The idealistic son of a corrupt merchant exposes his father's duplicity, but in the process, destroys the very people he wishes to save.
David Eldridge's new version of Ibsen's classic, published to tie-in with the production at the Donmar Warehouse, London Should the truth be pursued whatever the cost? The idealistic son of a wealthy businessman seeks to expose his father's duplicity and to free his childhood friend from the lies on which his happy home life is based. This new version by David Eldridge of Henrik's Ibsen's classic play of 1884 opened at the Donmar Warehouse in December 2005. 'David Eldridge's version brings out Ibsen's permanent relevance without any textual coarsening' Guardian 'Five Stars. Flawless' Guardian 'A beautifully judged and absorbing piece of work' Independent 'Five Stars. Powerful and gripping' The Times 'Perhaps the greatest of Ibsen's plays ... A masterly production of a masterpiece' Telegraph
This carefully crafted ebook: “The Best of Henrik Ibsen: A Doll's House + Hedda Gabler + Ghosts + An Enemy of the People + The Wild Duck + Peer Gynt (Illustrated)” contains 6 books in one volume and is formatted for your eReader with a functional and detailed table of contents. 1. A Doll's House is a three-act play in prose by Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark in 1879. The play is significant for its critical attitude toward 19th century marriage norms. It aroused great controversy at the time, as it concludes with the protagonist, Nora, leaving her husband and children because she wants to discover herself. 2. Hedda Gabler is a play published in 1890. It premiered in 1891 in Germany and gained recognition as a classic of realism, nineteenth century theatre, and world drama. Hedda may be portrayed as an idealistic heroine fighting society, a victim of circumstance, a prototypical feminist, or a manipulative villain. 3. Ghosts is a play written in 1881 and first staged in 1882. Like many of Ibsen's better-known plays, Ghosts is a scathing commentary on 19th-century morality. Ghosts had challenged the hypocrisy of Victorian morality and was deemed indecent for its veiled references to syphilis. 4. An Enemy of the people is an 1882 play originally written in Danish in response to the public outcry against his play Ghosts, which at that time was considered scandalous. 5. The Wild Duck (1884), in a sense, solved Ibsen's own moral dilemma as he struggled between a militant idealism (as in Enemy of the People) and his own worldly temperament. With a pragmatic, anti-romantic viewpoint, this drama presents a continuum between the opposing values of the Ideal and the Real. 6. Peer Gynt is a five-act play in verse, based on the fairy tale Per Gynt. Written in the Dano-Norwegian language, it was first published in 1867. In Peer Gynt, Ibsen satirized the weaknesses of the Norwegian people, incorporating them into the character of Peer. Henrik Johan Ibsen (1828 – 1906) was a major 19th-century Norwegian playwright, theatre director, and poet. He is often referred to as "the father of realism" and is one of the founders of Modernism in theatre. His major works include Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, A Doll's House, Hedda Gabler, Ghosts, The Wild Duck, Rosmersholm, and The Master Builder.
The first novel from a gifted new Irish writer explores the prickly issue of emigration through the eyes of a young boy,growing up against the backdrop of rural Ireland,facing the trauma of leaving the world he knows for a world he hasonly heard of.
Written in the aftermath of hostile criticism of Ghosts, Ibsen's three plays all deal with the moral courage needed to tell the truth. They are peopled not by symbolic figures and abstract concepts, but by complex individuals pitted against, or part of, a society that Ibsen felt was morally abhorrent and claustrophobically provincial.
THE WILD DUCK CHASE is the basis for "The Million Dollar Duck,” a documentary feature film, directed by Brian Golden Davis and written by Martin J. Smith, premiering at The Slamdance Film Festival in January 2016. The book takes readers into the peculiar world of competitive duck painting as it played out during the 2010 Federal Duck Stamp Contest-the only juried art competition run by the U.S. government. Since 1934, the duck stamp, which is bought annually by hunters to certify their hunting license, has generated more than $750 million, and 98 cents of each collected dollar has been used to help purchase or lease 5.3 million acres of waterfowl habitat in the United States. As Martin J. Smith chronicles in his revealing narrative, within the microcosm of the duck stamp contest are intense ideological and cultural clashes between the mostly rural hunters who buy the stamps and the mostly suburban and urban birders and conservationists who decry the hunting of waterfowl. The competition also fuels dynamic tensions between competitors and judges, and among the invariably ambitious, sometimes obsessive and eccentric artists--including Minnesota's three fabled Hautman brothers, the "New York Yankees" of competitive duck painting. Martin Smith takes readers down an arcane and uniquely American rabbit hole into a wonderland of talent, ego, art, controversy, scandal, big money, and migratory waterfowl.
Because Ibsenite drama has become part of the history of the theater, a study of his work gives us a special insight into contemporary writings. The Modern 'theater of the absurd, ' for instance, expressing a personal alienation from society, is merely another form of the social criticism which Ibsen first inspired.