transforming Romanticism. Austen and Byron also feature as authors who honed their satire in response to Regency culture. Other topics include Blake and popular art, Regency science (Humphry Davy), Moore and parlour songs, Cockney writing and Pierce Egan, and Anna Barbauld and the collecting and exhibiting that was so popular an aspect of Regency London.

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Frederick Burwick

A practical and comprehensive reference work, the Oxford Handbook provides the best single-volume source of original scholarship on all aspects of Coleridge's diverse writings. Thirty-seven chapters, bringing together the wisdome of experts from across the world, present an authoritative, in-depth, and up-to-date assessment of a major author of British Romanticism. The book is divided into sections on Biography, Prose Works, Poetic Works, Sources and Influences, and Reception. The Coleridge scholar today has ready access to a range of materials previously available only in library archives on both sides of the Atlantic. The Bollingen edition, of the Collected Works of Samuel Taylor Coleridge, forty years in production was completed in 2002. The Coleridge Notebooks (1957-2002) were also produced during this same period, five volumes of text with an additional five companion volumes of notes. The Clarendon Press of Oxford published the letters in six volumes (1956-1971). To take full advantage of the convenient access and new insight provided by these volumes, the Oxford Handbook examines the entire range and complexity of Coleridge's career. It analyzes the many aspects of Coleridge's literary, critical, philosophical, and theological pursuits, and it furnishes both students and advanced scholars with the proper tools for assimilating and illuminating Coleridge's rich and varied accomplishments, as well as offering an authoritative guide to the most up-to-date thinking about his achievements.

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Daniel Cook

Long before Wordsworth etherealized him as 'the marvellous Boy / The sleepless Soul that perished in its pride', Thomas Chatterton was touted as the 'second Shakespeare' by eighteenth-century Shakespeareans, ranked among the leading British poets by prominent literary critics, and likened to the fashionable modern prose stylists Macpherson, Sterne, and Smollett. His pseudo-medieval Rowley poems, in particular, engendered a renewed fascination with ancient English literature. With Chatterton as its case study, this book offers new insights into the formation and development of literary scholarship in the period, from the periodical press to the public lecture, from the review to the anthology, from textual to biographical criticism. Cook demonstrates that, while major scholars found Chatterton to be a pertinent subject for multiple literary debates in the eighteenth century, by the end of the Romantic period he had become, and still remains, an unsettling model of hubristic genius.

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Percy Bysshe Shelley

The 3-volume Oxford edition, edited by Thomas Hutchinson, and first published in 1914. According to Wikipedia: "Percy Bysshe Shelley (August 4, 1792 – July 8, 1822) was one of the major English Romantic poets and is widely considered to be among the finest lyric poets of the English language. He is perhaps most famous for such anthology pieces as Ozymandias, Ode to the West Wind, To a Skylark, and The Masque of Anarchy. However, his major works were long visionary poems including Alastor, Adonais, The Revolt of Islam, Prometheus Unbound and the unfinished The Triumph of Life."

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Marianne Van Remoortel

In a series of representative case studies, Marianne Van Remoortel traces the development of the sonnet during intense moments of change and stability, continuity and conflict, from the early Romantic period to the end of the nineteenth century. Paying particular attention to the role of the popular press, which served as a venue of innovation and as a site of recruitment for aspiring authors, Van Remoortel redefines the scope of the genre, including the ways in which its development is intricately related to issues of gender. Among her subjects are the Della Cruscans and their primary critic William Gifford, the young Samuel Taylor Coleridge and his circle, Elizabeth Barrett Browning's Sonnets from the Portuguese, George Meredith's Modern Love, Dante Gabriel Rossetti's House of Life and Augusta Webster's Mother and Daughter. As women became a force to be reckoned with among the reading public and the writing community, the term 'sonnet' often operated as a satirical label that was not restricted to poetry adhering to the strict formalities of the genre. Van Remoortel's study, in its attentiveness to the sonnet's feminization during the late eighteenth century, offers important insights into the ways in which changing attitudes about gender and genre shaped critics' interpretations of the reception histories of nineteenth-century sonnet sequences.

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D. Robinson

Once celebrated as 'the English Sappho,' Mary Robinson was a major figure in British Romanticism. This volume offers comprehensive study of Robinson's achievement as a poet, a professional writer, a formative influence on the Romantic movement, and a participant in the literary, political, and social scene of the late 1700s.

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O. Murphy

Jane Austen the Reader explains Austen's excellence and endurance by showing how her writing developed as a response to the writing of others: as parody, satire, criticism and even, on occasion, homage. Seeing Austen as a critic offers new insights into her creativity, and new interpretations of her novels.

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Patrick O\'Flaherty

Scotland’s Pariah is the first book to examine the remarkable life of John Pinkerton: antiquarian, poet, forger, cartographer, historian, serial adulterer, bigamist, and religious skeptic. A pugnacious and persistent man of letters who knew and was admired by literary masters such as Edward Gibbon, Horace Walpole, and William Godwin, Pinkerton’s life was full of personal and professional misadventures. Patrick O’Flaherty’s biography presents an engrossing account of Pinkerton’s life and works from his early years in Scotland to his Parisian exile, covering his major editorial, antiquarian, and geographic works. Examining Pinkerton’s involvement in the London literary scene, his conflicted relationship with the rise of Celtic nationalism, and his response to early literary romanticism, Scotland’s Pariah is a shrewd and compassionate evaluation of an astonishing literary life.

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Balachandra Rajan

Scholarly criticism of John Milton's writings has in recent decades been distinguished by a methodological prudence that separates it from other forms of literary scholarship. One critic, however, stands apart from his colleagues and has consistently offered a corrective to this prudence: Balachandra Rajan. In Milton and the Climates of Reading, Elizabeth Sauer undertakes the daunting work of bringing together a selection of Rajan's essays on Milton, some hitherto unpublished, in order to chart trends and changes in Milton scholarship over the last sixty years and to consider future directions in this vital field of inquiry. This collection, which is framed by Sauer's insightful introduction and an eloquent afterword by Joseph Wittreich, demonstrates Rajan's critical range and his ability to adapt to 'new' ideas, always reformulating them in his own characteristic and individual manner. Milton and the Climates of Reading offers timely statements about the ways in which Milton's writings not only addressed their own time, but also speak profoundly and powerfully to ours.

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Edgar Allan Poe

American poet, fiction writer, and literary critic EDGAR ALLAN POE (1809-1849) pioneered the short story, popularized romantic Gothic fiction in the United States in the 19th century, and almost single-handedly invented the genre of detective fiction. Appreciating Poe's work is essential to any understanding of American literature. Here, in 10 volumes, is the complete oeuvre of this American original. Available again in Cosimo's beautiful replica of the 1902 edition, finely illustrated by Canadian artist FREDERICK SIMPSON COBURN (1871-1960), and edited and with a critical introduction by American literary historian and journalist CHARLES F. RICHARDSON (1851-1913), this is a collection readers will treasure. Volume VII: Criticisms features: [ "Astoria" [ "Old English Poetry" [ "Fancy and Imagination" [ "The Quacks of Helicon-A Satire" [ "Margaret Miller and Lucretia Maria Davidson" [ "Charles Dickens" [ "Longfellow's Ballads" [ "Nathaniel Hawthorne" [ and more.